Handbook of Alternative Photographic Processes PDF Download
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Author: Jan Arnow
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 264
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Book Description
Author: Jan Arnow
Publisher:
ISBN:
Category : Design
Languages : en
Pages : 264
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Book Description
Author: Christopher P. James
Publisher:
ISBN: 9781473735644
Category : Photography
Languages : en
Pages : 857
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Book Description
"The definitive textbook for students and professionals studying the art of handmade photographic prints, The Book of Alternative Photographic Processes, 3e brings students, hobbyists, and professionals up to date with the latest techniques and artists." -- Provided by publisher.
Author: Jan Arnow
Publisher: Van Nostrand Reinhold
ISBN: 9780671608682
Category : Photography
Languages : en
Pages : 238
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Book Description
Author: Brian Arnold
Publisher: Oxford University Press, USA
ISBN: 9780199390397
Category : Photography
Languages : en
Pages : 205
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Book Description
Alternate Process in Photography: Technique, History, and Creative Potential offers a unique, practitioner's perspective on the history and practice of photographic processes. The book emphasizes handmade, largely historical photographic techniques, and provides detailed information for both beginning and advanced photographers.
Author: John Barnier
Publisher: Chronicle Books
ISBN: 9780811818940
Category : Art
Languages : en
Pages : 330
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Book Description
Includes complete instructions, materials lists, and sample photographs for 18 processes, along with a resource guide and in-depth sections on chemicals, paper, and equipment ... how-to guide to antique and contemporary photo processes -- from daguerreotype to digital.
Author: Suda House
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 152
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Book Description
Author: Christopher James
Publisher: Course Technology
ISBN: 9781418073725
Category : Photography
Languages : en
Pages : 0
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Book Description
Explores every aspect of alternative photography, with a brief history of the techniques, an overview of relevant alternative or non-silver photographic process, a review of the chemistry, and instructions for various processes.
Author: Jill Enfield
Publisher: Routledge
ISBN: 1315390345
Category : Photography
Languages : en
Pages : 826
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Book Description
Jill Enfield’s Guide to Photographic Alternative Processes, 2nd edition, is packed with stunning imagery, how-to recipes, techniques and historical information for emulating the ethereal, dream-like feel of alternative processing. This fully updated edition covers alternative processing from its historical roots through to digital manipulation and contemporary techniques and how to combine them. It features several new techniques alongside new approaches to older techniques, including hand painting on silver gelatin prints, ceramics and photography, cyanotypes, wet plate collodion, digital prints and many more. Enfield showcases the different styles and methods of contemporary artists together with suggestions for vegan and vegetarian friendly alternative processing, transforming 2D images to 3D installations, and how to apply darkroom techniques to digital captures. Professionals, students and hobbyists will discover how to bring new life and imagination to their imagery. Whether in a darkroom using traditional chemicals, at the kitchen sink with pantry staples, or in front of the computer re-creating techniques digitally, you will learn how to add a richness and depth to your photography like never before.
Author: Alan Greene
Publisher: CRC Press
ISBN: 1136092706
Category : Photography
Languages : en
Pages : 240
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Book Description
Primitive Photography considers the hand-made photographic process in its entirety, showing the reader how to make box-cameras, lenses, paper negatives and salt prints, using inexpensive tools and materials found in most hardware and art-supply stores. Step-by-step procedures are presented alongside theoretical explanations and historical background. Streamlined calotype procedures are demonstrated, featuring different paper negative processes and overlooked, developing-out printing methods. Primitive Photography combines the simplicity of pinhole photography, the handmade quality of alternative processes, and the precision of large-format. For those seeking alternatives to commercially prepared material as well as digital photography, it provides the instructions for creating the entire photographic process from the ground up. Given its scope and treatment of the photographic process as a whole, this may be the first book of its kind to appear in over a century.
Author: Malin Fabbri
Publisher: AlternativePhotography.com
ISBN:
Category : Photography
Languages : en
Pages : 70
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Book Description
An excellent beginners’ guide to cyanotypes – all you need to get started, and some goodies for more advanced cyanotypers too. About the book The cyanotype is often the first alternative process that people try. It is relatively easy and safe enough to nurture a child’s interest in photography. It can also be seen as a gateway to further exploration of historic photographic methods. In addition, it gives experienced photographers and artists a great excuse to take their eyes off the computer screen and get their hands dirty. Blueprint to cyanotypes is all you will need to get started with cyanotypes. It offers the beginner a step-by-step guide, from choosing material to making the final print. It is full of information and tips. Even the experienced cyanotypist may learn a thing or two. Blueprint to cyanotypes is published by AlternativePhotography.com – a website and information center dedicated to alternative photographic processes. From Malin Fabbri, the author: Why a book on cyanotypes? Of all the alternative processes the cyanotype is the one closest to my heart. I made my first cyanotype in 1999. I was intrigued by the blue images and wanted to test the cyanotype process to see what it had to offer. I bought chemicals and spent an evening coating paper and cloth. The results of the next day’s printing surprised me. Although the alchemy of the darkroom had always captivated me, developing a print in the sun was like a liberation. One of the things I found most refreshing about the process was the unpredictability of the results. Some of my best prints were the product of ‘happy accidents’. The developing process is straightforward. The chemicals are cheap, and most of the other items used can be found around the house. Pre-coated paper is available, but one of the benefits of working with cyanotypes is the great flexibility of material and paper available to you. Cyanotypes print on anything made of natural fibre. Cotton, linen, silk, handmade paper, watercolor paper and rags are just number of alternatives. Some artists even print on wood. So, if you want to explore a fun alternative photographic process or seriously want to experiment with producing unique fine art, make a cyanotype.
