Author: David McNeill
Publisher: University of Chicago Press
ISBN: 0226561348
Category : Language Arts & Disciplines
Languages : en
Pages : 432
Book Description
A research subject is shown a cartoon like the 1950 Canary Row--a classic Sylvester and Tweedy Bird caper that features Sylvester climbing up a downspout, swallowing a bowling ball and slamming into a brick wall. After watching the cartoon, the subject is videotaped recounting the story from memory to a listener who has not seen the cartoon. Painstaking analysis of the videotapes revealed that although the research subjects--children as well as adults, some neurologically impaired--represented a wide variety of linguistic groupings, the gestures of people speaking English and a half dozen other languages manifest the same principles. Relying on data from more than ten years of research, McNeill shows that gestures do not simply form a part of what is said and meant but have an impact on thought itself.
Hand and Mind
Author: David McNeill
Publisher: University of Chicago Press
ISBN: 0226561348
Category : Language Arts & Disciplines
Languages : en
Pages : 432
Book Description
A research subject is shown a cartoon like the 1950 Canary Row--a classic Sylvester and Tweedy Bird caper that features Sylvester climbing up a downspout, swallowing a bowling ball and slamming into a brick wall. After watching the cartoon, the subject is videotaped recounting the story from memory to a listener who has not seen the cartoon. Painstaking analysis of the videotapes revealed that although the research subjects--children as well as adults, some neurologically impaired--represented a wide variety of linguistic groupings, the gestures of people speaking English and a half dozen other languages manifest the same principles. Relying on data from more than ten years of research, McNeill shows that gestures do not simply form a part of what is said and meant but have an impact on thought itself.
Publisher: University of Chicago Press
ISBN: 0226561348
Category : Language Arts & Disciplines
Languages : en
Pages : 432
Book Description
A research subject is shown a cartoon like the 1950 Canary Row--a classic Sylvester and Tweedy Bird caper that features Sylvester climbing up a downspout, swallowing a bowling ball and slamming into a brick wall. After watching the cartoon, the subject is videotaped recounting the story from memory to a listener who has not seen the cartoon. Painstaking analysis of the videotapes revealed that although the research subjects--children as well as adults, some neurologically impaired--represented a wide variety of linguistic groupings, the gestures of people speaking English and a half dozen other languages manifest the same principles. Relying on data from more than ten years of research, McNeill shows that gestures do not simply form a part of what is said and meant but have an impact on thought itself.
The Hand, an Organ of the Mind
Author: Zdravko Radman
Publisher: MIT Press
ISBN: 0262018845
Category : Philosophy
Languages : en
Pages : 465
Book Description
Theoretical and empirical accounts of the interconnectedness between the manual and the mental suggest that the hand can be understood as a cognitive instrument. Cartesian-inspired dualism enforces a theoretical distinction between the motor and the cognitive and locates the mental exclusively in the head. This collection, focusing on the hand, challenges this dichotomy, offering theoretical and empirical perspectives on the interconnectedness and interdependence of the manual and mental. The contributors explore the possibility that the hand, far from being the merely mechanical executor of preconceived mental plans, possesses its own know-how, enabling "enhanded" beings to navigate the natural, social, and cultural world without engaging propositional thought, consciousness, and deliberation. The contributors consider not only broad philosophical questions—ranging from the nature of embodiment, enaction, and the extended mind to the phenomenology of agency—but also such specific issues as touching, grasping, gesturing, sociality, and simulation. They show that the capacities of the hand include perception (on its own and in association with other modalities), action, (extended) cognition, social interaction, and communication. Taken together, their accounts offer a handbook of cutting-edge research exploring the ways that the manual shapes and reshapes the mental and creates conditions for embodied agents to act in the world. Contributors Matteo Baccarini, Andrew J. Bremner, Massimiliano L. Cappuccio, Andy Clark, Jonathan Cole, Dorothy Cowie, Natalie Depraz, Rosalyn Driscoll, Harry Farmer, Shaun Gallagher, Nicholas P. Holmes, Daniel D. Hutto, Angelo Maravita, Filip Mattens, Richard Menary, Jesse J. Prinz, Zdravko Radman, Matthew Ratcliffe, Etiennne B. Roesch, Stephen V. Shepherd, Susan A.J. Stuart, Manos Tsakiris, Michael Wheeler
