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Author: June Kompass Nelson
Publisher: Wayne State University Press
ISBN: 0814343716
Category : Art
Languages : en
Pages : 228
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Book Description
Harry Bertoia, Sculptor is devoted to the life and work of a twentieth-century Italian-born American artist whose important commissions are located in twenty-five American cities from New York to Seattle and from Minneapolis to Miami. It traces the development of Bertoia’s versatile career from his youth in Detroit, beginning with drawings, paintings, and monoprints, then jewelry and furniture designs, to his abstract sculptures in metals, many of architectural proportions. The book includes a biography of the man and detailed descriptions of his methods of working. Many major sculptures and some minor ones are described in detail. They are critically analyzed for their aesthetic components and the ideas they were intended to express. A large number of photographs supplements the descriptions and analyses. Two appendixes give chronologies of the artist’s life and of his architectural commissions, the latter virtually a catalog of Bertoia’s major works. Based on several extensive interviews with the artist, as well as on research into his earlier writings, the book includes Bertoia's thoughts on aesthetics and various phases of the art processes he uses. His work is categorized into four major aesthetic explorations that interested him most of his life.
Author: June Kompass Nelson
Publisher: Wayne State University Press
ISBN: 0814343716
Category : Art
Languages : en
Pages : 228
Get Book
Book Description
Harry Bertoia, Sculptor is devoted to the life and work of a twentieth-century Italian-born American artist whose important commissions are located in twenty-five American cities from New York to Seattle and from Minneapolis to Miami. It traces the development of Bertoia’s versatile career from his youth in Detroit, beginning with drawings, paintings, and monoprints, then jewelry and furniture designs, to his abstract sculptures in metals, many of architectural proportions. The book includes a biography of the man and detailed descriptions of his methods of working. Many major sculptures and some minor ones are described in detail. They are critically analyzed for their aesthetic components and the ideas they were intended to express. A large number of photographs supplements the descriptions and analyses. Two appendixes give chronologies of the artist’s life and of his architectural commissions, the latter virtually a catalog of Bertoia’s major works. Based on several extensive interviews with the artist, as well as on research into his earlier writings, the book includes Bertoia's thoughts on aesthetics and various phases of the art processes he uses. His work is categorized into four major aesthetic explorations that interested him most of his life.
Author: June Kompass Nelson
Publisher: Wayne State University Press
ISBN: 0814343708
Category : Architecture
Languages : en
Pages : 244
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Book Description
The seventy-nine monotypes in this catalogue represent the principal styles and themes that emerged not only in Harry Bertoia's printmaking, but in his sculpture as well. June Kompass Nelson, author of Harry Bertoia, Sculptor, analyzes the graphic works and places them in the context of Bertoia's total oeuvre, with particular regard to their relationship with his sculpture. A teacher of metalwork and printmaking at the Cranbrook Academy of Arts in Bloomfield Hills, Michigan, Bertoia began working in monotype in 1940—nearly a decade before his first attempts at sculpture—and continually returned to the medium until his death in 1978. Nelson's introduction, biographical material, and well-documented chronology contribute to the portrait of a Michigan artist of international repute who maintained his "regionalist sensibility".
Author: Beverly H. Twitchell
Publisher: Phaidon Press
ISBN: 9780714878072
Category : Design
Languages : en
Pages : 0
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Book Description
A celebration of the rich and varied work of Italian-born American artist, designer, and master of metal, Harry Bertoia From chapel altarpieces and bronze fountains, to wire chairs and silver brooches, Harry Bertoia's creative output was varied in the extreme. This new book explores his entire career: his move from Italy to Detroit at 15; his formative years at Cranbrook; his work with Charles Eames and Knoll; through to his fascinating sound sculptures. In doing so, the book demonstrates how seemingly disparate works are in fact united in being reflections of nature, and places Bertoia's art squarely at the heart of American modernism.
Author: Marin R. Sullivan
Publisher: Princeton University Press
ISBN: 0691215774
Category : Architecture
Languages : en
Pages : 272
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Book Description
A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern design Alloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art. Rather than singular masterworks by lone geniuses, some of the era’s most notable spaces—Philip Johnson’s Four Seasons Restaurant in Mies van der Rohe’s Seagram Building, Max Abramovitz’s Philharmonic Hall at Lincoln Center, and Pietro Belluschi and Walter Gropius’s Pan Am Building—would be diminished without the collaborative efforts of architects and artists. At the same time, the artistic creations within these spaces could not exist anywhere else. Sullivan shows that the principle of synergy provides an ideal framework to assess this pronounced relationship between sculpture and architecture. She also explores the afterlives of these postwar commissions in the decades since their construction. A fresh consideration of sculpture’s relationship to architectural design and functionality following World War II, Alloys highlights the affinities between the two fields and the ways their connections remain with us today.
