Author: William F. Zak
Publisher: Lexington Books
ISBN: 1498513115
Category : Literary Criticism
Languages : en
Pages : 151
Book Description
Hamlet's Problematic Revenge: Forging a Royal Mandate provides a new argument within Shakespearean studies that argues the oft-noted arrest of the play’s dramaturgical momentum, especially evident in Hamlet’s much delayed enactment of his revenge, represents in fact a succinct emblem of the “arrested development” in the moral maturity of the entire cast, most notably, Hamlet himself—as the unifying disclosure and tragic problem in the play. Settling for unreflective and short-sighted personal gratifications and cold comforts, they truantly elbow aside a more considerable moral obligation. Again and again, all yield this duty’s commanding priority to a childishly self-regarding fear of offending those in nominal positions of power and questionable positions of authority—figures, like Ophelia and Hamlet’s fathers, for instance, demanding an unworthy deference. While Hamlet fails to consider with loving regard the improved well-being of the larger community to which he owes his existence and, fails to interrogate the moral adequacy of the Ghost’s command of violent reprisal (two things he never does nor even contemplates doing), “all occasions” in the play “do inform against” him and merely “spur a dull revenge”—not, as he interprets his own words, arguing the need for greater urgency in his vendetta, but, instead, to “inform against” the criminality of that very course itself. His revenge therefore can be argued as “dull,” not because he cannot summon the wherewithal to enact it more bloodily, but because in obsessing about it ceaselessly he remains unreceptive to its “dull” or “unenlightened” opposition to the evil he hopes to eradicate. Hamlet does not avenge his father; this book argues that he becomes him. Amidst a wealth of previously unremarked figurative mirrorings, as well as much of the seemingly digressive material in Hamlet within Shakespearean studies, Hamlet’s Problematic Revenge brings to light a new interpretation of the tragic problem in the play.
Hamlet's Problematic Revenge
Author: William F. Zak
Publisher: Lexington Books
ISBN: 1498513115
Category : Literary Criticism
Languages : en
Pages : 151
Book Description
Hamlet's Problematic Revenge: Forging a Royal Mandate provides a new argument within Shakespearean studies that argues the oft-noted arrest of the play’s dramaturgical momentum, especially evident in Hamlet’s much delayed enactment of his revenge, represents in fact a succinct emblem of the “arrested development” in the moral maturity of the entire cast, most notably, Hamlet himself—as the unifying disclosure and tragic problem in the play. Settling for unreflective and short-sighted personal gratifications and cold comforts, they truantly elbow aside a more considerable moral obligation. Again and again, all yield this duty’s commanding priority to a childishly self-regarding fear of offending those in nominal positions of power and questionable positions of authority—figures, like Ophelia and Hamlet’s fathers, for instance, demanding an unworthy deference. While Hamlet fails to consider with loving regard the improved well-being of the larger community to which he owes his existence and, fails to interrogate the moral adequacy of the Ghost’s command of violent reprisal (two things he never does nor even contemplates doing), “all occasions” in the play “do inform against” him and merely “spur a dull revenge”—not, as he interprets his own words, arguing the need for greater urgency in his vendetta, but, instead, to “inform against” the criminality of that very course itself. His revenge therefore can be argued as “dull,” not because he cannot summon the wherewithal to enact it more bloodily, but because in obsessing about it ceaselessly he remains unreceptive to its “dull” or “unenlightened” opposition to the evil he hopes to eradicate. Hamlet does not avenge his father; this book argues that he becomes him. Amidst a wealth of previously unremarked figurative mirrorings, as well as much of the seemingly digressive material in Hamlet within Shakespearean studies, Hamlet’s Problematic Revenge brings to light a new interpretation of the tragic problem in the play.
