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Author: Ulrike Sieglohr
Publisher: Bloomsbury Publishing
ISBN: 1838716068
Category : Biography & Autobiography
Languages : en
Pages : 177
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Book Description
One of the most celebrated figures of the New German Cinema, Hanna Schygulla acquired transnational stardom through her work with a range of directors in different national cinemas and languages. This absorbing study charts Schygulla's career and star persona from her early days as a member of Rainer Werner Fassbinder's experimental anti-teater group to her work with eminent European auteurs, including Jean-Luc Godard, Andrzej Wajda and, more recently, Fatih Akin. It also discusses her reinvention as an acclaimed cabaret chanteuse. Unpicking the myth that Schygulla's star persona depended on her collaboration with Fassbinder, Ulrike Sieglohr examines how her versatile and idiosyncratic acting style developed throughout her career. With in-depth analysis of key films and their international receptions, Sieglohr foregrounds Schygulla's individual agency, resourcefulness and talent.
Author: Ulrike Sieglohr
Publisher: Bloomsbury Publishing
ISBN: 1838716068
Category : Biography & Autobiography
Languages : en
Pages : 177
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Book Description
One of the most celebrated figures of the New German Cinema, Hanna Schygulla acquired transnational stardom through her work with a range of directors in different national cinemas and languages. This absorbing study charts Schygulla's career and star persona from her early days as a member of Rainer Werner Fassbinder's experimental anti-teater group to her work with eminent European auteurs, including Jean-Luc Godard, Andrzej Wajda and, more recently, Fatih Akin. It also discusses her reinvention as an acclaimed cabaret chanteuse. Unpicking the myth that Schygulla's star persona depended on her collaboration with Fassbinder, Ulrike Sieglohr examines how her versatile and idiosyncratic acting style developed throughout her career. With in-depth analysis of key films and their international receptions, Sieglohr foregrounds Schygulla's individual agency, resourcefulness and talent.
Author: Ramona Fotiade
Publisher: Bloomsbury Publishing
ISBN: 0857721178
Category : Art
Languages : en
Pages : 144
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Book Description
One of the most charismatic feature films of the New Wave, A Bout de Souffle (1960) has retained much of its appeal not only as the emphatic statement of a generational break with tradition, but also as Godard's earliest rendition of a set of thematic and stylistic motifs that would become his trademark. Sustained critical attention over almost fifty years has made this a cult film, propelled in part by the memorable coupling of its lead actors, Jean-Paul Belmondo and Jean Seberg, whose story on screen seemed to portray the troubled love affair between French cinema and Hollywood. In this original guide to the film, Ramona Fotiade provides an in-depth analysis of its production and reception contexts, as well as of salient aspects mise-en-scene and editing. She situates A Bout de Souffle in relation to Godard's filmography and critical writings up to 1960, focusing on the elaboration of a narrative and visual discourse that has come to be identified with a distinctive strand in postmodern French cinema. She also explores the impact of Godard's early counter-narrative and visual strategies on the independent American filmmakers and the French Cinema du Look during the 1980s and 1990s.
Author: Stephen Brockmann
Publisher: Camden House
ISBN: 1571134689
Category : Music
Languages : en
Pages : 534
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Book Description
A history of German film dealing with individual films as works of art has long been needed. Existing histories tend to treat cinema as an economic rather than an aesthetic phenomenon; earlier surveys that do engage with individual films do not include films of recent decades. This book treats representative films from the beginnings of German film to the present. Providing historical context through an introduction and interchapters preceding the treatments of each era's films, the volume is suitable for semester- or year-long survey courses and for anyone with an interest in German cinema. The films: The Student of Prague - The Cabinet of Dr. Caligari - The Last Laugh - Metropolis - The Blue Angel - M - Triumph of the Will - The Great Love - The Murderers Are among Us - Sun Seekers - Trace of Stones - The Legend of Paul and Paula - Solo Sunny - The Bridge - Young T rless - Aguirre, The Wrath of God - Germany in Autumn - The Marriage of Maria Braun - The Tin Drum - Marianne and Juliane - Wings of Desire - Maybe, Maybe Not - Rossini - Run Lola Run - Good Bye Lenin - Head On - The Lives of Others Stephen Brockmann is Professor of German at Carnegie Mellon University and past President of the German Studies Assocation.
Author: Thomas Elsaesser
Publisher: Amsterdam University Press
ISBN: 9053560599
Category : Political Science
Languages : en
Pages : 397
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Book Description
Rainer Werner Fassbinder is one of the most prominent and important authors of post-war European cinema. Thomas Elsaesser is the first to write a thoroughly analytical study of his work. He stresses the importance of a closer understanding of Fassbinder's career through a re-reading of his films as textual entities. Approaching the work from different thematic and analytical perspectives, Elsaesser offers both an overview and a number of detailed readings of crucial films, while also providing a European context for Fassbinder's own coming to terms with fascism.
