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Author: Sladja Blazan
Publisher: Springer Nature
ISBN: 3030818691
Category : Fiction
Languages : en
Pages : 208
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Book Description
This volume is a study of human entanglements with Nature as seen through the mode of haunting. As an interruption of the present by the past, haunting can express contemporary anxieties concerning our involvement in the transformation of natural environments and their ecosystems, and our complicity in their collapse. It can also express a much-needed sense of continuity and relationality. The complexity of the question—who and what gets to be called human with respect to the nonhuman—is reflected in these collected chapters, which, in their analysis of cinematic and literary representations of sentient Nature within the traditional gothic trope of haunting, bring together history, race, postcolonialism, and feminism with ecocriticism and media studies. Given the growing demand for narratives expressing our troubled relationship with Nature, it is imperative to analyze this contested ground. “Chapter 6” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Sladja Blazan
Publisher: Springer Nature
ISBN: 3030818691
Category : Fiction
Languages : en
Pages : 208
Get Book Here
Book Description
This volume is a study of human entanglements with Nature as seen through the mode of haunting. As an interruption of the present by the past, haunting can express contemporary anxieties concerning our involvement in the transformation of natural environments and their ecosystems, and our complicity in their collapse. It can also express a much-needed sense of continuity and relationality. The complexity of the question—who and what gets to be called human with respect to the nonhuman—is reflected in these collected chapters, which, in their analysis of cinematic and literary representations of sentient Nature within the traditional gothic trope of haunting, bring together history, race, postcolonialism, and feminism with ecocriticism and media studies. Given the growing demand for narratives expressing our troubled relationship with Nature, it is imperative to analyze this contested ground. “Chapter 6” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Author: Ruth Heholt
Publisher: Rowman & Littlefield
ISBN: 1783488832
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Haunted Landscapes offers a fresh and innovative approach to contemporary debates about landscape and the supernatural. Landscapes are often uncanny spaces embroiled in the past; associated with absence, memory and nostalgia. Yet experiences of haunting must in some way always belong to the present: they must be felt. This collection of essays opens up new and compelling areas of debate around the concepts of haunting, affect and landscape. Landscape studies, supernatural studies, haunting and memory are all rapidly growing fields of enquiry and this book synthesises ideas from several critical approaches – spectral, affective and spatial – to provide a new route into these subjects. Examining urban and rural landscapes, haunted domestic spaces, landscapes of trauma, and borderlands, this collection of essays is designed to cross disciplines and combine seemingly disparate academic approaches under the coherent locus of landscape and haunting. Presenting a timely intervention in some of the most pressing scholarly debates of our time, Haunted Landscapes offers an attractive array of essays that cover topics from Victorian times to the present.
Author: Mark V. Barrow
Publisher: University of Chicago Press
ISBN: 0226038157
Category : Nature
Languages : en
Pages : 511
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Book Description
The rapid growth of the American environmental movement in recent decades obscures the fact that long before the first Earth Day and the passage of the Endangered Species Act, naturalists and concerned citizens recognized—and worried about—the problem of human-caused extinction. As Mark V. Barrow reveals in Nature’s Ghosts, the threat of species loss has haunted Americans since the early days of the republic. From Thomas Jefferson’s day—when the fossil remains of such fantastic lost animals as the mastodon and the woolly mammoth were first reconstructed—through the pioneering conservation efforts of early naturalists like John James Audubon and John Muir, Barrow shows how Americans came to understand that it was not only possible for entire species to die out, but that humans themselves could be responsible for their extinction. With the destruction of the passenger pigeon and the precipitous decline of the bison, professional scientists and wildlife enthusiasts alike began to understand that even very common species were not safe from the juggernaut of modern, industrial society. That realization spawned public education and legislative campaigns that laid the foundation for the modern environmental movement and the preservation of such iconic creatures as the bald eagle, the California condor, and the whooping crane. A sweeping, beautifully illustrated historical narrative that unites the fascinating stories of endangered animals and the dedicated individuals who have studied and struggled to protect them, Nature’s Ghosts offers an unprecedented view of what we’ve lost—and a stark reminder of the hard work of preservation still ahead.
Author: Anneke Lubkowitz
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110678640
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
This study investigates the figure of haunting in the New Nature Writing. It begins with a historical survey of nature writing and traces how it came to represent an ideal of ‘natural’ space as empty of human history and social conflict. Building on a theoretical framework which combines insights from ecocriticism and spatial theory, the author explores the spatial dimensions of haunting and ‘hauntology’ and shows how 21st-century writers draw on a Gothic repertoire of seemingly supernatural occurrences and spectral imagery to portray ‘natural’ space as disturbed, uncanny and socially contested. Iain Sinclair and Robert Macfarlane are revealed to apply psychogeography’s interest in ‘hidden histories’ and haunted places to spaces associated with ‘wilderness’ and ‘the countryside’. Kathleen Jamie’s allusions to the Gothic are put in relation to her feminist re-writing of ‘the outdoors’, and John Burnside’s use of haunting is shown to dismantle fictions of ‘the far north’. This book provides not only a discussion of a wide range of factual and fictional narratives of the present but also an analysis of the intertextual dialogue with the Romantic tradition which enfolds in these texts.