Publisher: Lexington Books
ISBN: 1498513115
Category : Literary Criticism
Languages : en
Pages : 151
Book Description
Hamlet's Problematic Revenge: Forging a Royal Mandate provides a new argument within Shakespearean studies that argues the oft-noted arrest of the play’s dramaturgical momentum, especially evident in Hamlet’s much delayed enactment of his revenge, represents in fact a succinct emblem of the “arrested development” in the moral maturity of the entire cast, most notably, Hamlet himself—as the unifying disclosure and tragic problem in the play. Settling for unreflective and short-sighted personal gratifications and cold comforts, they truantly elbow aside a more considerable moral obligation. Again and again, all yield this duty’s commanding priority to a childishly self-regarding fear of offending those in nominal positions of power and questionable positions of authority—figures, like Ophelia and Hamlet’s fathers, for instance, demanding an unworthy deference. While Hamlet fails to consider with loving regard the improved well-being of the larger community to which he owes his existence and, fails to interrogate the moral adequacy of the Ghost’s command of violent reprisal (two things he never does nor even contemplates doing), “all occasions” in the play “do inform against” him and merely “spur a dull revenge”—not, as he interprets his own words, arguing the need for greater urgency in his vendetta, but, instead, to “inform against” the criminality of that very course itself. His revenge therefore can be argued as “dull,” not because he cannot summon the wherewithal to enact it more bloodily, but because in obsessing about it ceaselessly he remains unreceptive to its “dull” or “unenlightened” opposition to the evil he hopes to eradicate. Hamlet does not avenge his father; this book argues that he becomes him. Amidst a wealth of previously unremarked figurative mirrorings, as well as much of the seemingly digressive material in Hamlet within Shakespearean studies, Hamlet’s Problematic Revenge brings to light a new interpretation of the tragic problem in the play.
Hamlet's Choice
Author: Peter Lake
Publisher: Yale University Press
ISBN: 0300247818
Category : History
Languages : en
Pages : 239
Book Description
An illuminating account of how Shakespeare worked through the tensions of Queen Elizabeth's England in two canon-defining plays Conspiracies and revolts simmered beneath the surface of Queen Elizabeth's reign. England was riven with tensions created by religious conflict and the prospect of dynastic crisis and regime change. In this rich, incisive account, Peter Lake reveals how in Titus Andronicus and Hamlet Shakespeare worked through a range of Tudor anxieties, including concerns about the nature of justice, resistance, and salvation. In both Hamlet and Titus the princes are faced with successions forged under questionable circumstances and they each have a choice: whether or not to resort to political violence. The unfolding action, Lake argues, is best understood in terms of contemporary debates about the legitimacy of resistance and the relation between religion and politics. Relating the plays to their broader political and polemical contexts, Lake sheds light on the nature of revenge, resistance, and religion in post-Reformation England.
Publisher: Yale University Press
ISBN: 0300247818
Category : History
Languages : en
Pages : 239
Book Description
An illuminating account of how Shakespeare worked through the tensions of Queen Elizabeth's England in two canon-defining plays Conspiracies and revolts simmered beneath the surface of Queen Elizabeth's reign. England was riven with tensions created by religious conflict and the prospect of dynastic crisis and regime change. In this rich, incisive account, Peter Lake reveals how in Titus Andronicus and Hamlet Shakespeare worked through a range of Tudor anxieties, including concerns about the nature of justice, resistance, and salvation. In both Hamlet and Titus the princes are faced with successions forged under questionable circumstances and they each have a choice: whether or not to resort to political violence. The unfolding action, Lake argues, is best understood in terms of contemporary debates about the legitimacy of resistance and the relation between religion and politics. Relating the plays to their broader political and polemical contexts, Lake sheds light on the nature of revenge, resistance, and religion in post-Reformation England.
Hamlet
Author: William Shakespeare
Publisher:
ISBN: 9781616002190
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN: 9781616002190
Category :
Languages : en
Pages :
Book Description
A Kind of Wild Justice
Author: Linda Anderson
Publisher: University of Delaware Press
ISBN: 9780874133196
Category : Drama
Languages : en
Pages : 204
Book Description
This study demonstrates not only that the devices of revenge are structurally useful in comedy, but also that there is a consistent conception of revenge as an ethical social instrument in the comedies of Shakespeare.
Publisher: University of Delaware Press
ISBN: 9780874133196
Category : Drama
Languages : en
Pages : 204
Book Description
This study demonstrates not only that the devices of revenge are structurally useful in comedy, but also that there is a consistent conception of revenge as an ethical social instrument in the comedies of Shakespeare.
