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Author: Sylvie Aubenas
Publisher: Getty Publications
ISBN: 9780892366712
Category : Art
Languages : en
Pages : 402
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Book Description
Gustave Le Gray's life was as romantic as any novel. A young painter in Rome, then a fashionable portrait photographer in Paris, Le Gray received commissions from Napoleon III, and astonished viewers with his painterly landscapes and ravishing seascapes. Facing bankruptcy, he fled Paris with Alexandre Dumas to Palermo, traveled to the Middle East, and finally settled in Egypt, where he became drawing master to the ruler's children and continued to make photographs until his death in 1884. Le Gray's work had remained largely unknown by the general public until he was rediscovered in the 1960s and was deemed by connoisseurs to be the Monet of photography. The fruit of years of research, this complete retrospective offers, as no volume before it, an assessment of Le Gray's important place in the history of photography. This catalogue was originally published in French to accompany the exhibition Gustave Le Gray, Photographer (1820-1884) at the Bibliotheque Nationale in spring 2002. This English-language edition, edited by Gordon Baldwin, associate curator of photographs at the Getty Museum, coincides with an abridged version of the same exhibition at the Getty Museum that will run from July 9 to September 29, 2002."
Author: Sylvie Aubenas
Publisher: Getty Publications
ISBN: 9780892366712
Category : Art
Languages : en
Pages : 402
Get Book
Book Description
Gustave Le Gray's life was as romantic as any novel. A young painter in Rome, then a fashionable portrait photographer in Paris, Le Gray received commissions from Napoleon III, and astonished viewers with his painterly landscapes and ravishing seascapes. Facing bankruptcy, he fled Paris with Alexandre Dumas to Palermo, traveled to the Middle East, and finally settled in Egypt, where he became drawing master to the ruler's children and continued to make photographs until his death in 1884. Le Gray's work had remained largely unknown by the general public until he was rediscovered in the 1960s and was deemed by connoisseurs to be the Monet of photography. The fruit of years of research, this complete retrospective offers, as no volume before it, an assessment of Le Gray's important place in the history of photography. This catalogue was originally published in French to accompany the exhibition Gustave Le Gray, Photographer (1820-1884) at the Bibliotheque Nationale in spring 2002. This English-language edition, edited by Gordon Baldwin, associate curator of photographs at the Getty Museum, coincides with an abridged version of the same exhibition at the Getty Museum that will run from July 9 to September 29, 2002."
Author: Gustave Le Gray
Publisher: Schirmer Mosel
ISBN: 9783829607285
Category :
Languages : en
Pages : 0
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Book Description
A pioneer of techniques, a gifted teacher, and early architectural photographer, Le Gray was also the founder of artistic photography. His seascapes and cloud studies, today among the market’s most valuable prints, earned him overnight fame and admiration by the Impressionists.
Author: Simon R. Kelly
Publisher: Other Distribution
ISBN: 9780300196955
Category : Art
Languages : en
Pages : 0
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Book Description
A novel look at the relationship between Impressionist painting and photography and the forging of a national identity in France between 1850 and 1880 Between 1850 and 1880, Impressionist landscape painting and early forms of photography flourished within the arts in France. In the context of massive social and political change that also marked this era, painters and photographers composed competing visions of France as modern and industrialized or as rural and anti-modern. Impressionist France explores the resonances between landscape art and national identity as reflected in the paintings and photographs made during this period, examining and illustrating in particular the works of key artists such as Édouard Baldus, Gustave Le Gray, the Bisson Frères, Édouard Manet, Jean-François Millet, Claude Monet, Charles Nègre, and Camille Pissarro. This ambitious premise focuses on the whole of France, exploring the relationship between landscape art and the notion of French nationhood across the country's varied and spectacular landscapes in seven geographical sections and four scholarly essays, which provide new information regarding the production and impact of French Impressionism. Distributed for the Nelson-Atkins Museum of Art and the Saint Louis Museum of Art Exhibition Schedule: Nelson-Atkins Museum of Art (10/19/13-02/09/14) Saint Louis Art Museum (03/16/14-07/06/14)
Author: Eugenia Parry Janis
Publisher: Art Institute of Chicago
ISBN: 9780865590786
Category : Photographers
Languages : en
Pages : 184
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Book Description
Author: Karen Hellman
Publisher: Getty Publications
ISBN: 1606065106
Category : Photography
Languages : en
Pages : 244
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Book Description
In the years following the announcement of the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions. The rich body of work they developed proved foundational to the establishment of early photography, from the introduction of the paper negative in the late 1840s to the proliferation of more standardized equipment and photomechanical technology in the 1860s. The essays in this elegant volume investigate the early history of the medium when the ambiguities inherent in the photograph were ardently debated. Focusing on the French photographers who worked with paper negatives, especially the key figures Édouard Baldus, Gustave Le Gray, Henri Le Secq, and Charles Nègre, Real/Ideal explores photography’s status as either fine art or industrial product (or both), its repertoire of subject matter, its ideological functions, and even the ever-experimental photographic process itself.
Author: Constance McCabe
Publisher: American Institute for Conservation of Historic & Artistic W
ISBN:
Category : Photography
Languages : en
Pages : 392
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Book Description
Author:
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 7
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Book Description
Author: Françoise Reynaud
Publisher: Getty Publications
ISBN: 1606060325
Category : Photography
Languages : en
Pages : 116
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Book Description
Accompanies the exhibition "In Focus: The Tree," held at the J. Paul Getty Museum, Los Angeles, Feb. 8 through July 3, 2011.
Author: Sylvie Aubenas
Publisher: Phaidon
ISBN:
Category : Photography
Languages : en
Pages : 140
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Book Description
Gustave le Gray (1820-82) was among the first to claim that photographs should be thought of as artworks in themselves. Originally a painter, le Gray became the first great teacher in the history of the photographic medium, his students including Charles Negre and Maxime du Camp. His interest in experimentation and high technical standards jeopardized his commercial success, however, and he ended his career in Cairo as a teacher of drawing.
Author: John Riddy
Publisher: Steidl
ISBN: 9783958295667
Category : Photography
Languages : en
Pages : 256
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Book Description
John Riddy's photographs are distinguished by a combination of poetic delicacy and formal precision which has been evident since his earliest pictures made in London in the late 1980s. Working consistently in series, Riddy has created collective studies of urban architecture and rural landscapes in countries as disparate as Japan, Italy, South Africa and the United States, in every case exploiting the capacity for still images to render the everyday both factual and transcendent. The starting point for much of his work has been the relationship between photography and the history of art and architecture, such as John Ruskin's autobiography, Hokusai's woodblock prints and Gustave Le Gray's photographs. This book presents all of Riddy's major series and, like a volume of collected poems, each image is distinct and of itself yet linked to its counterparts by technical skill and a finely tuned sensibility. The sequence of images builds progressively towards a final series of magisterial works that reveals Riddy's subtle use of color, light and darkness to express his complex comprehension of the world. I know of no recent body of photographic work that exhibits a more deeply considered set of reflections on the nature of the enterprise. Michael Fried Exhibition: De Pont Museum, Tilburg, April 2019
