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Author: Hiroaki Sato
Publisher: New Directions Publishing
ISBN: 0811227421
Category : Poetry
Languages : en
Pages : 152
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Book Description
Everything you want to know about haiku written by one of the foremost experts in the field and the “finest translator of contemporary Japanese poetry into American English” (Gary Snyder) Who doesn’t love haiku? It is not only America’s most popular cultural import from Japan but also our most popular poetic form: instantly recognizable, more mobile than a sonnet, loved for its simplicity and compression, as well as its ease of composition. Haiku is an ancient literary form seemingly made for the Twittersphere—Jack Kerouac and Langston Hughes wrote them, Ezra Pound and the Imagists were inspired by them, Hallmark’s made millions off them, first-grade students across the country still learn to write them. But what really is a haiku? Where does the form originate? Who were the original Japanese poets who wrote them? And how has their work been translated into English over the years? The haiku form comes down to us today as a cliché: a three-line poem of 5-7-5 syllables. And yet its story is actually much more colorful and multifaceted. And of course to write a good one can be as difficult as writing a Homeric epic—or it can materialize in an instant of epic inspiration. In On Haiku, Hiroaki Sato explores the many styles and genres of haiku on both sides of the Pacific, from the classical haiku of Basho, Issa, and Zen monks, to modern haiku about swimsuits and atomic bombs, to the haiku of famous American writers such as J. D. Salinger and Allen Ginsburg. As if conversing over beers in your favorite pub, Sato explains everything you wanted to know about the haiku in this endearing and pleasurable book, destined to be a classic in the field.
Author: Hiroaki Sato
Publisher: New Directions Publishing
ISBN: 0811227421
Category : Poetry
Languages : en
Pages : 152
Get Book Here
Book Description
Everything you want to know about haiku written by one of the foremost experts in the field and the “finest translator of contemporary Japanese poetry into American English” (Gary Snyder) Who doesn’t love haiku? It is not only America’s most popular cultural import from Japan but also our most popular poetic form: instantly recognizable, more mobile than a sonnet, loved for its simplicity and compression, as well as its ease of composition. Haiku is an ancient literary form seemingly made for the Twittersphere—Jack Kerouac and Langston Hughes wrote them, Ezra Pound and the Imagists were inspired by them, Hallmark’s made millions off them, first-grade students across the country still learn to write them. But what really is a haiku? Where does the form originate? Who were the original Japanese poets who wrote them? And how has their work been translated into English over the years? The haiku form comes down to us today as a cliché: a three-line poem of 5-7-5 syllables. And yet its story is actually much more colorful and multifaceted. And of course to write a good one can be as difficult as writing a Homeric epic—or it can materialize in an instant of epic inspiration. In On Haiku, Hiroaki Sato explores the many styles and genres of haiku on both sides of the Pacific, from the classical haiku of Basho, Issa, and Zen monks, to modern haiku about swimsuits and atomic bombs, to the haiku of famous American writers such as J. D. Salinger and Allen Ginsburg. As if conversing over beers in your favorite pub, Sato explains everything you wanted to know about the haiku in this endearing and pleasurable book, destined to be a classic in the field.
Author: Toru Kiuchi
Publisher: Lexington Books
ISBN: 1498527183
Category : Literary Criticism
Languages : en
Pages : 357
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Book Description
American Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound’s well-known haiku-like poem, “In A Station of the Metro,” published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their hands at writing haiku. Among them, Richard Wright wrote over four thousand haiku in the final eighteen months of his life in exile in France. His Haiku: This Other World, ed. Yoshinobu Hakutani and Robert L. Tener (1998), is a posthumous collection of 817 haiku Wright himself had selected. Jack Kerouac, a well-known American novelist like Richard Wright, also wrote numerous haiku. Kerouac’s Book of Haikus, ed. Regina Weinreich (Penguin, 2003), collects 667 haiku. In recent decades, many other American writers have written haiku: Lenard Moore, Sonia Sanchez, James A. Emanuel, Burnell Lippy, and Cid Corman. Sonia Sanchez has two collections of haiku: Like the Singing Coming off the Drums (Boston: Beacon Press, 1998) and Morning Haiku (Boston: Beacon Press, 2010). James A. Emanuel’s Jazz from the Haiku King (Broadside Press, 1999) is also a unique collection of haiku. Lenard Moore, author of his haiku collections The Open Eye (1985), has been writing and publishing haiku for over 20 years and became the first African American to be elected as President of the Haiku Society of America. Burnell Lippy’s haiku appears in the major American haiku journals, Where the River Goes: The Nature Tradition in English-Language Haiku (2013).Cid Corman is well-known not only as a haiku poet but a translator of Japanese ancient and modern haiku poets: Santoka, Walking into the Wind (Cadmus Editions, 1994).
Author: Readers of The New York Times
Publisher: Rizzoli Publications
ISBN: 0789331209
Category : Travel
Languages : en
Pages : 0
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Book Description
One hundred fifty haiku on New York City in just three lines each. New York City Haiku collects 150 of the best haiku inspired by the Big Apple. These succinct three-line poems express not only the personal experiences of every New Yorker (or New Yorker at heart), but also the universal truths about living and loving everything that New York has to offer as well. Written by poets of all ages and from across the country, this affordable and giftable collection creates an honest and often hilarious volume chronicling what New York is all about. A must-have for anyone who aspires to “make it there,” New York City Haiku is a thoughtful and fun testament to the city and its people.