Women and Revenge in Shakespeare
Author: Marguerite A. Tassi
Publisher: Susquehanna University Press
ISBN: 1575911310
Category : Drama
Languages : en
Pages : 345
Book Description
Can there be a virtue in vengeance? Can revenge do ethical work? Can revenge be the obligation of women? This wide-ranging literary study looks at Shakespeare's women and finds bold answers to questions such as these. A surprising number of Shakespeare's female characters respond to moral outrages by expressing a strong desire for vengeance. This book's analysis of these characters and their circumstances offers incisive critical perceptions of feminine anger, ethics, and agency and challenges our assumptions about the role of gender in revenge. In this provocative book, Marguerite A. Tassi counters longstanding critical opinions on revenge: that it is the sole province of men in Western literature and culture, that it is a barbaric, morally depraved, irrational instinct, and that it is antithetical to justice. Countless examples have been mined from Shakespeare's dramas to reveal women's profound concerns with revenge and justice, honor and shame, crime and punishment. In placing the critical focus on avenging women, this book significantly redresses a gender imbalance in scholarly treatments of revenge, particularly in early modern literature.
Publisher: Susquehanna University Press
ISBN: 1575911310
Category : Drama
Languages : en
Pages : 345
Book Description
Can there be a virtue in vengeance? Can revenge do ethical work? Can revenge be the obligation of women? This wide-ranging literary study looks at Shakespeare's women and finds bold answers to questions such as these. A surprising number of Shakespeare's female characters respond to moral outrages by expressing a strong desire for vengeance. This book's analysis of these characters and their circumstances offers incisive critical perceptions of feminine anger, ethics, and agency and challenges our assumptions about the role of gender in revenge. In this provocative book, Marguerite A. Tassi counters longstanding critical opinions on revenge: that it is the sole province of men in Western literature and culture, that it is a barbaric, morally depraved, irrational instinct, and that it is antithetical to justice. Countless examples have been mined from Shakespeare's dramas to reveal women's profound concerns with revenge and justice, honor and shame, crime and punishment. In placing the critical focus on avenging women, this book significantly redresses a gender imbalance in scholarly treatments of revenge, particularly in early modern literature.
The Shapes of Revenge
Author: Harry Keyishian
Publisher: Prometheus Books
ISBN: 9781591022169
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
This approach to Shakespeare's treatment of revenge emphasizes the psychology of revenge and, in particular, the relationship of revenge to the experience of victimization. Instead of assuming that dramatic avengers reflect mental imbalance to be condemned for moral and civil offenses, Keyishian treats revenge as a strategy by which victims strive to restore personal integrity and recover from feelings of powerlessness, violation, and injustice. Keyishian bases his discussion on Renaissance theories about the proper and beneficial role of the passions, from Aristotle and Aquinas to Francis Bacon, Niccolo Machiavelli, and others. His study ranges from authentic and redemptive avengers like Macduff to purely vindictive ones like Iago.
Publisher: Prometheus Books
ISBN: 9781591022169
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
This approach to Shakespeare's treatment of revenge emphasizes the psychology of revenge and, in particular, the relationship of revenge to the experience of victimization. Instead of assuming that dramatic avengers reflect mental imbalance to be condemned for moral and civil offenses, Keyishian treats revenge as a strategy by which victims strive to restore personal integrity and recover from feelings of powerlessness, violation, and injustice. Keyishian bases his discussion on Renaissance theories about the proper and beneficial role of the passions, from Aristotle and Aquinas to Francis Bacon, Niccolo Machiavelli, and others. His study ranges from authentic and redemptive avengers like Macduff to purely vindictive ones like Iago.
Hamlet
Author: Michael Davies
Publisher: Bloomsbury Publishing
ISBN: 1441135367
Category : Literary Criticism
Languages : en
Pages : 150
Book Description
Arguably Shakespeare's most famous play, Hamlet is studied widely at universities internationally. Approaching the play through an analysis of its key characters is particularly useful as there are few plays which have commanded so much critical attention in relation to "character" as Hamlet. The guide includes: an introductory overview of the text, including a brief discussion of the background to the play including its sources, reception and critical tradition; an overview of the narrative structure; chapters discussing in detail the representation of the key characters including Hamlet, Gertrude and Ophelia as well as the more minor characters; a conclusion reminding students of the links between the characters and the key themes and issues and a guide to further reading.
