Author: Ian Tyrrell
Publisher: Cornell University Press
ISBN: 0801455707
Category : History
Languages : en
Pages : 310
Book Description
Empire's Twin broadens our conception of anti-imperialist actors, ideas, and actions; it charts this story across the range of American history, from the Revolution to our own era; and it opens up the transnational and global dimensions of American anti-imperialism.
Empire's Twin
Author: Ian Tyrrell
Publisher: Cornell University Press
ISBN: 0801455707
Category : History
Languages : en
Pages : 310
Book Description
Empire's Twin broadens our conception of anti-imperialist actors, ideas, and actions; it charts this story across the range of American history, from the Revolution to our own era; and it opens up the transnational and global dimensions of American anti-imperialism.
Publisher: Cornell University Press
ISBN: 0801455707
Category : History
Languages : en
Pages : 310
Book Description
Empire's Twin broadens our conception of anti-imperialist actors, ideas, and actions; it charts this story across the range of American history, from the Revolution to our own era; and it opens up the transnational and global dimensions of American anti-imperialism.
The Vortex That Unites Us
Author: Jacob Emery
Publisher: Cornell University Press
ISBN: 1501769405
Category : History
Languages : en
Pages : 228
Book Description
The Vortex That Unites Us is a study of totality in Russian literature, from the foundation of the modern Russian state to the present day. Considering a diversity of texts that have in common chiefly their prominence in the Russian literary canon, Jacob Emery examines the persistent ambition in Russian literature to gather the whole world into an artwork. Emery reveals how the diversity of totalizing figures in the Russian canon—often in alliance with ideologies like the totalitarian state or enlightenment reason—strive for the frontiers of space and time in order to guarantee the coherence of the globe and the continuity of history. He expores subjects like romantic metaphors of supernatural possession; Tolstoy's conception of art as a vector of emotional contagion; the panoramic ambitions of the avant-garde to grasp the globe in a new poetic medium; efforts of Soviet utopians to harmonize the whole of social life along aesthetic lines; Mandelstam's evocation of writing as a transcendental authority that guarantees a grandiose historical rhythm even when manifested as authoritarian repression; and the mass market of cultural commodities in which the exiled Vladimir Nabokov found success with his novel Lolita. The Vortex That Unites Us reveals a common thread in the disparate works it explores, bringing into a single horizon a variety of typically siloed texts and aesthetic approaches. In all these cases, the medium of totality is the body, inspired by artistic vision and compelled by aesthetic response.
Publisher: Cornell University Press
ISBN: 1501769405
Category : History
Languages : en
Pages : 228
Book Description
The Vortex That Unites Us is a study of totality in Russian literature, from the foundation of the modern Russian state to the present day. Considering a diversity of texts that have in common chiefly their prominence in the Russian literary canon, Jacob Emery examines the persistent ambition in Russian literature to gather the whole world into an artwork. Emery reveals how the diversity of totalizing figures in the Russian canon—often in alliance with ideologies like the totalitarian state or enlightenment reason—strive for the frontiers of space and time in order to guarantee the coherence of the globe and the continuity of history. He expores subjects like romantic metaphors of supernatural possession; Tolstoy's conception of art as a vector of emotional contagion; the panoramic ambitions of the avant-garde to grasp the globe in a new poetic medium; efforts of Soviet utopians to harmonize the whole of social life along aesthetic lines; Mandelstam's evocation of writing as a transcendental authority that guarantees a grandiose historical rhythm even when manifested as authoritarian repression; and the mass market of cultural commodities in which the exiled Vladimir Nabokov found success with his novel Lolita. The Vortex That Unites Us reveals a common thread in the disparate works it explores, bringing into a single horizon a variety of typically siloed texts and aesthetic approaches. In all these cases, the medium of totality is the body, inspired by artistic vision and compelled by aesthetic response.
Beyond Two Worlds
Author: James Joseph Buss
Publisher: State University of New York Press
ISBN: 1438453434
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
Beyond Two Worlds brings together scholars of Native history and Native American studies to offer fresh insights into the methodological and conceptual significance of the "two-worlds framework." They address the following questions: Where did the two-worlds framework originate? How has it changed over time? How does it continue to operate in today's world? Most people recognize the language of binaries birthed by the two-worlds trope—savage and civilized, East and West, primitive and modern. For more than four centuries, this lexicon has served as a grammar for settler colonialism. While many scholars have chastised this type of terminology in recent years, the power behind these words persists. With imagination and a critical evaluation of how language, politics, economics, and culture all influence the expectations that we place on one another, the contributors to this volume rethink the two-worlds trope, adding considerably to our understanding of the past and present.
