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Author: Carl McKinley
Publisher: Wipf and Stock Publishers
ISBN: 1610975316
Category : Music
Languages : en
Pages : 153
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Book Description
Since its first appearance in 1938 Harmonic Relations has been in continuous use in the classrooms of the New England Conservatory of Music. Every chapter, illustration, and exercise has been subjected to the most careful scrutiny, in an effort to make each statement and explanation as simple and clear as possible, and the exercise material varied, musical, and attractive. The revised edition has benefited greatly from the combined experience of students and teaching staff. Material that proved of doubtful value has been eliminated, the order of presentation has been considerably revised, and much new material has been added, particularly in the latter part of the book. Its principal object is to provide the student with a comprehensive knowledge of the principles of harmonic writing as they may be observed in the works of the great composers of the past, and a theoretical basis for the investigation of the divergent harmonic practices of contemporary writers. From the Introduction TABLE OF CONTENTS I Scales II Intervals III Triads; Tonality IV Chord-root Progressions in ClassÊI V Chord-root Progressions in ClassÊII VI Chord-root Progressions in ClassÊIII VII Harmonization of Melodies VIII First Inversions of Triads IX Second Inversions of Triads X The Minor Mode XI Harmonization of Figured Basses XII Fundamental Harmonic Relations XIII The Dominant Seventh Chord XIV The Inversions of the DominantÊSeventh Chord XV Extended Dominant Harmonies XVI The Supertonic Seventh Chord XVII Other Diatonic Seventh Chords XVIII Modulation by Common Chords XIX Harmonization of Chorale Melodies XX Chromatic Triads XXI Neighbor Dominant Seventh Chords XXII Neighbor Diminished SeventhÊChords XXIII Augmented Sixth Chords XXIV Non-chord Tones XXV Non-chord Tones in the Bach Chorale XXVI Modulation by Chromatic Chords XXVII Altered Chords XXVIII Mixed Chords; the Pedal Point XXIX Harmonization of Florid Melodies XXX Harmony in Five or More Parts
Author: Carl McKinley
Publisher: Wipf and Stock Publishers
ISBN: 1610975316
Category : Music
Languages : en
Pages : 153
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Book Description
Since its first appearance in 1938 Harmonic Relations has been in continuous use in the classrooms of the New England Conservatory of Music. Every chapter, illustration, and exercise has been subjected to the most careful scrutiny, in an effort to make each statement and explanation as simple and clear as possible, and the exercise material varied, musical, and attractive. The revised edition has benefited greatly from the combined experience of students and teaching staff. Material that proved of doubtful value has been eliminated, the order of presentation has been considerably revised, and much new material has been added, particularly in the latter part of the book. Its principal object is to provide the student with a comprehensive knowledge of the principles of harmonic writing as they may be observed in the works of the great composers of the past, and a theoretical basis for the investigation of the divergent harmonic practices of contemporary writers. From the Introduction TABLE OF CONTENTS I Scales II Intervals III Triads; Tonality IV Chord-root Progressions in ClassÊI V Chord-root Progressions in ClassÊII VI Chord-root Progressions in ClassÊIII VII Harmonization of Melodies VIII First Inversions of Triads IX Second Inversions of Triads X The Minor Mode XI Harmonization of Figured Basses XII Fundamental Harmonic Relations XIII The Dominant Seventh Chord XIV The Inversions of the DominantÊSeventh Chord XV Extended Dominant Harmonies XVI The Supertonic Seventh Chord XVII Other Diatonic Seventh Chords XVIII Modulation by Common Chords XIX Harmonization of Chorale Melodies XX Chromatic Triads XXI Neighbor Dominant Seventh Chords XXII Neighbor Diminished SeventhÊChords XXIII Augmented Sixth Chords XXIV Non-chord Tones XXV Non-chord Tones in the Bach Chorale XXVI Modulation by Chromatic Chords XXVII Altered Chords XXVIII Mixed Chords; the Pedal Point XXIX Harmonization of Florid Melodies XXX Harmony in Five or More Parts
Author: Samuel Colman
Publisher: Courier Corporation
ISBN: 0486162192
Category : Science
Languages : en
Pages : 340
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Book Description
A treatise on the laws governing proportional form in both nature and art, this well-illustrated volume features natural organisms and artistic creations in a mathematical study of their constructive principles.