Publisher: MIT Press
ISBN: 0262018845
Category : Philosophy
Languages : en
Pages : 465
Book Description
Theoretical and empirical accounts of the interconnectedness between the manual and the mental suggest that the hand can be understood as a cognitive instrument. Cartesian-inspired dualism enforces a theoretical distinction between the motor and the cognitive and locates the mental exclusively in the head. This collection, focusing on the hand, challenges this dichotomy, offering theoretical and empirical perspectives on the interconnectedness and interdependence of the manual and mental. The contributors explore the possibility that the hand, far from being the merely mechanical executor of preconceived mental plans, possesses its own know-how, enabling "enhanded" beings to navigate the natural, social, and cultural world without engaging propositional thought, consciousness, and deliberation. The contributors consider not only broad philosophical questions—ranging from the nature of embodiment, enaction, and the extended mind to the phenomenology of agency—but also such specific issues as touching, grasping, gesturing, sociality, and simulation. They show that the capacities of the hand include perception (on its own and in association with other modalities), action, (extended) cognition, social interaction, and communication. Taken together, their accounts offer a handbook of cutting-edge research exploring the ways that the manual shapes and reshapes the mental and creates conditions for embodied agents to act in the world. Contributors Matteo Baccarini, Andrew J. Bremner, Massimiliano L. Cappuccio, Andy Clark, Jonathan Cole, Dorothy Cowie, Natalie Depraz, Rosalyn Driscoll, Harry Farmer, Shaun Gallagher, Nicholas P. Holmes, Daniel D. Hutto, Angelo Maravita, Filip Mattens, Richard Menary, Jesse J. Prinz, Zdravko Radman, Matthew Ratcliffe, Etiennne B. Roesch, Stephen V. Shepherd, Susan A.J. Stuart, Manos Tsakiris, Michael Wheeler
Everyday Upper Extremity Anatomy
Author: Sheri Roberts
Publisher:
ISBN: 9780985624309
Category :
Languages : en
Pages : 116
Book Description
The interactive nature of this workbook allows for effective self study, clinical preparation, and is fun to use. In addition to providing essential anatomical facts, the workbook also contains useful information about common clinical conditions that affect the upper extremity. The information will be useful to the novice and the experienced practitioner alike. I highly recommend this book for those who have an interest in understanding the upper extremity, and also for those interested in treating upper extremity disorders.
Publisher:
ISBN: 9780985624309
Category :
Languages : en
Pages : 116
Book Description
The interactive nature of this workbook allows for effective self study, clinical preparation, and is fun to use. In addition to providing essential anatomical facts, the workbook also contains useful information about common clinical conditions that affect the upper extremity. The information will be useful to the novice and the experienced practitioner alike. I highly recommend this book for those who have an interest in understanding the upper extremity, and also for those interested in treating upper extremity disorders.
The Eye, the Hand, the Mind
Author: Susan L. Ball
Publisher: Rutgers University Press
ISBN: 0813547873
Category : Art
Languages : en
Pages : 345
Book Description
The Eye, the Hand, the Mind, celebrating the centennial of the College Art Association, is filled with pictorial mementos and enlivening stories and anecdotes that connects the organization's sixteen goals and tells its rich, sometimes controversial, story. Readers will discover its role in major issues in higher education, preservation of world monuments, workforce issues and market equity, intellectual property and free speech, capturing conflicts and reconciliations inherent among artists and art historians, pedagogical approaches and critical interpretations/interventions as played out in association publications, annual conferences, advocacy efforts, and governance.
