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Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 49
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Book Description
50 Guitar Hacks for the Thinking Man's Guitarist has just received an extensive update and now features more detailed explanations, plus new hacks, diagrams and insight. Guitar Hacks can be clever ways to do things on guitar, priceless nuggets of information, or new perspectives on vital concepts for learning and understanding guitar, out-of-the-box thinking and much more besides. These hacks are based on 20+ years of hindsight so that you can get to where you want to be with your playing quicker and more efficiently. whatever your current level, or provide an excellent reference for guitar teachers looking for lesson ideas that can be easily expanded upon.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 49
Get Book Here
Book Description
50 Guitar Hacks for the Thinking Man's Guitarist has just received an extensive update and now features more detailed explanations, plus new hacks, diagrams and insight. Guitar Hacks can be clever ways to do things on guitar, priceless nuggets of information, or new perspectives on vital concepts for learning and understanding guitar, out-of-the-box thinking and much more besides. These hacks are based on 20+ years of hindsight so that you can get to where you want to be with your playing quicker and more efficiently. whatever your current level, or provide an excellent reference for guitar teachers looking for lesson ideas that can be easily expanded upon.
Author: Graham Tippett
Publisher: Unlock the Guitar
ISBN:
Category : Music
Languages : en
Pages : 43
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Book Description
When it comes to scales and improvising, the guitar fretboard is a maze, and this is both good and bad… Well, instead of bad, let’s say it’s ‘challenging’ because like any maze it’s easy to get lost, familiar routes can often lead to dead-ends, and it can be overwhelming to find your way out. On the other hand, we have countless routes (possibilities) to choose from, all of which provide different creative opportunities; what I’m basically saying is that by learning one or two scale systems to ‘get through the maze’, we stop seeing (or even avoid) the many other ways there are to navigate the fretboard. This is where 25 Guitar Scale Hacks comes in. This book is about exploring the fretboard using those other routes to create motion, fluidity and bring the music out of any static pattern. Here, we dispense with the standard patterns such as 3NPS scales or the CAGED system in order to explore the many other patterns, nuances and hacks the guitar fretboard has to offer. Who is this book for? This book is for the intermediate to advancing students who really want to make their playing stand out from the crowd, feel stuck in a rut, or want to move away from rote pattern playing and predictable-sounding solos. 25 Guitar Scale Hacks looks at improvisation based on the guitar fretboard; in other words, we’re putting the guitar and all its nuances first, rather than working from generic patterns that are traditionally taught in scale and arpeggio books. The concept of 25 Guitar Scale Hacks then is a collection of mini-lessons or hacks for a deeper exploration of scales and how to make music with them. Feel free to work through the book in the order it’s written or choose the hacks that interest you the most.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 37
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Book Description
Due to the fantastic response to the first book in this series, ’50 Guitar Hacks for the Thinking Man’s Guitarist’, it gives me immense pleasure to bring you this second installment; 50 More Guitar Hacks for the Thinking Man’s Guitarist. My hope is to again provide you with timely insight into all aspects of learning and playing guitar. These hacks are things I’ve learned from years of playing that should and will be passed on to those seeking insight, out-of-the-box thinking, and the deepening of their knowledge of the guitar whatever their current level may be. The information herein takes the form of mini-lessons, anecdotes, wisdom and knowledge, divine inspiration and friendly advice. It is my desire to help you on your journey to being the best guitarist you can possibly be.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN: 1519021569
Category : Music
Languages : en
Pages : 42
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Book Description
The Hacking the CAGED System series was inspired by my own,and other guitarist’s frustrations with the infamous CAGED System for learning guitar. It all started back in Music College in the early 2000s, at the ACM in Guildford (UK) to be precise, where we were handed, by none other than Guthrie Govan, an inch-thick binder containing all manner of shapes and patterns for the CAGED system, including chords and arpeggios. I duly slaved over the book while burning the midnight oil for an entire semester and while my technique improved no end, I just couldn’t turn those patterns into music,or connect them to what I was learning in music theory class.Fast forward to 2016, and with the benefit of hindsight from more than 20 years of playing, I’ve been able to look at the CAGED system from a different perspective, and one that will hopefully make it a useful system for anyone wishing to learn it. The CAGED system has many flaws, but these can be hacked and rectified to turn it into a powerful system for understanding how the guitar fretboard works, leading to a versatile, and above all, functional knowledge of chords, arpeggios, scales and modes, and key signatures. What’s in Book 1? Book 1 teaches you the basic major scale forms, shows you where to find the basic diatonic chords as well as seventh chords.We then venture into intervals which are the key to making your solos sound like you know what you’re doing. Next we bring out the arpeggios,and finally the modes. Everything is tied together using key signatures as a framework to build up a practical knowledge of chords, scales,arpeggios and modes on the guitar.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 24
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Book Description
3NPS (three-note-per-string) scales, as used by legions of guitarists but popularized mainly by Joe Satriani, are one of the most efficient ways to navigate the fretboard and get your scales down IF you follow the guidelines in this book. As the name suggests, a 3NPS scale is any scale that contains three notes on each string, and as you'll see in this eBook, this makes for a very consistent way to map out scales on the guitar fretboard. What we’ve done here is revamped the 3NPS scale system and turned it into an incredibly effective means to learn a wide variety of scales all over the fretboard by streamlining the number of patterns, as well as the picking system. This is not a scale theory book, and contains no pentatonic scales. This is a quick and dirty (and very effective) method for learning 3NPS scales all over the fretboard; something to work on in the woodshed. It will improve your picking technique and speed. It does not require a great amount of thinking as you only need to learn two picking patterns, which is really one in two directions, and only three scale patterns instead of the usual seven per scale.