Author: Andrew Barker
Publisher: Cambridge University Press
ISBN: 0521616972
Category : Music
Languages : en
Pages : 596
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Book Description
Vol. 1: The musician an d his art ; vol. 2: Harmonic and acoustic theory
Author: Andrew Barker
Publisher: Cambridge University Press
ISBN: 9780521553728
Category : History
Languages : en
Pages : 308
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Book Description
The science called 'harmonics' was one of the major intellectual enterprises of Greek antiquity. Ptolemy's treatise seeks to invest it with new scientific rigour; its consistently sophisticated procedural self-awareness marks it as a key text in the history of science. This book is a sustained methodological exploration of Ptolemy's project. After an analysis of his explicit pronouncements on the science's aims and the methods appropriate to it, it examines Ptolemy's conduct of his investigation in detail, concluding that despite occasional uncertainties, the declared procedure is followed with remarkable fidelity. Ptolemy pursues tenaciously his novel objective of integrating closely the project's theoretical and empirical phases and shows astonishing mastery of the concept, the design and the conduct of controlled experimental tests. By opening up this neglected text to historians of science, the book aims to provide a point of departure for wider studies of Greek scientific method.
Author: Carol L. Krumhansl
Publisher: Oxford University Press
ISBN: 0190287446
Category : Psychology
Languages : en
Pages : 318
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Book Description
This book addresses the central problem of music cognition: how listeners' responses move beyond mere registration of auditory events to include the organization, interpretation, and remembrance of these events in terms of their function in a musical context of pitch and rhythm. Equally important, the work offers an analysis of the relationship between the psychological organization of music and its internal structure. Combining over a decade of original research on music cognition with an overview of the available literature, the work will be of interest to cognitive and physiological psychologists, psychobiologists, musicians, music researchers, and music educators. The author provides the necessary background in experimental methodology and music theory so that no specialized knowledge is required for following her major arguments.
Author: Karol Berger
Publisher: Cambridge University Press
ISBN: 9780521543385
Category : Music
Languages : en
Pages : 296
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Book Description
Clarifies the conventions governing the practice of implied accidentals in vocal polyphony from the fourteenth to sixteenth centuries.
Author: Alexandra Hui
Publisher: MIT Press
ISBN: 0262018381
Category : Science
Languages : en
Pages : 257
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Book Description
An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria. In the middle of the nineteenth century, German and Austrian concertgoers began to hear new rhythms and harmonies as non-Western musical ensembles began to make their way to European cities and classical music introduced new compositional trends. At the same time, leading physicists, physiologists, and psychologists were preoccupied with understanding the sensory perception of sound from a psychophysical perspective, seeking a direct and measurable relationship between physical stimulation and physical sensation. These scientists incorporated specific sounds into their experiments—the musical sounds listened to by upper middle class, liberal Germans and Austrians. In The Psychophysical Ear, Alexandra Hui examines this formative historical moment, when the worlds of natural science and music coalesced around the psychophysics of sound sensation, and new musical aesthetics were interwoven with new conceptions of sound and hearing. Hui, a historian and a classically trained musician, describes the network of scientists, musicians, music critics, musicologists, and composers involved in this redefinition of listening. She identifies a source of tension for the psychophysicists: the seeming irreconcilability between the idealist, universalizing goals of their science and the increasingly undeniable historical and cultural contingency of musical aesthetics. The convergence of the respective projects of the psychophysical study of sound sensation and the aesthetics of music was, however, fleeting. By the beginning of the twentieth century, with the professionalization of such fields as experimental psychology and ethnomusicology and the proliferation of new and different kinds of music, the aesthetic dimension of psychophysics began to disappear.
Author: René Rusch
Publisher: Indiana University Press
ISBN: 0253067405
Category : Biography & Autobiography
Languages : en
Pages : 245
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Book Description
Music scholarship's views of Franz Schubert's instrumental works continue to evolve. How might aesthetic values, historiographies, revisions to the composer's biography, and disciplinary commitments affect how we interpret his music? Schubert's Instrumental Music and Poetics of Interpretation explores the aesthetic positions and operations that underlie critical assessments of Schubert's instrumental works. In six chapters, each devoted to one or two of Schubert's pieces, René Rusch examines the conditions that have prompted scholarship to reevaluate the composer's music and legacy, considers how different conclusions about his music may be reflective of certain aesthetic values, investigates the role of narrative in both music analysis and constructions of history, and explores alternative forms of coherence through updated analyses of the composer's instrumental works. Rusch's observations and comparative analyses address four significant areas of scholarly focus in Schubert studies, including his approach to chromaticism, his unique musical forms, the relationship between his music and biography, and the influence of Beethoven. Drawing from a range of philosophical, hermeneutic, historical, biographical, theoretical, and analytical sources, Schubert's Instrumental Music and Poetics of Interpretation offers readers a unique and innovative foray into the poetics of contemporary analyses of Schubert's instrumental music and develops new ways to engage with his repertoire.
Author:
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 338
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Book Description
Author: John Knowles Paine
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 332
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Book Description