Author: Harry Bertoia
Publisher:
ISBN: 9780982597811
Category : Drawing
Languages : en
Pages : 119
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Book Description
Author: Celia Bertoia
Publisher: Schiffer Publishing
ISBN: 9780764346934
Category : Art
Languages : en
Pages : 0
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Book Description
The brilliant mid-century modern artist, Harry Bertoia (1915-1978), left a rich legacy of art and design, each with an intriguing history. And yet, while just about everyone has seen the Diamond Chair, few can identify Harry Bertoia as its designer. Even fewer recognize the Bertoia sculptures and other monumental pieces at various public venues. This important volume, illustrated with over 200 revealing photos, allows easy identification and appreciation of Bertoia's work. Written with insights that only a daughter could offer, this impressive book also reveals the complex man behind the fascinating art. Personal letters and family anecdotes offer a deep look into the life and motivations of this profound metal artist. Not only will readers get a peek at the behind-the-scenes skirmishes involved in making art, but will also gain insight into the philosophy as well as technical innovation of this dynamic artist.
Author: Marin R. Sullivan
Publisher: Scheidegger and Spiess
ISBN: 9783858818621
Category : Sculpture, American
Languages : en
Pages : 0
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Book Description
An extraordinary artist and designer: a fresh view of Harry Bertoia's entire body of work. Italian-born American Harry Bertoia (1915-78) was one of the most prolific and innovative artists and designers of the postwar period. Trained at the Cranbrook Academy of Art, where he met future colleagues and collaborators, such as Charles and Ray Eames, Florence Knoll, and Eero Saarinen, he went on to make one-of-a-kind jewelry, design iconic chairs, create thousands of unique sculptures including large-scale commissions for significant buildings, and advance the use of sound as sculptural material. His work speaks to the confluence of numerous fields of endeavor but is united throughout by a sculptural approach to making and an experimental embrace of metal. Harry Bertoia: Sculpting Mid-Century Modern Life accompanies the first US museum retrospective of the artist's career to examine the full scope of his broad, interdisciplinary practice and features important examples of his furniture, jewelry, monotypes, and diverse sculptural output. Lavishly illustrated, the book offers new scholarly essays as well as a catalog of the artist's numerous large-scale commissions. It questions how and why we distinguish between a chair, a necklace, a screen, and a freestanding sculpture--and what Bertoia's sculptural things, when taken together, say about the fluidity of visual language across culture, both at midcentury and now.
Author: David Gebhard
Publisher: U of Minnesota Press
ISBN: 9781452901015
Category :
Languages : en
Pages : 494
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Book Description
Traces Minnesota's architectural development in eight regions of the state from territorial days to the present and outlines tours of the state's landmarks. A perfect companion for sight-seeing trips.
Author: Nancy Schiffer
Publisher: Schiffer Publishing
ISBN: 9780764338502
Category : Art
Languages : en
Pages : 0
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Book Description
American sculptor, designer, print artist Harry Bertoia (1915-1978) made thousands of monoprints on rice paper to record his shape ideas. Many ultimately became the basis of sculptures during his forty-year career. Here over 1500 of his fascinating monoprints are presented with their identifying numbers and dimensions. The importance of these artworks to Bertoia's career is acknowledged. Contributions to the text from Bertoia's children present their feelings when they see these astounding images and recall the years of enthusiastic discussions with their father. The book adds an important volume to references about Harry Bertoia's work, which includes sculpture as commissions for institutions throughout America.
Author: Liza Kirwin
Publisher: Princeton Architectural Press
ISBN: 9781568988887
Category : Architecture
Languages : en
Pages : 212
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Book Description
From the weekly shopping list to the Ten Commandments, our lives are shaped by lists. Whether dashed off as a quick reminder, or carefully constructed as an inventory, this humble form of documentation provides insight into its maker's personal habits and decision-making processes. This is especially true for artists, whose day-to-day acts of living and art-making overlap and inform each other. Artists' lists shed uncover a host of unbeknownst motivations, attitudes, and opinions about their work and the work of others. Lists presents almost seventy artifacts, including "to do" lists, membership lists, lists of paintings sold, lists of books to read, lists of appointments made and met, lists of supplies to get, lists of places to see, and lists of people who are "in." At times introspective, humorous, and resolute, but always revealing and engaging, Lists is a unique firsthand account of American cultural history that augments the personal biographies of some of the most celebrated and revered artists of thelast two centuries. Many of the lists are historically important, throwing a flood of light on a moment, movement, or event; others are private, providing an intimate view of an artist's personal life: Pablo Picasso itemized his recommendations for the Armory Show in 1912; architect Eero Saarinen enumerated the good qualities of the then New York Times art editor and critic Aline Bernstein, his second wife; sculptor Alexander Calder's address book reveals the whos who of the Parisian avant-garde in the early twentieth century. In the hands of their creators, these artifacts become works of art in and of themselves. Lists includes rarely seen specimens by Vito Acconci, Leo Castelli, Joseph Cornell, Hans Hofmann, Franz Kline, Willem de Kooning, Lee Krasner, H. L. Mencken, Robert Motherwell, Barnett Newman, Jackson Pollock, Richard Pousette-Dart, Robert Rauschenberg, Ad Reinhardt, Mark Rothko, Clyfford Still, and Andrew Wyeth.