Publisher: State University of New York Press
ISBN: 1438453434
Category : Literary Criticism
Languages : en
Pages : 350
Book Description
Beyond Two Worlds brings together scholars of Native history and Native American studies to offer fresh insights into the methodological and conceptual significance of the "two-worlds framework." They address the following questions: Where did the two-worlds framework originate? How has it changed over time? How does it continue to operate in today's world? Most people recognize the language of binaries birthed by the two-worlds trope—savage and civilized, East and West, primitive and modern. For more than four centuries, this lexicon has served as a grammar for settler colonialism. While many scholars have chastised this type of terminology in recent years, the power behind these words persists. With imagination and a critical evaluation of how language, politics, economics, and culture all influence the expectations that we place on one another, the contributors to this volume rethink the two-worlds trope, adding considerably to our understanding of the past and present.
Haunted Empire
Author: Valeria Sobol
Publisher: Cornell University Press
ISBN: 1501750593
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
Haunted Empire shows that Gothic elements in Russian literature frequently expressed deep-set anxieties about the Russian imperial and national identity. Valeria Sobol argues that the persistent presence of Gothic tropes in the literature of the Russian Empire is a key literary form that enacts deep historical and cultural tensions arising from Russia's idiosyncratic imperial experience. Her book brings together theories of empire and colonialism with close readings of canonical and less-studied literary texts as she explores how Gothic horror arises from the threatening ambiguity of Russia's own past and present, producing the effect Sobol terms "the imperial uncanny." Focusing on two spaces of the imperial uncanny—the Baltic north/Finland and the Ukrainian south—Haunted Empire reconstructs a powerful discursive tradition that reveals the mechanisms of the Russian imperial imagination that are still at work today.
Publisher: Cornell University Press
ISBN: 1501750593
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
Haunted Empire shows that Gothic elements in Russian literature frequently expressed deep-set anxieties about the Russian imperial and national identity. Valeria Sobol argues that the persistent presence of Gothic tropes in the literature of the Russian Empire is a key literary form that enacts deep historical and cultural tensions arising from Russia's idiosyncratic imperial experience. Her book brings together theories of empire and colonialism with close readings of canonical and less-studied literary texts as she explores how Gothic horror arises from the threatening ambiguity of Russia's own past and present, producing the effect Sobol terms "the imperial uncanny." Focusing on two spaces of the imperial uncanny—the Baltic north/Finland and the Ukrainian south—Haunted Empire reconstructs a powerful discursive tradition that reveals the mechanisms of the Russian imperial imagination that are still at work today.
The Mists of Arathia
Author: Derrick Ward
Publisher: White Raven Chronicles
ISBN: 1990602142
Category : Fiction
Languages : en
Pages : 301
Book Description
Reynar the Woodsman lost everything when the Mists arrived. The plague killed his wife, two-thirds of the population, and trapped Reynar in his dead-end village. Those who didn’t succumb to the illness were marked with cryptic black tattoos called Pitch, thrusting them into a world permanently changed by the addition of levels, skills, and monsters. The easily flustered Glen is a butcher but has no business holding a sword. Back at home, John’s horde of siblings rely on his silent and dexterous talents for survival. Meanwhile the eccentric bushman, Samson, and his bizarre inventions freeze up in the face of danger. But Samson is determined to pursue his outlandish idea: become adventurers and unlock the mysteries of the Pitch. Without Rey, they’ll surely bumble themselves into an early grave. However, nothing is as it seems. Guided by her mysterious quest log, Guinevere—a power gamer from another world—is set on confronting the true source of the Mists, no matter who gets in her way. Time is running out. Will these unlikely heroes impede her, or help save their world? For fans of Dungeons and Dragons and Terry Pratchett, Lunar Insurrection is an experimental GameLit/LitRPG series featuring a twist on the Isekai genre and a dark sense of humour. Each novella-length installment builds on the larger story and world.
