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Author: Anna Harwell Celenza
Publisher: Routledge
ISBN: 9781138274259
Category : Music
Languages : en
Pages : 282
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Book Description
Hans Christian Andersen was the most prominent Danish author of the nineteenth century. Now known primarily for his fairy tales, during his lifetime he was equally famous for his novels, travelogues, poetry, and stage works, and it was through these genres that he most often reflected on the world around him. With the bicentennial of Andersen's birth in 2005, there is still much about the writer that is not yet common knowledge. This book explores a single aspect of that void - his interest in and relationship to the musical culture of nineteenth-century Europe. Why look to Andersen for information about music? To begin, Andersen had a musical background. He enjoyed a brief career as an opera singer and dancer at the Royal Theater in Copenhagen, and in later years he went on to produce opera libretti for the Danish and German stage. Andersen was also an avid music devotee. He made thirty major European tours during his seventy years, and on each of these trips he regularly attended opera and concert performances, recording his impressions in a series of travel diaries. In short, Andersen was a well-informed listener, and as this book reveals, his reflections on the music of his age serve as valuable sources for the study of music reception in the nineteenth century. Over the course of his life, Andersen embraced and then later rejected performers such as Maria Malibran, Franz Liszt, and Ole Bull, and his interest in opera and instrumental music underwent a series of dramatic transformations. In his final years, Andersen promoted figures as disparate as Wagner and Mendelssohn, while strongly objecting to Brahms. Although such changes in taste might be interpreted as indiscriminate by modern-day readers, this study shows that such shifts in opinion were not contradictory, but rather quite logical given the social and cultural climate of the age.
Author: Anna Harwell Celenza
Publisher: Routledge
ISBN: 9781138274259
Category : Music
Languages : en
Pages : 282
Get Book
Book Description
Hans Christian Andersen was the most prominent Danish author of the nineteenth century. Now known primarily for his fairy tales, during his lifetime he was equally famous for his novels, travelogues, poetry, and stage works, and it was through these genres that he most often reflected on the world around him. With the bicentennial of Andersen's birth in 2005, there is still much about the writer that is not yet common knowledge. This book explores a single aspect of that void - his interest in and relationship to the musical culture of nineteenth-century Europe. Why look to Andersen for information about music? To begin, Andersen had a musical background. He enjoyed a brief career as an opera singer and dancer at the Royal Theater in Copenhagen, and in later years he went on to produce opera libretti for the Danish and German stage. Andersen was also an avid music devotee. He made thirty major European tours during his seventy years, and on each of these trips he regularly attended opera and concert performances, recording his impressions in a series of travel diaries. In short, Andersen was a well-informed listener, and as this book reveals, his reflections on the music of his age serve as valuable sources for the study of music reception in the nineteenth century. Over the course of his life, Andersen embraced and then later rejected performers such as Maria Malibran, Franz Liszt, and Ole Bull, and his interest in opera and instrumental music underwent a series of dramatic transformations. In his final years, Andersen promoted figures as disparate as Wagner and Mendelssohn, while strongly objecting to Brahms. Although such changes in taste might be interpreted as indiscriminate by modern-day readers, this study shows that such shifts in opinion were not contradictory, but rather quite logical given the social and cultural climate of the age.
Author: AnnaHarwell Celenza
Publisher: Routledge
ISBN: 1351564218
Category : Music
Languages : en
Pages : 386
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Book Description
Hans Christian Andersen was the most prominent Danish author of the nineteenth century. Now known primarily for his fairy tales, during his lifetime he was equally famous for his novels, travelogues, poetry, and stage works, and it was through these genres that he most often reflected on the world around him. With the bicentennial of Andersen's birth in 2005, there is still much about the writer that is not yet common knowledge. This book explores a single aspect of that void - his interest in and relationship to the musical culture of nineteenth-century Europe. Why look to Andersen for information about music? To begin, Andersen had a musical background. He enjoyed a brief career as an opera singer and dancer at the Royal Theater in Copenhagen, and in later years he went on to produce opera libretti for the Danish and German stage. Andersen was also an avid music devotee. He made thirty major European tours during his seventy years, and on each of these trips he regularly attended opera and concert performances, recording his impressions in a series of travel diaries. In short, Andersen was a well-informed listener, and as this book reveals, his reflections on the music of his age serve as valuable sources for the study of music reception in the nineteenth century. Over the course of his life, Andersen embraced and then later rejected performers such as Maria Malibran, Franz Liszt, and Ole Bull, and his interest in opera and instrumental music underwent a series of dramatic transformations. In his final years, Andersen promoted figures as disparate as Wagner and Mendelssohn, while strongly objecting to Brahms. Although such changes in taste might be interpreted as indiscriminate by modern-day readers, this study shows that such shifts in opinion were not contradictory, but rather quite logical given the social and cultural climate of the age.
