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Author: Gustav Metzger
Publisher: AA Publications
ISBN: 9781907414503
Category : Architecture
Languages : en
Pages : 40
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Book Description
Auto-destructive art is a comprehensive theory for action in the field of the plastic arts in the post-second world war period. The action is not limited to theory of art and the production of art works. It includes social action. Auto-destructive art is committed to a left-wing revolutionary position in politics, and to struggles against future wars.' (Gustav Metzger, introduction to Auto-Destructive Art: Metzger at AA) Facsimile edition of a lecture transcript given by German-born artist Gustav Metzger at the Architectural Association in February 1965. This new edition is published 50 years on since its original printing in June 1965 by the AA's Action Communications Centre (A.C.C), reigniting Metzger's urgent and ever-relevant arguments which confront society's obsession with destruction and the detrimental effects of machinery on human life.'
Author: Gustav Metzger
Publisher: AA Publications
ISBN: 9781907414503
Category : Architecture
Languages : en
Pages : 40
Get Book Here
Book Description
Auto-destructive art is a comprehensive theory for action in the field of the plastic arts in the post-second world war period. The action is not limited to theory of art and the production of art works. It includes social action. Auto-destructive art is committed to a left-wing revolutionary position in politics, and to struggles against future wars.' (Gustav Metzger, introduction to Auto-Destructive Art: Metzger at AA) Facsimile edition of a lecture transcript given by German-born artist Gustav Metzger at the Architectural Association in February 1965. This new edition is published 50 years on since its original printing in June 1965 by the AA's Action Communications Centre (A.C.C), reigniting Metzger's urgent and ever-relevant arguments which confront society's obsession with destruction and the detrimental effects of machinery on human life.'
Author: Gustav Metzger
Publisher:
ISBN:
Category : Art and nuclear warfare
Languages : en
Pages : 120
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Book Description
Author: Gustav Metzger
Publisher: Walther Konig Verlag
ISBN:
Category : Art
Languages : en
Pages : 120
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Book Description
This title is published to accompany the Serpentine Gallery's major exhibition of work by the influential artist and activist Gustav Metzger, examining his life-long exploration of politics, ecology and the destructive powers of 20th-century society. Metzger's career has spanned over 60 years and this is the most extensive survey of his work to be shown in the UK. Decades draws together the themes and methodologies that have informed the London-based artist's practice from 1959 until the present day. The broad cross-section of works on view include Metzger's auto-destructive and auto-creative works of the 1960s, such as his pioneering liquid crystal projections; the ongoing Historic Photographs series, which responds to major events and catastrophes; and later works exploring ecological issues, globalisation and commercialisation. Film footage of seminal performances and actions are exhibited, as well as a new, participative installation using the archive of newspapers Metzger has been collecting since 1995.
Author: Bruce Gilchrist
Publisher: Black Dog Pub Limited
ISBN: 9781908966124
Category : Art
Languages : en
Pages : 95
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Book Description
This book charts a project by London Fieldworks (Bruce Gilchrist and Jo Joelson) with the participation of internationally celebrated artist Gustav Metzger to create a sculptural work by linking a computer-brain interface with industrial manufacturing technology. Using bespoke software, London Fieldworks produced 3D shape information from EEG readings of Metzger’s brainwaves as he attempted to think about nothing. This data was translated into instructions for a manufacturing robot, which carved out the shapes from the interior of a block of stone to create a void space. An introduction by the artists, a text by Gustav Metzger and four contextualising essays by writers across the fields of literature, art, science and technology explore the diverse historical and conceptual grounding for and broader implications of Null Object’s production process. Exhibition: WORK Gallery, London, UK (30.11.2012-9.2.2013).
Author: Gustav Metzger
Publisher: Jrp Ringier
ISBN: 9783037645352
Category :
Languages : en
Pages : 576
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Book Description
Bringing together more than 350 texts written between 1953 and 2016, this comprehensive volume establishes artist and activist Gustav Metzger (1926-2017) as one of the towering figures of the 20th century, a long-overdue recognition of Metzger's influential vision. Renowned for his use of unstable materials and chemical reactions to create artworks that embody processes of change, destruction and renewal, Metzger was also a prolific writer, theoretician and satirist. His interest in technology and science and his anti-nuclear activism influenced his development of the concepts of auto-destructive and auto-creative art, terms he coined with his manifestos on "Auto-Destructive Art" in 1959 and "Auto-Creative Art" in 1961. He put these ideas into action with artworks made to decay, disintegrate or change following natural processes. Edited by Metzger's long-time friend, curator Mathieu Copeland, this anthology of writings makes Metzger's essential thinking from the 1950s onward available to a wide audience. It includes seminal writings such as Metzger's manifestoes of auto-destructive and auto-creative art, his essays about architecture, and an interview with R. Buckminster Fuller from 1970 and a retrospective manifesto on his own legacy, "Remember Nature," from 2013. Also included are examples of Metzger's art criticism, political lampoons and lectures. Altogether Gustav Metzger: Writings presents a challenging reading of our artistic, political and technological moment as analyzed by one of our most pioneering, discerning thinkers.