Publisher: White Raven Chronicles
ISBN: 1990602142
Category : Fiction
Languages : en
Pages : 301
Book Description
Reynar the Woodsman lost everything when the Mists arrived. The plague killed his wife, two-thirds of the population, and trapped Reynar in his dead-end village. Those who didn’t succumb to the illness were marked with cryptic black tattoos called Pitch, thrusting them into a world permanently changed by the addition of levels, skills, and monsters. The easily flustered Glen is a butcher but has no business holding a sword. Back at home, John’s horde of siblings rely on his silent and dexterous talents for survival. Meanwhile the eccentric bushman, Samson, and his bizarre inventions freeze up in the face of danger. But Samson is determined to pursue his outlandish idea: become adventurers and unlock the mysteries of the Pitch. Without Rey, they’ll surely bumble themselves into an early grave. However, nothing is as it seems. Guided by her mysterious quest log, Guinevere—a power gamer from another world—is set on confronting the true source of the Mists, no matter who gets in her way. Time is running out. Will these unlikely heroes impede her, or help save their world? For fans of Dungeons and Dragons and Terry Pratchett, Lunar Insurrection is an experimental GameLit/LitRPG series featuring a twist on the Isekai genre and a dark sense of humour. Each novella-length installment builds on the larger story and world.
Carnal Knowledge and Imperial Power
Author: Ann Laura Stoler
Publisher: Univ of California Press
ISBN: 0520262468
Category : History
Languages : en
Pages : 372
Book Description
Looking at the way cultural competencies and sensibilities entered into the construction of race in the colonial context, this text proposes that 'cultural racism' in fact predates its postmodern discovery.
Publisher: Univ of California Press
ISBN: 0520262468
Category : History
Languages : en
Pages : 372
Book Description
Looking at the way cultural competencies and sensibilities entered into the construction of race in the colonial context, this text proposes that 'cultural racism' in fact predates its postmodern discovery.
The Early Imperial Republic
Author: Michael A. Blaakman
Publisher: University of Pennsylvania Press
ISBN: 081229775X
Category : History
Languages : en
Pages : 353
Book Description
Created in a world of empires, the United States was to be something new: an expansive republic proclaiming commitments to liberty and equality but eager to extend its territory and influence. Yet from the beginning, Native powers, free and enslaved Black people, and foreign subjects perceived, interacted with, and resisted the young republic as if it was merely another empire under the sun. Such perspectives have driven scholars to reevaluate the early United States, as the parameters of early American history have expanded in Atlantic, continental, and global directions. If the nation's acquisition of Puerto Rico, Guam, and the Philippine Islands in 1898 traditionally marked its turn toward imperialism, new scholarship suggests the United States was an empire from the moment of its creation. The essays gathered in The Early Imperial Republic move beyond the question of whether the new republic was an empire, investigating instead where, how, and why it was one. They use the category of empire to situate the early United States in the global context its contemporaries understood, drawing important connections between territorial conquests on the continent and American incursions around the globe. They reveal an early U.S. empire with many different faces, from merchants who sought to profit from the republic's imperial expansion to Native Americans who opposed or leveraged it, from free Black colonizationists and globe-trotting missionaries to illegal slave traders and anti-imperial social reformers. In tracing these stories, the volume's contributors bring the study of early U.S. imperialism down to earth, encouraging us to see the exertion of U.S. power on the ground as a process that both drew upon the example of its imperial predecessors and was forced to grapple with their legacies. Taken together, they argue that American empire was never confined to one era but is instead a thread throughout U.S. history. Contributors:Brooke Bauer, Michael A. Blaakman, Eric Burin, Emily Conroy-Krutz, Kathleen DuVal, Susan Gaunt Stearns, Nicholas Guyatt, Amy S. Greenberg, M. Scott Heerman, Robert Lee, Julia Lewandoski, Margot Minardi, Ousmane Power-Greene, Nakia D. Parker, Tom Smith
Publisher: University of Pennsylvania Press
ISBN: 081229775X
Category : History
Languages : en
Pages : 353
Book Description