Author: Adam Kadmon
Publisher: Carl Fischer, L.L.C.
ISBN: 9780825821714
Category : Music
Languages : en
Pages : 256
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Book Description
An encyclopedia with over 6,000 diagrams, charts and graphs. Complete explanation of all 5,6,7,and 8 tone scales and modes.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 27
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Book Description
Chord tone soloing and soloing over changes on guitar is a complex area which can be approached in many ways, and where even a cursory search for online resources is likely to leave you with more questions than answers. It’s particularly difficult on guitar because guitarists tend to arrive at this point with varying amounts of knowledge and gaps in their playing, whereas other instrumentalists approach soloing over changes in a more uniform way. While it’s true that everyone learns differently, I believe that a solid approach to soloing over changes requires a system that is a) not based on patterns, b) develops the ability to locate notes on the neck either by interval or by the name of the note, and c) develops the player’s ear to the point where he/she is able to fully express themselves and truly improvise on their instrument as oppose to a formulaic, calculated and somewhat cold approach to something that should be, insofar as is possible, spontaneously created in the moment; and this is what I hope to achieve with this eBook.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 57
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Book Description
If you ask anyone who's been playing guitar for a while how to turn scales into solos, you'll likely get a variety of answers. They'll tell you to learn licks, work on your arpeggios, even learn your favorite players' solos note for note. While this is all good advice, I've had some particularly stubborn students that wanted to go beyond that; they wanted to be able to improvise using any scale up and down the fretboard, but at the same time break free from those deeply-ingrained scalar lines and patterns. It was then that I suggested the zonal approach to improvisation; by working in reduced areas of the neck with specifically designed patterns, they were soon able to create melodic, flowing lines that didn't sound at all like scales--they sounded like real music! This is the approach you'll find in this book. We dissect 15 of the most common scales, beyond the pentatonics, and break them down into zones which can be practiced either by scale, or for any particular scale across the fretboard. The objective of this book then is to provide a structured reference to make the transition from playing scales to playing, improvising and creating musical lines when soloing. It’s aimed at the intermediate to advanced guitarist looking to be able to improvise confidently and freely on the instrument in a wide variety of styles. It is also aimed at guitarists that want to move beyond rote pentatonic/blues soloing and incorporate other scales and modes into their playing, as well as building up a vocabulary to solo fluently over chord changes.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 34
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Book Description
I was watching a YouTube video a while back where Lee Anderton (of Anderton’s fame) gets a guitar lesson from Ariel Posen. Ariel tries his best to teach him a few things in a very thorough and well-meaning way, but about half-way through Lee says something along the lines of, ‘Just teach me the quick and dirty way to do things, I’m a middle-aged man who doesn’t have the time (or the patience) to practice scales for 8 hours a day’, which is both totally valid and completely doable on guitar as it’s one of the few instruments that lends itself well to a wide range of methodologies, be they theory-based or the other extreme. This book was also inspired by many students of a variety of ages who came to me saying they just wanted to play and not be bogged down by theory and scales and whatnot. They weren’t looking for shortcuts, they just genuinely wanted to solo and sound good without having to learn theory in order to do it. Admittedly, I was discouraged at first but I put myself in their shoes and came up with this method to get to the good stuff faster, and sound good. I won’t deal with pentatonic scales here as you’re probably already well-versed in those and are looking to be able to solo over simple and common chord progressions or add more variety to your improvisations. If you’re looking for a system to learn pentatonic scales (and modes), which is also theory-lite, check out another of my books: Beyond Pentatonics. All the music theory terms you’ll find in this book are for labeling purposes only and will help you recognize these concepts in songs or pieces you already know; they’ll also help you find the information on the fretboard when you need it instead of fumbling around. What’s more, due to the simplicity of this approach, you’ll be able to reduce your thinking to a minimum and concentrate on making a musical contribution to whatever situation you find yourself in and making jamming/playing out a far more enjoyable experience. I love this approach and often teach it to people who don’t want to practice 10 hours a day, are not interested in theory or knowing the whys and wherefores of everything. They just want a straightforward, “if you learn this and play it here, it’ll sound good”, method so that they can express themselves in a jam session, solo with more than just a pentatonic scale, or play out on the weekends. If you have even half an hour a day to play/practice guitar, you can make a world of progress with your soloing by using this method.
Author: Graham Tippett
Publisher: Graham Tippett
ISBN:
Category : Music
Languages : en
Pages : 40
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Book Description
'Scales and Arpeggios' has been painstakingly updated and revised in order to build on the '2 Position Guitar Scale System: An Introduction' Book (also available on Google Play) by expanding the reach of the 2 Position System to include how to change between scales, open position scales, how to stack the positions to form larger ones, and a new section which incorporates arpeggios into the system. The premise of this system has always been to focus on the musical aspect of scales, and now arpeggios, instead of the endless memorization of patterns and permutations you get with other systems such the CAGED and 3NPS ones, which means there’s far too much time wasted before they become useful. Don’t get me wrong, this is not a book of shortcuts. You’ll still have to put the work in to get good results, but know that we’ve reduced that amount of ‘work’, or ‘woodshedding’ by about 80%. What you’ll get from this system is a profound insight into how the guitar, in standard tuning, can be understood to effortlessly learn the tools for confident improvisation: scales and arpeggios