Publisher: Rutgers University Press
ISBN: 0813547873
Category : Art
Languages : en
Pages : 345
Book Description
The Eye, the Hand, the Mind, celebrating the centennial of the College Art Association, is filled with pictorial mementos and enlivening stories and anecdotes that connects the organization's sixteen goals and tells its rich, sometimes controversial, story. Readers will discover its role in major issues in higher education, preservation of world monuments, workforce issues and market equity, intellectual property and free speech, capturing conflicts and reconciliations inherent among artists and art historians, pedagogical approaches and critical interpretations/interventions as played out in association publications, annual conferences, advocacy efforts, and governance.
Touch
Author: David J. Linden
Publisher: Penguin Books
ISBN: 0143128442
Category : Medical
Languages : en
Pages : 274
Book Description
The "New York Times" bestselling author of "The Compass of Pleasure" examines how our sense of touch is interconnected with our emotions Dual-function receptors in our skin make mint feel cool and chili peppers hot.
Publisher: Penguin Books
ISBN: 0143128442
Category : Medical
Languages : en
Pages : 274
Book Description
The "New York Times" bestselling author of "The Compass of Pleasure" examines how our sense of touch is interconnected with our emotions Dual-function receptors in our skin make mint feel cool and chili peppers hot.
Mind and Hand
Author: Julius Adams Stratton
Publisher: MIT Press
ISBN: 9780262195249
Category : Education
Languages : en
Pages : 830
Book Description
The intellectual heritage of MIT: an account of "the flow of ideas" about science and education that shaped the Institute as it emerged and that inspires it today. The motto on the seal of the Massachusetts Institute of Technology, "Mens et Manus" -- "mind and hand" -- signals the Institute's dedication to what MIT founder William Barton Rogers called "the most earnest cooperation of intelligent culture with industrial pursuits." Mind and Hand traces the ideas about science and education that have shaped MIT and defined its mission -- from the new science of the Enlightenment era and the ideals of representative democracy spurred by the Industrial Revolution to new theories on the nature and role of higher education in nineteenth-century America. MIT emerged in mid-century as an experiment in scientific and technical education, with its origins in the tension between these old and new ideas. Mind and Hand was undertaken by Julius Stratton after his retirement from the presidency of MIT and continued by Loretta Mannix after his death; Philip N. Alexander, of the MIT Program in Writing and Humanistic Studies, stepped in to complete the project. The combined efforts of these three authors have given us what Julius Stratton envisioned -- "a coherent account of the flow of ideas" from which MIT emerged.
Publisher: MIT Press
ISBN: 9780262195249
Category : Education
Languages : en
Pages : 830
Book Description
The intellectual heritage of MIT: an account of "the flow of ideas" about science and education that shaped the Institute as it emerged and that inspires it today. The motto on the seal of the Massachusetts Institute of Technology, "Mens et Manus" -- "mind and hand" -- signals the Institute's dedication to what MIT founder William Barton Rogers called "the most earnest cooperation of intelligent culture with industrial pursuits." Mind and Hand traces the ideas about science and education that have shaped MIT and defined its mission -- from the new science of the Enlightenment era and the ideals of representative democracy spurred by the Industrial Revolution to new theories on the nature and role of higher education in nineteenth-century America. MIT emerged in mid-century as an experiment in scientific and technical education, with its origins in the tension between these old and new ideas. Mind and Hand was undertaken by Julius Stratton after his retirement from the presidency of MIT and continued by Loretta Mannix after his death; Philip N. Alexander, of the MIT Program in Writing and Humanistic Studies, stepped in to complete the project. The combined efforts of these three authors have given us what Julius Stratton envisioned -- "a coherent account of the flow of ideas" from which MIT emerged.
