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Author: Joel Blaine Kirkpatrick
Publisher: Joel Blaine Kirkpatrick
ISBN: 0557359856
Category : Fiction
Languages : en
Pages : 178
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Book Description
The appearance of a wandering black hole sends physicists scrambling to determine what effect it will have. But first, they have to figure out exactly where it is...and where it is going.
Author: Joel Blaine Kirkpatrick
Publisher: Joel Blaine Kirkpatrick
ISBN: 0557359856
Category : Fiction
Languages : en
Pages : 178
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Book Description
The appearance of a wandering black hole sends physicists scrambling to determine what effect it will have. But first, they have to figure out exactly where it is...and where it is going.
Author: John Andrew Broekhoven
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 134
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Book Description
Author: John Stainer
Publisher: BoD – Books on Demand
ISBN: 3368169521
Category : Fiction
Languages : en
Pages : 214
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Book Description
Reprint of the original, first published in 1872.
Author: Sir George Alexander Macfarren
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 102
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Book Description
Author: Charles-Simon Catel
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
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Book Description
Author: Karel Janeček
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771126361
Category : Music
Languages : en
Pages : 510
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Book Description
Translated into English for the first time, Foundations of Modern Harmony, by composer and music theorist Karel Janec̆ek, addresses the analysis and composition of music not based on the tonal harmony that was common language until the early 20th century. Discussing this newer music requires a vocabulary in which all combinations of notes, or chords, can be named. Janec̆ek developed his theory of modern harmony over many years. In this book, he classifies chords according to their intervallic structure, their possible arrangements, and then based on their consonance and dissonance. His focus on what we hear leads to a discussion of “imaginary” pitches, those that are still heard after they are no longer sounding. Dealing with such issues as harmonizing a melody, resolving dissonant chords, and the formation and extinction of a sense of the tonic, Janeček’s work is an exciting complement to the theories of Schoenberg and Hindemith. His discussion of harmonic motion leads to the consideration of harmonic function, of establishing the tonic, of modulation, of atonal composition, and of static and kinetic conceptions of harmony. First published in 1965, Janeček’s concerns are of continuing importance to music theorists and composers.
Author: Charles John Vincent
Publisher:
ISBN:
Category : Harmonic analysis (Music)
Languages : en
Pages : 184
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Book Description
Author:
Publisher:
ISBN:
Category : Harmony
Languages : en
Pages : 192
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Book Description
Author: Arnold Schoenberg
Publisher: Univ of California Press
ISBN: 9780520049444
Category : Music
Languages : en
Pages : 468
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Book Description
This book will come as a joy, a revelation, a warm reassurance. From this one book one might well learn less about harmony than about form, about aesthetics, even about life. Some will accuse Schoenberg of not concentrating on the topic at hand, but such an accusation, though well-founded, would miss the point of Theory of Harmony, because the heart and soul of the book is to be found in his vivid and penetrating digressions. They are the fascinating reflections of a great and humane musician who was a born writer as well. - from the book.
Author: Christopher Doll
Publisher: University of Michigan Press
ISBN: 0472122886
Category : Music
Languages : en
Pages : 368
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Book Description
Hearing Harmony offers a listener-based, philosophical-psychological theory of harmonic effects for Anglophone popular music since the 1950s. It begins with chords, their functions and characteristic hierarchies, then identifies the most common and salient harmonic-progression classes, or harmonic schemas. The identification of these schemas, as well as the historical contextualization of many of them, allows for systematic exploration of the repertory’s typical harmonic transformations (such as chord substitution) and harmonic ambiguities. Doll provides readers with a novel explanation of the assorted aural qualities of chords, and how certain harmonic effects result from the interaction of various melodic, rhythmic, textural, timbral, and extra-musical contexts, and how these interactions can determine whether a chordal riff is tonally centered or tonally ambiguous, whether it sounds aggressive or playful or sad, whether it seems to evoke an earlier song using a similar series of chords, whether it sounds conventional or unfamiliar.
