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Author: Robert L. Feller
Publisher:
ISBN:
Category : Artists' materials
Languages : en
Pages : 240
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Book Description
Author: Robert L. Feller
Publisher:
ISBN:
Category : Artists' materials
Languages : en
Pages : 240
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Book Description
Author: Felix Summerly
Publisher:
ISBN:
Category :
Languages : en
Pages : 42
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Book Description
Author: Felix Summerly
Publisher:
ISBN:
Category :
Languages : en
Pages : 56
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Book Description
Author: National Gallery of Art (U.S.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 10
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Book Description
Author: sir Henry Cole
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
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Book Description
Author: Cook
Publisher:
ISBN:
Category :
Languages : en
Pages : 866
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Book Description
Author: National Gallery (Great Britain)
Publisher: Litres
ISBN: 504096322X
Category : Art
Languages : en
Pages : 2011
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Book Description
Author:
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 742
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Book Description
Author: Neil Harris
Publisher: University of Chicago Press
ISBN: 022606784X
Category : History
Languages : en
Pages : 649
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Book Description
American art museums flourished in the late twentieth century, and the impresario leading much of this growth was J. Carter Brown, director of the National Gallery of Art in Washington, DC, from 1969 to 1992. Along with S. Dillon Ripley, who served as Smithsonian secretary for much of this time, Brown reinvented the museum experience in ways that had important consequences for the cultural life of Washington and its visitors as well as for American museums in general. In Capital Culture, distinguished historian Neil Harris provides a wide-ranging look at Brown’s achievement and the growth of museum culture during this crucial period. Harris combines his in-depth knowledge of American history and culture with extensive archival research, and he has interviewed dozens of key players to reveal how Brown’s showmanship transformed the National Gallery. At the time of the Cold War, Washington itself was growing into a global destination, with Brown as its devoted booster. Harris describes Brown’s major role in the birth of blockbuster exhibitions, such as the King Tut show of the late 1970s and the National Gallery’s immensely successful Treasure Houses of Britain, which helped inspire similarly popular exhibitions around the country. He recounts Brown’s role in creating the award-winning East Building by architect I. M. Pei and the subsequent renovation of the West building. Harris also explores the politics of exhibition planning, describing Brown's courtship of corporate leaders, politicians, and international dignitaries. In this monumental book Harris brings to life this dynamic era and exposes the creation of Brown's impressive but costly legacy, one that changed the face of American museums forever.
Author: E. T. Cook
Publisher: anboco
ISBN: 3736405529
Category : Fiction
Languages : en
Pages : 820
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Book Description
So far as I know, there has never yet been compiled, for the illustration of any collection of paintings whatever, a series of notes at once so copious, carefully chosen, and usefully arranged, as this which has been prepared, by the industry and good sense of Mr. Edward T. Cook, to be our companion through the magnificent rooms of our own National Gallery; without question now the most important collection of paintings in Europe for the purposes of the general student. Of course the Florentine School must always be studied in Florence, the Dutch in Holland, and the Roman in Rome; but to obtain a clear knowledge of their relations to each other, and compare with the best advantage the characters in which they severally excel, the thoughtful scholars of any foreign country ought now to become pilgrims to the Dome—(such as it is)—of Trafalgar Square.