Oliver Jeffers
Author: Oliver Jeffers
Publisher: Rizzoli Publications
ISBN: 0847862992
Category : Art
Languages : en
Pages : 242
Book Description
Artist Oliver Jeffers gives readers an unprecedented and intimate window into his creative process, weaving his popular works with never-before-seen art and illustrations, alongside his personal story of how he came to art, his love of books, and his bookmaking, fashioned from his personal sketchbooks. This dynamic visual biography is Jeffers's personal chronicle of an artist who blends his love of creating stories with his love of art and his infectious charm, and is a must-have for art lovers and bibliophiles both young and old. Oliver Jeffers takes a dive into Oliver's own origin story, inspirations, art evolution, and passion for storytelling: from growing up loving art and creating stories as a young boy in Belfast, Ireland; to finding a huge audience for his loveable stories; to what led him to his enormously clever found painting; to his collaborations with U2, TED, Colette, and Apple, to his newest meditative dipped painting performances. Oliver Jeffers is a fresh canvas for his imagination, and includes a pass through his most popular work, never-before-published illustrations and art, and a look into his more personal world of sketchbooks and doodles. Oliver's own story, infused with the whimsy and joy his work is famous for, is must-have not only for current fans of Oliver Jeffers's picture books, but also new fans, art lovers, and bibliophiles both young and old.
Publisher: Rizzoli Publications
ISBN: 0847862992
Category : Art
Languages : en
Pages : 242
Book Description
Artist Oliver Jeffers gives readers an unprecedented and intimate window into his creative process, weaving his popular works with never-before-seen art and illustrations, alongside his personal story of how he came to art, his love of books, and his bookmaking, fashioned from his personal sketchbooks. This dynamic visual biography is Jeffers's personal chronicle of an artist who blends his love of creating stories with his love of art and his infectious charm, and is a must-have for art lovers and bibliophiles both young and old. Oliver Jeffers takes a dive into Oliver's own origin story, inspirations, art evolution, and passion for storytelling: from growing up loving art and creating stories as a young boy in Belfast, Ireland; to finding a huge audience for his loveable stories; to what led him to his enormously clever found painting; to his collaborations with U2, TED, Colette, and Apple, to his newest meditative dipped painting performances. Oliver Jeffers is a fresh canvas for his imagination, and includes a pass through his most popular work, never-before-published illustrations and art, and a look into his more personal world of sketchbooks and doodles. Oliver's own story, infused with the whimsy and joy his work is famous for, is must-have not only for current fans of Oliver Jeffers's picture books, but also new fans, art lovers, and bibliophiles both young and old.
The Mind at Hand
Author: Michael J. Strauss
Publisher: Universal-Publishers
ISBN: 1612336329
Category : Art
Languages : en
Pages : 240
Book Description
The Mind at Hand explores how artists, scientists, writers, and others - students and professionals alike - see their world, record it, revise it and come to know it. It is about the rough-drawn sketch, diagram, chart, or other graphic representation, and the focus these provide for creative work that follows from them. Such work could involve solving a problem, composing a musical score, proposing a hypothesis, creating a painting, and many other imaginative and inventive tasks. The book is for for visual learners of all kinds, for scientists as well as artists, and for anyone who keeps a journal, notebook, or lab book in order to think and create visually. It is also a book for teachers and educational administrators interested in learning about new active learning strategies involving drawing, and possible outcomes of these in classrooms. The formulas and symbols of chemistry, the diagrams and features of the landscape in geology, and the organisms and structures in biology, are all represented as images on pages or screens. Students create them when studying, problem-solving, and learning. Once in front of their eyes, they can be reconsidered, revised, and reconstructed into new images for further consideration and revision. It is how artists often create a painting or a sculpture, and how scientists come up with new hypotheses. This is how learning occurs, not only across disciplines, but in all kinds of creative endeavors, through a continuing process of creation, revision, and re-creation. It is drawing-to-learn.