Created in a world of empires, the United States was to be something new: an expansive republic proclaiming commitments to liberty and equality but eager to extend its territory and influence. Yet from the beginning, Native powers, free and enslaved Black people, and foreign subjects perceived, interacted with, and resisted the young republic as if it was merely another empire under the sun. Such perspectives have driven scholars to reevaluate the early United States, as the parameters of early American history have expanded in Atlantic, continental, and global directions. If the nation's acquisition of Puerto Rico, Guam, and the Philippine Islands in 1898 traditionally marked its turn toward imperialism, new scholarship suggests the United States was an empire from the moment of its creation. The essays gathered in The Early Imperial Republic move beyond the question of whether the new republic was an empire, investigating instead where, how, and why it was one. They use the category of empire to situate the early United States in the global context its contemporaries understood, drawing important connections between territorial conquests on the continent and American incursions around the globe. They reveal an early U.S. empire with many different faces, from merchants who sought to profit from the republic's imperial expansion to Native Americans who opposed or leveraged it, from free Black colonizationists and globe-trotting missionaries to illegal slave traders and anti-imperial social reformers. In tracing these stories, the volume's contributors bring the study of early U.S. imperialism down to earth, encouraging us to see the exertion of U.S. power on the ground as a process that both drew upon the example of its imperial predecessors and was forced to grapple with their legacies. Taken together, they argue that American empire was never confined to one era but is instead a thread throughout U.S. history. Contributors:Brooke Bauer, Michael A. Blaakman, Eric Burin, Emily Conroy-Krutz, Kathleen DuVal, Susan Gaunt Stearns, Nicholas Guyatt, Amy S. Greenberg, M. Scott Heerman, Robert Lee, Julia Lewandoski, Margot Minardi, Ousmane Power-Greene, Nakia D. Parker, Tom Smith
The Female Fantastic
Author: Lizzie McCormick
Publisher: Routledge
ISBN: 1351107771
Category : Literary Criticism
Languages : en
Pages : 460
Book Description
For women-identified writers of both eras, the fantastic offered double vision. Not only did the genre offer strategic cover for challenging the status quo, but also a heuristic mechanism for teasing out the gendered psyche’s links to creative, personal, and erotic agency. These dynamic presentations of female and gender-queer subjectivity, are linked in intriguing and complex matrices to key moments in gender(ed) history. This volume contains essays from international scholars covering a wide range of topics, including werewolves, mummies, fairies, demons, time travel, ghosts, haunted spaces and objects, race, gender, queerness, monstrosity, madness, incest, empire, medicine, and science. By interrogating two non-consecutive decades, we seek to uncover the inter-relationships among fantastic literature, feminism, and modern identity and culture. Indeed, while this book considers the relationship between the 1890s and 1920s, it is more an examination of women’s modernism in light of gendered literary production during the fin-de-siècle than the reverse.
Publisher: Routledge
ISBN: 1351107771
Category : Literary Criticism
Languages : en
Pages : 460
Book Description
For women-identified writers of both eras, the fantastic offered double vision. Not only did the genre offer strategic cover for challenging the status quo, but also a heuristic mechanism for teasing out the gendered psyche’s links to creative, personal, and erotic agency. These dynamic presentations of female and gender-queer subjectivity, are linked in intriguing and complex matrices to key moments in gender(ed) history. This volume contains essays from international scholars covering a wide range of topics, including werewolves, mummies, fairies, demons, time travel, ghosts, haunted spaces and objects, race, gender, queerness, monstrosity, madness, incest, empire, medicine, and science. By interrogating two non-consecutive decades, we seek to uncover the inter-relationships among fantastic literature, feminism, and modern identity and culture. Indeed, while this book considers the relationship between the 1890s and 1920s, it is more an examination of women’s modernism in light of gendered literary production during the fin-de-siècle than the reverse.
The Palgrave Handbook of Steam Age Gothic
Author: Clive Bloom
Publisher: Springer Nature
ISBN: 3030408663
Category : Social Science
Languages : en
Pages : 867
Book Description
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.