Author: Jim Kacian
Publisher:
ISBN: 9781947271791
Category :
Languages : en
Pages :
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Book Description
The New Resonance community welcomes its latest group of inductees - Jo Balistreri, Susan Burch, Jenny Fraser, Simon Hanson, Kristen Lindquist, Hannah Mahoney, Matthew Markworth, Lori A Minor, Matthew Moffett, Michael Nickels-Wisdom, Keith Polette, Bryan Rickert, Tom Sacramona, Robin Anna Smith (GRIX), Mary Stevens, Debbie Strange and Stephen Toft - bringing the group to more than 200 members. The purpose of the New Resonance series is to showcase emerging talent in the field of English-language haiku, and to provide space where their individual voices might be recognized. The series, which began in 1999, is edited by Jim Kacian and Julie Warther.
Author: Lee Wardlaw
Publisher: Henry Holt and Company (BYR)
ISBN: 1429991054
Category : Juvenile Fiction
Languages : en
Pages : 40
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Book Description
Sometimes funny, sometimes touching, this adoption story, Won Ton, told entirely in haiku, is unforgettable. Nice place they got here. Bed. Bowl. Blankie. Just like home! Or so I've been told. Visiting hours! Yawn. I pretend not to care. Yet -- I sneak a peek. So begins this beguiling tale of a wary shelter cat and the boy who takes him home.
Author: Patricia Donegan
Publisher: Shambhala Publications
ISBN: 0834822350
Category : Poetry
Languages : en
Pages : 258
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Book Description
A collection of 108 haiku poems to heighten awareness and deepen our appreciation for the ordinary in everyday life Haiku, the Japanese form of poetry written in just three lines, can be miraculous in its power to articulate the profundity of the simplest moment—and for that reason haiku can be a useful tool for bringing us to a heightened awareness of our lives. Here, the poet Patricia Donegan shares her experience of the haiku form as a way of insight that anyone can use to slow down and uncover the beauty of ordinary moments. She presents 108 haiku poems—on themes such as honesty, transience, and compassion—and offers commentary on each as an impetus to meditation and as a key to unlocking the wonder in what we find right before us.
Author: Peter C. Goldmark, Jr.
Publisher: Tuttle Publishing
ISBN: 146292249X
Category : Poetry
Languages : en
Pages : 76
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Book Description
There are infinite stories about New York City, here are 41 in haiku form. In this love letter to his favorite city, lifelong New Yorker Peter C. Goldmark, Jr. has crafted a collection of haiku that are simultaneously nostalgic and perceptive. Touching on everything from the city's beloved landmarks to the rising costs of living and the famous lie, "There is a train directly behind this one," the poems in this book capture the true essence of this special place. Given everything New York has endured recently, this book offers a timely celebration of a unique and wonderful city and its people--written to honor the ties and realities that bind them together. Alongside the sweet, and often funny, haiku poems, wistful illustrations help bring New York to life. From the preface by the author: "And then as 2019 and 2020 unfolded, both our country and our city came under stress. The adventure in self-government in America began to wobble seriously. And then the COVID pandemic hit. All this made me realize how much I valued my city--its beauty, its diversity and variety, its remarkable people, its grit and resilience…and how fragile and unique it was." A portion of the proceeds supports Citizens NYC, a non-profit that helps neighborhoods work together to meet challenges like COVID.
Author: Jack Kerouac
Publisher: Penguin
ISBN: 1101664886
Category : Poetry
Languages : en
Pages : 243
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Book Description
A compact collection of more than 500 poems from Jack Kerouac that reveal a lesser known but important side of his literary legacy “Above all, a haiku must be very simple and free of all poetic trickery and make a little picture and yet be as airy and graceful as a Vivaldi pastorella.”—Jack Kerouac Renowned for his groundbreaking Beat Generation novel On the Road, Jack Kerouac was also a master of the haiku, the three-line, seventeen-syllable Japanese poetic form. Following the tradition of Basho, Buson, Shiki, Issa, and other poets, Kerouac experimented with this centuries-old genre, taking it beyond strict syllable counts into what he believed was the form’s essence. He incorporated his “American” haiku in novels and in his correspondence, notebooks, journals, sketchbooks, and recordings. In Book of Haikus, Kerouac scholar Regina Weinreich has supplemented a core haiku manuscript from Kerouac’s archives with a generous selection of the rest of his haiku, from both published and unpublished sources.
Author: Jim Kacian
Publisher:
ISBN: 9781947271005
Category : Haiku
Languages : en
Pages : 176
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Book Description
A biennial anthology that showcases emerging talent in English-language haiku, featuring 17 poets with enough room for voice to emerge.
Author: Carole Boston Weatherford
Publisher: Millbrook Press TM
ISBN: 1728404770
Category : Juvenile Nonfiction
Languages : en
Pages : 40
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Book Description
Discover the true story of the woman Dr. Martin Luther King Jr. nicknamed "Red" because of her fiery spirit! Mary Hamilton grew up knowing right from wrong. She was proud to be Black, and when the chance came along to join the Civil Rights Movement and become a Freedom Rider, she was eager to fight for what she believed in. Mary was arrested again and again—and she did not back down when faced with insults or disrespect. In an Alabama court, a white prosecutor called her by her first name, but she refused to answer unless he called her “Miss Hamilton.” The judge charged her with contempt of court, but that wasn’t the end of it. Miss Mary Hamilton fought the contempt charge all the way to the Supreme Court. Powerful free verse from Carole Boston Weatherford and striking scratchboard illustrations by Jeffery Boston Weatherford, accompanied by archival photographs, honor this unsung heroine who took a stand for respect—and won.