Author: Hans Christian Andersen
Publisher:
ISBN:
Category : Children's stories, Danish
Languages : en
Pages : 176
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Book Description
Author: Jackie Wullschlager
Publisher: University of Chicago Press
ISBN: 9780226917474
Category : Biography & Autobiography
Languages : en
Pages : 56
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Book Description
Beloved by generations of children and adults around the world for tales such as "The Ugly Duckling" and "The Emperor's New Clothes," Hans Christian Andersen (1805-1875) revolutionized children's literature. Although others before him had collected and retold folk stories and fairy tales, Andersen was the first to create the stories himself, instilling a previously stilted genre with new humor, wisdom, and pathos. Drawing on letters, diaries, and other original sources (many never before translated from the Danish), Wullschlager shows in this compelling, extensively researched biography how Andersen's writings—darker and more diverse than previously recognized—reflected the complexities of his life, a far cry from the "happily ever after" of a fairy tale. As we follow in his footsteps from Golden Age Copenhagen to the princely courts of Germany and the villas of southern Italy, Andersen becomes a figure every bit as fascinating as a character from one of his stories—a gawky, self-pitying, and desperate man, but also one of the most gifted storytellers the world has ever known.
Author:
Publisher: Pelangi ePublishing Sdn Bhd
ISBN: 9674310738
Category : Fiction
Languages : en
Pages : 33
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Book Description
This book is suitable for children age 9 and above. Hans Christian Andersen's fairy tales are very well-known throughout the whole world. His popular stories include The Ugly Duckling, The Little Mermaid and The Princess and the Pea. Read about how a boy from simple beginnings became a famous poet and writer loved by children all over the world and respected by royalty.
Author: Hans Christian Andersen
Publisher: Gramercy
ISBN: 9780517229248
Category : Children's stories, Danish
Languages : en
Pages : 0
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Book Description
More than 156 of the great Dane's best-loved fairy tales.
Author: Noa Daniel
Publisher: Edumatch
ISBN: 9781953852182
Category : Juvenile Fiction
Languages : en
Pages : 38
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Book Description
When Strum meets The Wild Turkeys, he discovers that friends can feel like family. Strum and The Wild Turkeys is a book about finding your voice through a sense of belonging and the transformational power of music.
Author: Hans Christian Andersen
Publisher: HarperCollins
ISBN: 1443440337
Category : Juvenile Fiction
Languages : en
Pages : 43
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Book Description
With a single kiss, a young maid saves her beloved from the Snow Queen’s icy imprisonment. When splinters from an evil troll’s magic mirror get into the heart and eye of Kai, he is tricked into accompanying the Snow Queen to her palace, and only the innocence and kindness of Gerda’s heart can save him. The inspiration for Frozen, Hans Christian’s Andersen’s “The Snow Queen” is one of the most beloved fairy tales in history. HarperPerennialClassics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Author: Belinda GALLAGHER
Publisher:
ISBN: 9781786178732
Category :
Languages : en
Pages :
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Book Description
Brimming with timeless tales from one of the most famous storytellers of all time, in just five minutes, readers can go on a magical journey in which mermaids are enchanted, princes are turned into swans, and tin soldiers are always brave! Enchanting artwork brings timeless characters up to date for a new generation of children.
Author: Beth Wagner Brust
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618311095
Category : Juvenile Nonfiction
Languages : en
Pages : 84
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Book Description
Hans Christian Andersen, the Danish storyteller whose fairy tales are known all over the world, was also a gifted artist. He made hundreds, perhaps thousands, of paper cuttings of swans, clowns, toy theaters, windmills, angels, and other whimsical images. Often he made the paper cuttings while telling a story, then gave them to the children listening to him. In this inspired biography, Beth Wagner Brust tells the story of Andersen as an artist who used his many talents to escape the poverty into which he was born and who entertained others with not only his famous stories but also his innovative and original art.