Publisher: Springer Nature
ISBN: 3030408663
Category : Social Science
Languages : en
Pages : 867
Book Description
By the early 1830s the old school of Gothic literature was exhausted. Late Romanticism, emphasising as it did the uncertainties of personality and imagination, gave it a new lease of life. Gothic—the literature of disturbance and uncertainty—now produced works that reflected domestic fears, sexual crimes, drug filled hallucinations, the terrible secrets of middle class marriage, imperial horror at alien invasion, occult demonism and the insanity of psychopaths. It was from the 1830s onwards that the old gothic castle gave way to the country house drawing room, the dungeon was displaced by the sewers of the city and the villains of early novels became the familiar figures of Dr Jekyll and Mr Hyde, Dracula, Dorian Grey and Jack the Ripper. After the death of Prince Albert (1861), the Gothic became darker, more morbid, obsessed with demonic lovers, blood sucking ghouls, blood stained murderers and deranged doctors. Whilst the gothic architecture of the Houses of Parliament and the new Puginesque churches upheld a Victorian ideal of sobriety, Christianity and imperial destiny, Gothic literature filed these new spaces with a dread that spread like a plague to America, France, Germany and even Russia. From 1830 to 1914, the period covered by this volume, we saw the emergence of the greats of Gothic literature and the supernatural from Edgar Allan Poe to Emily Bronte, from Sheridan Le Fanu to Bram Stoker and Robert Louis Stevenson. Contributors also examine the fin-de-siècle dreamers of decadence such as Arthur Machen, M P Shiel and Vernon Lee and their obsession with the occult, folklore, spiritualism, revenants, ghostly apparitions and cosmic annihilation. This volume explores the period through the prism of architectural history, urban studies, feminism, 'hauntology' and much more. 'Horror', as Poe teaches us, 'is the soul of the plot'.
Pushkin, the Decembrists, and Civic Sentimentalism
Author: Emily Wang
Publisher: University of Wisconsin Pres
ISBN: 0299345807
Category : History
Languages : en
Pages : 225
Book Description
In December 1825, a group of liberal aristocrats, officers, and intelligentsia mounted a coup against the tsarist government of Russia. Inspired partially by the democratic revolutions in the United States and France, the Decembrist movement was unsuccessful; however, it led Russia's civil society to new avenues of aspiration and had a lasting impact on Russian culture and politics. Many writers and thinkers belonged to the conspiracy while others, including the poet Alexander Pushkin, were loosely or ambiguously affiliated. While the Decembrist movement and Pushkin's involvement has been well covered by historians, Emily Wang takes a novel approach, examining the emotional and literary motivations behind the movement and the dramatic, failed coup. Through careful readings of the literature of Pushkin and others active in the northern branch of the Decembrist movement, such as Kondraty Ryleev, Wilhelm Küchelbecker, and Fyodor Glinka, Wang traces the development of "emotional communities" among the members and adjacent writers. This book illuminates what Wang terms "civic sentimentalism": the belief that cultivating noble sentiments on an individual level was the key to liberal progress for Russian society, a core part of Decembrist ideology that constituted a key difference from their thought and Pushkin's. The emotional program for Decembrist community members was, in other ways, a civic program for Russia as a whole, one that they strove to enact by any means necessary.
Publisher: University of Wisconsin Pres
ISBN: 0299345807
Category : History
Languages : en
Pages : 225
Book Description
In December 1825, a group of liberal aristocrats, officers, and intelligentsia mounted a coup against the tsarist government of Russia. Inspired partially by the democratic revolutions in the United States and France, the Decembrist movement was unsuccessful; however, it led Russia's civil society to new avenues of aspiration and had a lasting impact on Russian culture and politics. Many writers and thinkers belonged to the conspiracy while others, including the poet Alexander Pushkin, were loosely or ambiguously affiliated. While the Decembrist movement and Pushkin's involvement has been well covered by historians, Emily Wang takes a novel approach, examining the emotional and literary motivations behind the movement and the dramatic, failed coup. Through careful readings of the literature of Pushkin and others active in the northern branch of the Decembrist movement, such as Kondraty Ryleev, Wilhelm Küchelbecker, and Fyodor Glinka, Wang traces the development of "emotional communities" among the members and adjacent writers. This book illuminates what Wang terms "civic sentimentalism": the belief that cultivating noble sentiments on an individual level was the key to liberal progress for Russian society, a core part of Decembrist ideology that constituted a key difference from their thought and Pushkin's. The emotional program for Decembrist community members was, in other ways, a civic program for Russia as a whole, one that they strove to enact by any means necessary.