Author: Roberto Curti
Publisher: McFarland
ISBN: 1476653577
Category : Performing Arts
Languages : en
Pages : 335
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Book Description
Marco Ferreri (1928-1997) was one of Italian cinema's boldest auteurs. A maverick personality, he worked with some of the most popular actors of the time (Marcello Mastroianni, Michel Piccoli, Catherine Deneuve, Gerard Depardieu, Ugo Tognazzi, Carroll Baker, Roberto Benigni, Isabelle Huppert, Christopher Lambert and others), and directed internationally acclaimed films. His filmography includes The Conjugal Bed (1963), The Ape Woman (1964), Dillinger Is Dead (1969), the scandalous La Grande Bouffe (1973), the absurdist western Don't Touch the White Woman! (1974), The Last Woman (1976), Bye Bye Monkey (1978) and the Charles Bukowski adaptation Tales of Ordinary Madness (1981). Ferreri's cinema dealt in highly original ways with contemporary issues: the crisis of marriage, relationships between sexes, consumerism, and political disillusionment. His films were controversial and confronted censorship issues, leading to Ferreri's fame as a master provocateur. This book examines Marco Ferreri's life and career, placing his work within the social and political context of postwar Italian culture, politics, and cinema. It includes a detailed production history and critical analysis of his films, with never-before-seen bits of information recovered from Italian ministerial archives and in-depth discussion of the director's unfilmed projects.
Author: Daniela Berghahn
Publisher: Bloomsbury Publishing
ISBN: 1838716084
Category : Foreign Language Study
Languages : en
Pages : 96
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Book Description
When Head-On (Gegen die Wand, 2004) won the Golden Bear at the Berlin International Film Festival, it was hailed as a turning point for German cinema. Not only was this unconventional love story the first German film in eighteen years to win the prestigious award, but the success of writer-director Fatih Akin was also celebrated as the revival of German auteur cinema. Meanwhile Turkey claimed Akin as its own prodigal son and his film a victory for Turkish cinema. Daniela Berghahn provides a detailed and entertaining account of the film's artistic inspirations, its production history and the debates that surrounded it in the German and Turkish press. Arguing that much of the media discourse on Turkish German identity politics detracted from Akin's remarkable artistic achievement, Berghahn instead situates Head-On in the critical contexts of global art cinema and transnational melodrama. This comparative approach excavates new layers of meaning and offers highly original insights into Akin's landmark film.
Author: Wolfgang Jacobsen
Publisher:
ISBN:
Category : Motion pictures
Languages : en
Pages : 360
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Book Description
Author: Priscilla Layne
Publisher: Boydell & Brewer
ISBN: 1571135049
Category : Literary Criticism
Languages : en
Pages : 129
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Book Description
A new reading of Fassbinder's most popular film that highlights the roles of race and gender. The Marriage of Maria Braun is the most popular film by the enfant terrible director Rainer Werner Fassbinder, the leading exponent of the "New German Cinema" of the early sixties to early eighties. It exemplifies his use and abuse of the genre of melodrama. Set in the immediate postwar period and centered around a strong female protagonist, Maria Braun (1978) was the first film in a trilogy that attempts to work through West Germany's fraught past and the legacy of Nazi Germany through the eyes of characters marginalized by their gender, race, sexuality, or (dis)ability. Maria attempts to navigate the poverty and sexism of the immediate postwar years by making her relationships with men as beneficial as possible. In the end, she discovers she has been a pawn in a power game between her husband, long thought killed on the Eastern Front, and her long-time lover Bill, an African-American GI. Yet Maria is also complicit in racism and white patriarchy, a fact that scholarship on the film has barely registered. In her new reading, Priscilla Layne draws on archival research, Critical Race Theory, Black Feminist Thought, and Critical Whiteness Studies to expand on the role of race and gender in the film.
Author: Wallace Steadman Watson
Publisher: Univ of South Carolina Press
ISBN: 9781570030796
Category : Literary Criticism
Languages : en
Pages : 380
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Book Description
Watson's draws on a wide assortment of Fassbinder interviews--many of which are not available in English--and on theoretical and critical approaches employed in the Frankfurt School, performance and reception theories, gay and lesbian film theory, and studies of melodrama and camp. Watson also incorporates his own interviews with Fassbinder's mother and with the woman who served as Fassbinder's film editor and companion during the final four years of his life. A comprehensive, balanced study, 'Understanding Rainer Werner Fassbinder' also features an annotated bibliography, extensive notes, a filmography of Fassbinder's works, and a listing of films and television programs that examine Fassbinder and his achievements."--Back cover.
Author: ans-Michael Bock,,
Publisher: Berghahn Books
ISBN: 9780857455659
Category : Performing Arts
Languages : en
Pages : 596
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Book Description
This comprehensive guide is an ideal reference work for film specialists and enthusiasts. First published in 1984 but continuously updated ever since, CineGraph is the most authoritative and comprehensive encyclopedia on German-speaking cinema in the German language. This condensed and substantially revised English-language edition makes this important resource available to students and researchers for the first time outside its German context. It offers a representative historical overview through bio-filmographical entries on the main protagonists, from the beginnings to the present day. Included are directors and actors, writers and cameramen, composers and production designers, film theorists and critics, producers and distributors, inventors and manufacturers. An appendix includes short introductory essays on specific periods and movements, such as Early Film, Weimar, Nazi Cinema, DEFA, New German Cinema, and German film since unification, as well as on cinematic developments in Austria and Switzerland. Sections that crossreference names around specific professional groups and themes will prove equally invaluable to researchers.
