Hans Memlinc and Gerard David PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Hans Memlinc and Gerard David PDF full book. Access full book title Hans Memlinc and Gerard David by Max J. Friedländer. Download full books in PDF and EPUB format.
Author: Max J. Friedländer
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 210
Get Book Here
Book Description
Author: Max J. Friedländer
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 210
Get Book Here
Book Description
Author: Otto Pächt
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 274
Get Book Here
Book Description
This volume follows on from Pacht's work on the Van Eycks and their circle, to encompass the great artists of the fifteenth and sixteenth centuries. Figures such as Van Der Weyden, Bouts, Christus, Van Der Goes and Memling, as well as lesser known artists, are examined in turn. With detailed discussion of particular paintings, style and symbolism.
Author: Max J. Friedländer
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 206
Get Book Here
Book Description
Author:
Publisher:
ISBN: 9789055442331
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870998706
Category : Art patronage
Languages : en
Pages : 466
Get Book Here
Book Description
Published in conjunction with the 1999 exhibition of the same name, ten essays and 317 illustrations (157 in color) depict northern Renaissance painting in Belgium and the Netherlands. This lovely book includes such artists as Van Eyck, Campin, Van der Weyden, David, Memling, and Bruegel, and contains commentaries on individual works, an appendix of paintings not covered in the text, artists' biographies, a glossary, a bibliography, and comparative illustrations. Oversize: 9.5x11.25"Annotation copyrighted by Book News, Inc., Portland, OR
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870998773
Category : Painters
Languages : en
Pages : 362
Get Book Here
Book Description
Ainsworth (Senior Conservation Research Fellow at the Metropolitan Museum of Art) examines the work of the great Bruges painter Gerard David (ca. 1455-1523), focusing on the motivating forces behind the startling changes in his work caused by shifting devotional practices, changing art markets, the accommodation of foreign art clients, and the evolving secular nature of painting demanded by the newly wealthy middle class in the early years of the 16th century. Illustrations, some 343 in all, include abundant comparative material, such as drawings and workshop copies, as well as 69 superb color reproductions. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Bernhard Ridderbos
Publisher: Getty Publications
ISBN: 9780892368167
Category : Art
Languages : en
Pages : 498
Get Book Here
Book Description
"Any contemporary understanding of early Netherlandish paintings must take into account not only that historical data about them is fragmentary but also that art historians have used a variety of premises from which to study the works. This book, therefore, explores how the paintings of the period and the factual knowledge surrounding them have been assembled, analyzed, and interpreted from their rediscovery in the early nineteenth century to the present day." "Assembling these multiple perspectives in one volume, the editors underscore the common ground shared by their colleagues and intend thereby to advance the scholarly dialogue among them."--BOOK JACKET.
Author: William Henry James Weale
Publisher:
ISBN:
Category :
Languages : en
Pages : 88
Get Book Here
Book Description
Author: Thomas Kren
Publisher: Getty Publications
ISBN: 0892367040
Category : Art
Languages : en
Pages : 593
Get Book Here
Book Description
This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.
Author: Till-Holger Borchert
Publisher: Ludion Publishers
ISBN: 9789493039117
Category : Art
Languages : en
Pages : 128
Get Book Here
Book Description
Five centuries ago, Bruges was home to the Flemish Primitives. At the time, Bruges was one of the most important cities in Europe: an international centre of trade and meeting place for foreign merchants. It is this medieval Bruges through which we are guided by Till-Holger Borchert, director of the Bruges Museums. The wealth of the city and its art-loving inhabitants attracted dozens of artists. The pioneers among the socalled Flemish Primitives - Jan van Eyck, Hans Memling, Dieric Bouts, Hugo van der Goes and Gerard David - developed a new style of painting over the course of the fifteenth century that would make its influence felt as far as southern Europe. Although many of their paintings now hang among the masterpieces of the world's most prominent museums, Bruges was nevertheless able to hold on to a number of dazzling specimens of its owns heritage. This book allows you to take that heritage home. It is the perfect introduction for those who would like to become better acquainted with the artistic Bruges of the fifteenth centyury, as well as a splendid souvenir for anyone who has admired the Flemish Primitives in the city's main museums. Revised edition in a new layout