Publisher: Universal-Publishers
ISBN: 1612336329
Category : Art
Languages : en
Pages : 240
Book Description
The Mind at Hand explores how artists, scientists, writers, and others - students and professionals alike - see their world, record it, revise it and come to know it. It is about the rough-drawn sketch, diagram, chart, or other graphic representation, and the focus these provide for creative work that follows from them. Such work could involve solving a problem, composing a musical score, proposing a hypothesis, creating a painting, and many other imaginative and inventive tasks. The book is for for visual learners of all kinds, for scientists as well as artists, and for anyone who keeps a journal, notebook, or lab book in order to think and create visually. It is also a book for teachers and educational administrators interested in learning about new active learning strategies involving drawing, and possible outcomes of these in classrooms. The formulas and symbols of chemistry, the diagrams and features of the landscape in geology, and the organisms and structures in biology, are all represented as images on pages or screens. Students create them when studying, problem-solving, and learning. Once in front of their eyes, they can be reconsidered, revised, and reconstructed into new images for further consideration and revision. It is how artists often create a painting or a sculpture, and how scientists come up with new hypotheses. This is how learning occurs, not only across disciplines, but in all kinds of creative endeavors, through a continuing process of creation, revision, and re-creation. It is drawing-to-learn.
Letters from the People
Author: Lee Friedlander
Publisher: Distributed Art Publishers (DAP)
ISBN: 9781881616054
Category : Graffiti
Languages : en
Pages : 0
Book Description
Photographs by Lee Friedlander.
Publisher: Distributed Art Publishers (DAP)
ISBN: 9781881616054
Category : Graffiti
Languages : en
Pages : 0
Book Description
Photographs by Lee Friedlander.
From Mind, Heart, and Hand
Author: Stuart Cary Welch
Publisher: Harvard Art Museums
ISBN: 9780300104738
Category : Art
Languages : en
Pages : 249
Book Description
02 A superb selection of drawings from the extraordinary collection of Stuart Cary WelchStuart Cary Welch’s collection of Persian, Turkish, and Indian art is renowned throughout the world for its quality and depth. In 1999, Welch made a generous gift of drawings to the Harvard University Art Museums, which form the basis of the present catalogue. Spanning five centuries and extending from Istanbul to Calcutta, these drawings represent the great empires of the Ottomans in Turkey, the Safavids in Iran, and the Mughals in India as well as numerous regional Hindu kingdoms. This beautifully illustrated book presents more than seventy exquisite drawings—some of which are counted among the greatest Indian, Persian, or Turkish drawings ever made—and explores the connections between the arts and artists of the three cultures.As with drawings from European traditions, the works display an immediacy that is often absent in paintings. The drawings deal with fascinating and diverse subjects ranging from court portraits, stories from fable and myth, and hunting scenes to animals, flowers, and people sketched from life. The contributors to the book shed light on various aspects of the drawings and the artists, and Welch offers an engaging account of his trials and triumphs while acquiring the works in his unparalleled collection. This book is the catalogue for an exhibition at the Asian Art Museum of San Francisco (September 17 to November 28, 2004) and at the Harvard University Art Museums (March 19 to June 12, 2005).Stuart Cary Welch is curator emeritus, Department of Islamic and Later Indian Art, Harvard University Art Museums; Kimberly Masteller is assistant curator of Islamic and Later Indian Art at the Arthur M. Sackler Museum, Harvard University Art Museums. A superb selection of drawings from the extraordinary collection of Stuart Cary WelchStuart Cary Welch’s collection of Persian, Turkish, and Indian art is renowned throughout the world for its quality and depth. In 1999, Welch made a generous gift of drawings to the Harvard University Art Museums, which form the basis of the present catalogue. Spanning five centuries and extending from Istanbul to Calcutta, these drawings represent the great empires of the Ottomans in Turkey, the Safavids in Iran, and the Mughals in India as well as numerous regional Hindu kingdoms. This beautifully illustrated book presents more than seventy exquisite drawings—some of which are counted among the greatest Indian, Persian, or Turkish drawings ever made—and explores the connections between the arts and artists of the three cultures.As with drawings from European traditions, the works display an immediacy that is often absent in paintings. The drawings deal with fascinating and diverse subjects ranging from court portraits, stories from fable and myth, and hunting scenes to animals, flowers, and people sketched from life. The contributors to the book shed light on various aspects of the drawings and the artists, and Welch offers an engaging account of his trials and triumphs while acquiring the works in his unparalleled collection. This book is the catalogue for an exhibition at the Asian Art Museum of San Francisco (September 17 to November 28, 2004) and at the Harvard University Art Museums (March 19 to June 12, 2005).Stuart Cary Welch is curator emeritus, Department of Islamic and Later Indian Art, Harvard University Art Museums; Kimberly Masteller is assistant curator of Islamic and Later Indian Art at the Arthur M. Sackler Museum, Harvard University Art Museums.