Author: Mathieu Copeland
Publisher: Koenig Books
ISBN: 9783960980032
Category : ART / Collections, Catalogs, Exhibitions / General
Languages : en
Pages : 780
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Book Description
Since the early 1960s, artists have sealed off spaces in galleries and museums as a radical artistic gesture. These uncompromising works confront the viewer to a closed exhibition space, encouraging instead a physical, sensitive, or conceptual experience of each. These exhibitions are now re-explored at Fri Art. One after the other, they give structure to a retrospective that is written in time, as each work will successively close the exhibiton space, between August 6 and November 19, 2016. The retrospective's last day will be marked by the re-opening of the exhibition space. Festivities will include the launch of an important multidisciplinary, historical, and prospective anthology dedicated to radical artistic engagement: 'The Anti-Museum.' Exhibition: Fri Art - Centre d'art de Fribourg / Kunsthalle Freiburg, Switzerland (05.08-19.11.2016).
Author: Alex Wellerstein
Publisher: University of Chicago Press
ISBN: 022602038X
Category : History
Languages : en
Pages : 558
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Book Description
"Nuclear weapons, since their conception, have been the subject of secrecy. In the months after the dropping of the atomic bombs on Hiroshima and Nagasaki, the American scientific establishment, the American government, and the American public all wrestled with what was called the "problem of secrecy," wondering not only whether secrecy was appropriate and effective as a means of controlling this new technology but also whether it was compatible with the country's core values. Out of a messy context of propaganda, confusion, spy scares, and the grave counsel of competing groups of scientists, what historian Alex Wellerstein calls a "new regime of secrecy" was put into place. It was unlike any other previous or since. Nuclear secrets were given their own unique legal designation in American law ("restricted data"), one that operates differently than all other forms of national security classification and exists to this day. Drawing on massive amounts of declassified files, including records released by the government for the first time at the author's request, Restricted Data is a narrative account of nuclear secrecy and the tensions and uncertainty that built as the Cold War continued. In the US, both science and democracy are pitted against nuclear secrecy, and this makes its history uniquely compelling and timely"--
Author: Gustav Metzger
Publisher: Produzioni Nero
ISBN: 9788897503873
Category : Art
Languages : en
Pages : 227
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Book Description
Act or Perish! accompanies the first extensive overview of Auto-Destructive art pioneer Gustav Metzger (born 1926), organized in 2015-16 at the Centre of Contemporary Art in Torun and Kunsthall Oslo and Stiftelsen Kunstnernes Hus in Oslo. The exhibition catalog provides readers with a rich array of theoretical contributions, including a conversation between Dobrila Denegri and Yoko Ono, Ivor Davies, Hermann Nitsch and Jon Hendricks, as well as Metzger's own writings. Essayists Pontus Kyander, Andrew Wilson, Mathieu Copeland, Dobrila Denegri, Leanne Dmyterko, Hans Ulrich Obrist and Manuel Olveira take up different aspects of Metzger's work, from the artist's early political activism to his experimentation with painting and his drafting of the manifestos for Auto-Destructive Art, providing an invaluable and much-awaited document of a pioneer of postwar art.
Author: Mathieu Copeland
Publisher:
ISBN:
Category :
Languages : en
Pages : 696
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Book Description
Bringing together more than 180 texts written between 1953 and 2016, this comprehensive volume establishes artist and activist Gustav Metzger as a towering figure of the 20th century, a long-overdue recognition of the artist's influential vision. Renowned for his use of unstable materials and chemical reactions to create artworks that embody processes of change, destruction, and renewal, Metzger was also a prolific writer, theoretician, and satirist. His interest in technology and science lead him to create such concepts as auto-destructive and auto-creative art terms he coined with his manifestos on "Auto-Destructive Art" in 1959 and "Auto-Creative Art" in 1961. He put these ideas into action with artworks made to decay, desintegrate, or change following natural processes. Edited by Gustav's long-time friend and curator Mathieu Copeland, this anthology of writings makes Metzger's key thinking from the 1950s onward available to a wide audience. It includes seminal writings such as his manifestos of auto-destructive and auto-creative art (1959 and 1961), "On Random Activity in Material/Transforming Works of Art" (1964), "The Possibility of Auto-Destructive Architecture" (1966), his inspiring interview with R. Buckminster Fuller from 1970, "The Artist in the Face of Social Collapse" (1998), and his legacy manifesto entitled "Remember Nature" from 2016, as well as art criticism, political satires, and lecture transcriptions. His writing allows a challenging reading of the contemporary (art) period as analyzed by one of its most discerning figures a pioneering artist and thinker involved in environmental and societal issues very early on.
Author: Samuel Dangel
Publisher:
ISBN: 9783868331011
Category : Art
Languages : en
Pages : 160
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Book Description
