Hamlet Travestie: in Three Acts PDF Download
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Author: John Poole
Publisher:
ISBN:
Category :
Languages : en
Pages : 138
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Book Description
Author: John Poole
Publisher:
ISBN:
Category :
Languages : en
Pages : 138
Get Book Here
Book Description
Author: John Poole
Publisher:
ISBN:
Category :
Languages : en
Pages : 136
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Book Description
Author: George Watson
Publisher: Cambridge University Press
ISBN: 9780521079341
Category : Language Arts & Disciplines
Languages : en
Pages : 1698
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Book Description
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Author: Frederick Wilse Bateson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 1032
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Book Description
Author: George A. Leavitt & Co
Publisher:
ISBN:
Category : Rare books
Languages : en
Pages : 856
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Book Description
Author: Francis Beaumont
Publisher:
ISBN:
Category :
Languages : en
Pages : 178
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Book Description
Author: J. Heydt-Stevenson
Publisher: Springer
ISBN: 1137098538
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
Austen'sUnbecomingConjunctions is a contemporary study of all Jane Austen's writings focusing on her representation of women, sexuality, the material objects, and linguistic patterns by which this sexuality was expressed. Heydt-Stevenson demonstrates the subtle, vulgar, and humorous ways Austen uses human bodies, objects, and activities (fashion, jewelry, crafts, popular literature, travel and tourism, money, and courtship rituals) to convey sexuality and sexual appetites. Through the sexual subtext, Heydt-Stevenson proposes, Austen satirized contemporary sexual hypocrisy; overcame the stereotypes of women authors as sexually inhibited, sheltered, or repressed; and addressed as sophisticated and worldly an audience as Byron's. Thus through her careful reading of all the Austen texts in light of the language of eroticism, both traditional and contemporary, Heydt-Stevenson re-evaluates Austen's audience, the novels, and her role as a writer.
Author: George Gordon Byron Baron Byron
Publisher:
ISBN:
Category : Poets, English
Languages : en
Pages : 362
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Book Description
Author: Thomas Pfau
Publisher: Duke University Press
ISBN: 9780822320913
Category : Art
Languages : en
Pages : 492
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Book Description
Explores how the Romantic period gave birth to a seductive cognitive cultural program that retains far reaching implications for contemporary views on individuality and relationships between the individual and larger groups of identification. Established
Author: Deborah Cartmell
Publisher: Bloomsbury Publishing USA
ISBN: 1623562023
Category : Performing Arts
Languages : en
Pages : 177
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Book Description
There is no disputing that the coming of sound heralded a new era for adaptations. We take it for granted today that a film is enhanced by sound but it was not a view unanimously held in the early period of sound cinema. While there was a substantial degree of skepticism in the late 1920s and early 30s about the advantages of sound, what we would call technophobia today, the inclusion of speech in screen versions of literary and theatrical works, undeniably revised what it was to be an adaptation: words. Focusing on promotional materials, Adaptations in the Sound Era tracks early attempts to promote sound through the elevation of words in adaptations in the early sound period. The popular appeal of these films clearly stands in opposition to academic regard for them and the book reflects on the presence and marketing of 'words' in a variety of adaptations, from the introduction of sound in the late 1920s to the mid 1930s. This book contextualizes a range of adaptations in relation to debates about 'picturizations' of books in the early sound era, including reactions to the talking adaptation by writers such as, Irwin Panofsky, Aldous Huxley and Graham Greene. Film adaptations of Shakespeare, Dickens, gothic fiction and biopics are also discussed in relation to their use and promotion of sound or, more precisely, words.