Publisher: Bloomsbury Publishing
ISBN: 1441135367
Category : Literary Criticism
Languages : en
Pages : 150
Book Description
Arguably Shakespeare's most famous play, Hamlet is studied widely at universities internationally. Approaching the play through an analysis of its key characters is particularly useful as there are few plays which have commanded so much critical attention in relation to "character" as Hamlet. The guide includes: an introductory overview of the text, including a brief discussion of the background to the play including its sources, reception and critical tradition; an overview of the narrative structure; chapters discussing in detail the representation of the key characters including Hamlet, Gertrude and Ophelia as well as the more minor characters; a conclusion reminding students of the links between the characters and the key themes and issues and a guide to further reading.
The Hamlet Problem and Its Solution
Author: Emerson Venable
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Book Description
Remembering Shakespeare
Author: John O'Meara
Publisher: Guernica Editions
ISBN: 1771832274
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
The longstanding challenge and problem of living through tragedy, as opposed to living beyond it or simply carrying on in spite of it, is highlighted in this extensive and in-depth scholarly study. Shakespeare was able to live through tragedy and consequently could come into those higher evolutionary states of mind and being, until now so little known, that are so impressively represented in his last plays. Remembering Shakespeare, in this year of the 400th anniversary of his death, would seem to call especially for this most far-reaching aspect of his achievement, for so long unrecognized, to be at last duly noted and laid open to view.
Publisher: Guernica Editions
ISBN: 1771832274
Category : Literary Criticism
Languages : en
Pages : 223
Book Description
The longstanding challenge and problem of living through tragedy, as opposed to living beyond it or simply carrying on in spite of it, is highlighted in this extensive and in-depth scholarly study. Shakespeare was able to live through tragedy and consequently could come into those higher evolutionary states of mind and being, until now so little known, that are so impressively represented in his last plays. Remembering Shakespeare, in this year of the 400th anniversary of his death, would seem to call especially for this most far-reaching aspect of his achievement, for so long unrecognized, to be at last duly noted and laid open to view.
Coping with Evil in Religion and Culture
Author:
Publisher: BRILL
ISBN: 940120537X
Category : Religion
Languages : en
Pages : 272
Book Description
The various Christian, Muslim, traditional (African), and secular (Western) ways of imagining and coping with evil collected in this volume have several things in common. The most crucial perhaps and certainly the most striking aspect is the problem of defining the nature or characteristics of evil as such. Some argue that evil has an essence that remains constant, whereas others say its interpretation depends on time and place. However much religious and secular interpretations of evil may have changed, the human search for sense and meaning never ends. Questions of whom to blame and whom to address—God, the devil, fate, bad luck, or humans—remain at the center of our explanations and our strategies to comprehend, define, counter, or process the evil we do and the evil done to us by people, God, nature, or accident. Using approaches from cultural anthropology, religious studies, theology, philosophy, psychology, and history, the contributors to this volume analyze how several religious and secular traditions imagine and cope with evil.
Publisher: BRILL
ISBN: 940120537X
Category : Religion
Languages : en
Pages : 272
Book Description
The various Christian, Muslim, traditional (African), and secular (Western) ways of imagining and coping with evil collected in this volume have several things in common. The most crucial perhaps and certainly the most striking aspect is the problem of defining the nature or characteristics of evil as such. Some argue that evil has an essence that remains constant, whereas others say its interpretation depends on time and place. However much religious and secular interpretations of evil may have changed, the human search for sense and meaning never ends. Questions of whom to blame and whom to address—God, the devil, fate, bad luck, or humans—remain at the center of our explanations and our strategies to comprehend, define, counter, or process the evil we do and the evil done to us by people, God, nature, or accident. Using approaches from cultural anthropology, religious studies, theology, philosophy, psychology, and history, the contributors to this volume analyze how several religious and secular traditions imagine and cope with evil.