Publisher: Harvard Art Museums
ISBN: 9780300104738
Category : Art
Languages : en
Pages : 249
Book Description
02 A superb selection of drawings from the extraordinary collection of Stuart Cary WelchStuart Cary Welch’s collection of Persian, Turkish, and Indian art is renowned throughout the world for its quality and depth. In 1999, Welch made a generous gift of drawings to the Harvard University Art Museums, which form the basis of the present catalogue. Spanning five centuries and extending from Istanbul to Calcutta, these drawings represent the great empires of the Ottomans in Turkey, the Safavids in Iran, and the Mughals in India as well as numerous regional Hindu kingdoms. This beautifully illustrated book presents more than seventy exquisite drawings—some of which are counted among the greatest Indian, Persian, or Turkish drawings ever made—and explores the connections between the arts and artists of the three cultures.As with drawings from European traditions, the works display an immediacy that is often absent in paintings. The drawings deal with fascinating and diverse subjects ranging from court portraits, stories from fable and myth, and hunting scenes to animals, flowers, and people sketched from life. The contributors to the book shed light on various aspects of the drawings and the artists, and Welch offers an engaging account of his trials and triumphs while acquiring the works in his unparalleled collection. This book is the catalogue for an exhibition at the Asian Art Museum of San Francisco (September 17 to November 28, 2004) and at the Harvard University Art Museums (March 19 to June 12, 2005).Stuart Cary Welch is curator emeritus, Department of Islamic and Later Indian Art, Harvard University Art Museums; Kimberly Masteller is assistant curator of Islamic and Later Indian Art at the Arthur M. Sackler Museum, Harvard University Art Museums. A superb selection of drawings from the extraordinary collection of Stuart Cary WelchStuart Cary Welch’s collection of Persian, Turkish, and Indian art is renowned throughout the world for its quality and depth. In 1999, Welch made a generous gift of drawings to the Harvard University Art Museums, which form the basis of the present catalogue. Spanning five centuries and extending from Istanbul to Calcutta, these drawings represent the great empires of the Ottomans in Turkey, the Safavids in Iran, and the Mughals in India as well as numerous regional Hindu kingdoms. This beautifully illustrated book presents more than seventy exquisite drawings—some of which are counted among the greatest Indian, Persian, or Turkish drawings ever made—and explores the connections between the arts and artists of the three cultures.As with drawings from European traditions, the works display an immediacy that is often absent in paintings. The drawings deal with fascinating and diverse subjects ranging from court portraits, stories from fable and myth, and hunting scenes to animals, flowers, and people sketched from life. The contributors to the book shed light on various aspects of the drawings and the artists, and Welch offers an engaging account of his trials and triumphs while acquiring the works in his unparalleled collection. This book is the catalogue for an exhibition at the Asian Art Museum of San Francisco (September 17 to November 28, 2004) and at the Harvard University Art Museums (March 19 to June 12, 2005).Stuart Cary Welch is curator emeritus, Department of Islamic and Later Indian Art, Harvard University Art Museums; Kimberly Masteller is assistant curator of Islamic and Later Indian Art at the Arthur M. Sackler Museum, Harvard University Art Museums.