Author: P. S. Harrison
Publisher:
ISBN: 9780913616130
Category : Performing Arts
Languages : en
Pages : 730

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Author: Peter S. Harrison
Publisher:
ISBN:
Category : Motion picture industry
Languages : en
Pages : 846

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Author: Peter S. Harrison
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 756

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Author: Aubrey Solomon
Publisher: McFarland
ISBN: 0786486104
Category : Performing Arts
Languages : en
Pages : 391

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In 1929, Hollywood mogul William Fox (1879-1952) came close to controlling the entire motion picture industry. His Fox Film Corporation had grown from a $1600 investment into a globe-spanning $300 million empire; he also held patents to the new sound-on-film process. Forced into a series of bitter power struggles, Fox was ultimately toppled from his throne, and the studio bearing his name would merge in 1935 with Darryl F. Zanuck's flourishing 20th Century Pictures. The 25-year lifespan of the Fox Film Corporation, home of such personalities as Theda Bara, Tom Mix, Janet Gaynor and John Ford, is chronicled in this thorough illustrated history. Included are never-before-published financial figures revealing costs and grosses of Fox's biggest successes and failures, and a detailed filmogaphy of the studio's 1100-plus releases, among them What Price Glory?, Seventh Heaven and the Oscar-winning Cavalcade.

Author: Tim Lussier
Publisher: McFarland
ISBN: 1476675686
Category : Biography & Autobiography
Languages : en
Pages : 219

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One of the most popular Hollywood child stars of the late 1910s, Virginia Lee Corbin was well known to fans worldwide. With her mother as her manager, Corbin retained her popularity as she grew older. She performed in vaudeville for a couple of years before continuing her film career. Corbin fit well into the flapper mold of the Jazz Age and appeared in many films throughout the 1920s. As she matured, her mother found it ever more difficult to control her. Corbin led a difficult life. After her mother's suicide attempt, she found that all the money she had earned was gone. Her marriage (at age 18) failed and she was eventually separated from her children. The flapper struggled to remain relevant in the sound era and was trying to make a comeback when she died at 31 in 1942.

Author: Rose Arny
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1802

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Author: Michael Hammond
Publisher: SUNY Press
ISBN: 1438476973
Category : History
Languages : en
Pages : 322

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Assesses how America’s film industry remembered World War I during the interwar period. This is the definitive account of how America’s film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war’s memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade, Grand Hotel, Hell’s Angels, The Black Cat, and Wings. Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry. “Hammond’s intelligent and insightful account of the formation of cinematic treatments of the Great War in America constitutes a major addition to the critical literature on film. It acts as a prism through which to see refracted multiple themes central to the social and cultural history of the interwar years.” — Jay Winter, author of War beyond Words: Languages of Memory from the Great War to the Present

Author: Kevin J. Harty
Publisher: McFarland
ISBN: 1476608431
Category : Performing Arts
Languages : en
Pages : 325

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Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.

Author: Wes D. Gehring
Publisher: McFarland
ISBN: 1476633266
Category : Performing Arts
Languages : en
Pages : 612

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Buster Keaton "can impress a weary world with the vitally important fact that life, after all, is a foolishly inconsequential affair," wrote critic Robert Sherwood in 1918. A century later Keaton, with his darkly comic "theater of the absurd," speaks to audiences like no other silent comedian. If you thought you knew Keaton--think again!

Author: Linda B. Hall
Publisher: Stanford University Press
ISBN: 0804786216
Category : Performing Arts
Languages : en
Pages : 375

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Book Description
Dolores del Río's enormously successful career in Hollywood, in Mexico, and internationally illuminates issues of race, ethnicity, and gender through the lenses of beauty and celebrity. She and her husband left Mexico in 1925, as both their well-to-do families suffered from the economic downturn that followed the Mexican Revolution. Far from being stigmatized as a woman of color, she was acknowledged as the epitome of beauty in the Hollywood of the 1920s and early 1930s. While she insisted upon her ethnicity, she was nevertheless coded white by the film industry and its fans, and she appeared for more than a decade as a romantic lead opposite white actors. Returning to Mexico in the early 1940s, she brought enthusiasm and prestige to the Golden Age of Mexican cinema, becoming one of the great divas of Mexican film. With struggle and perseverance, she overcame the influence of men in both countries who hoped to dominate her, ultimately controlling her own life professionally and personally.