Author: Leo Braudy
Publisher: Yale University Press
ISBN: 0300203802
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
Cover -- Half-title -- Title -- Copyright -- Contents -- Preface -- 1 Shaping Fear -- 2 Between Hope and Fear: Horror and Religion -- 3 Terror, Horror, and the Cult of Nature -- 4 Frankenstein, Robots, and Androids: Horror and the Manufactured Monster -- 5 The Detective's Reason -- 6 Jekyll and Hyde: The Monster from Within -- 7 Dracula and the Haunted Present -- 8 Horror in the Age of Visual Reproduction -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- X -- Y -- Z -- Illustrations
Author: Melanie Baak
Publisher: Springer
ISBN: 9463005889
Category : Education
Languages : en
Pages : 251
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Book Description
Belonging is an issue that affects us all, but for those who have been displaced, unsettled or made ‘homeless’ by the increased movements associated with the contemporary globalising era, belonging is under constant challenge. Migration throws into question not only the belongings of those who physically migrate, but also, particularly in a postcolonial context, the belongings of those who are indigenous to and ‘settlers’ in countries of migration, subsequent generations born to migrants, and those who are left behind in countries of origin. Negotiating Belongings utilises narrative, ethnographic and autoethnographic approaches to explore the negotiations for belonging for six women from Dinka communities originating in southern Sudan. It explores belonging, particularly in relation to migration, through a consideration of belonging to nation-states, ethnic groups, community, family and kin. In exploring how the journeys towards desired belongings are haunted by various social processes such as colonisation, power, ‘race’ and gender, the author argues that negotiating belonging is a continual movement between being and becoming. The research utilises and demands different ways of listening to and really hearing the narratives of the women as embedded within non-Western epistemologies and ontologies. Through this it develops an understanding of the relational ontology, cieng, that governs the ways in which the women exist in the world. The women’s narratives alongside the author’s experience within the Dinka community provide particular ways to interrogate the intersections of being and becoming on the haunted journey to belonging. The relational ontology of cieng provides an additional way of understanding belonging, becoming and being as always relational.
Author: Charlie Gere
Publisher: Bloomsbury Publishing
ISBN: 1350064688
Category : Philosophy
Languages : en
Pages : 204
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Book Description
The failure of secular modernity to deliver on its promise of progress and enlightenment leaves a void that religion is rushing to fill. Yet what kind of religious thinking and doing can be adequate to our posthuman condition? And how can we avoid either embracing religious fundamentalism and fantasy or remaining mired in hopeless atheistic nihilism? In Unnatural Theology Charlie Gere provides ways of thinking about the possibilities of religion and theology in the context of our highly technologized postmodernity. Taking its cue from a wide range of thinkers, from John Ruskin and Alfred North Whitehead, to Jacques Derrida, Judith Butler, Giorgio Agamben, Simon Critchley, Catherine Keller, Bruno Latour, and Timothy Morton, and artists such as Marcel Duchamp and Richard Hamilton, and films including The Incredible Shrinking Man, the book seeks the remnants of theology and religion in the realms of technology and media, and also art, as the basis of potential new religious thinking. Through an interdisciplinary engagement with these thinkers and artists it develops the notion of an unnatural theology as the basis of a new kind of religious thought that does not insult our intelligence.
Author: Oliver Goldsmith
Publisher:
ISBN:
Category :
Languages : en
Pages : 552
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Book Description
Author: Greg Jenkins
Publisher: Pineapple Press Inc
ISBN: 1561643289
Category : Fiction
Languages : en
Pages : 210
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Book Description
The history and legends behind a number of Florida's haunted locations, including thorough background information on each locale and biographies of its ghostly residents, plus bone-chilling accounts taken from firsthand witnesses of spooky phenomena. Volume 1 locations include Key West's La Concha Hotel, the Everglades, Stetson University, and the Sunshine Skyway Bridge.
Author: Sas Mays
Publisher: Manchester University Press
ISBN: 1526112108
Category : History
Languages : en
Pages : 329
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Book Description
Focusing on our complex relationship with technology, The machine and the ghost explores our culture’s continued fascination with the spectral, the ghostly and the paranormal. Through a series of critical case studies and artists’ discussions, this lively new collection examines topics ranging from contemporary art to cultural theory. Produced with renowned specialists within the field, including the artist Susan Hiller and the writer Marina Warner, the book combines the historical with the contemporary in exploring how the visual culture of paranormal phenomena continues to haunt our imaginations. Informed by history and the visual tradition of spiritualism and psychical research, the collection is very much concerned to site that tradition within our contemporary concerns, such as landscape and environment, and recent technological developments. Aimed at a broad academic and cultural audience, the collection will appeal to all academic levels in addition to those interested in art and culture more widely.
