Author: Laurell K. Hamilton
Publisher: Penguin
ISBN: 1101146389
Category : Fiction
Languages : en
Pages : 405
Book Description
Meet Anita Blake, Vampire Hunter, in the first novel in the #1 New York Times bestselling series that “blends the genres of romance, horror and adventure with stunning panache”(Diana Gabaldon). Laurell K. Hamilton’s bestselling series has captured readers’ wildest imaginations and addicted them to a seductive world where supernatural hungers collide with the desires of the human heart, starring a heroine like no other... Anita Blake is small, dark, and dangerous. Her turf is the city of St. Louis. Her job: re-animating the dead and killing the undead who take things too far. But when the city’s most powerful vampire asks her to solve a series of vicious slayings, Anita must confront her greatest fear—her undeniable attraction to master vampire Jean-Claude, one of the creatures she is sworn to destroy... “What The Da Vinci Code did for the religious thriller, the Anita Blake series has done for the vampire novel.”—USA Today
Guilty Pleasures
Author: Laurell K. Hamilton
Publisher: Penguin
ISBN: 1101146389
Category : Fiction
Languages : en
Pages : 405
Book Description
Meet Anita Blake, Vampire Hunter, in the first novel in the #1 New York Times bestselling series that “blends the genres of romance, horror and adventure with stunning panache”(Diana Gabaldon). Laurell K. Hamilton’s bestselling series has captured readers’ wildest imaginations and addicted them to a seductive world where supernatural hungers collide with the desires of the human heart, starring a heroine like no other... Anita Blake is small, dark, and dangerous. Her turf is the city of St. Louis. Her job: re-animating the dead and killing the undead who take things too far. But when the city’s most powerful vampire asks her to solve a series of vicious slayings, Anita must confront her greatest fear—her undeniable attraction to master vampire Jean-Claude, one of the creatures she is sworn to destroy... “What The Da Vinci Code did for the religious thriller, the Anita Blake series has done for the vampire novel.”—USA Today
Publisher: Penguin
ISBN: 1101146389
Category : Fiction
Languages : en
Pages : 405
Book Description
Meet Anita Blake, Vampire Hunter, in the first novel in the #1 New York Times bestselling series that “blends the genres of romance, horror and adventure with stunning panache”(Diana Gabaldon). Laurell K. Hamilton’s bestselling series has captured readers’ wildest imaginations and addicted them to a seductive world where supernatural hungers collide with the desires of the human heart, starring a heroine like no other... Anita Blake is small, dark, and dangerous. Her turf is the city of St. Louis. Her job: re-animating the dead and killing the undead who take things too far. But when the city’s most powerful vampire asks her to solve a series of vicious slayings, Anita must confront her greatest fear—her undeniable attraction to master vampire Jean-Claude, one of the creatures she is sworn to destroy... “What The Da Vinci Code did for the religious thriller, the Anita Blake series has done for the vampire novel.”—USA Today
Avidly Reads Guilty Pleasures
Author: Arielle Zibrak
Publisher: NYU Press
ISBN: 1479807095
Category : Literary Criticism
Languages : en
Pages : 169
Book Description
"Avidly Reads Guilty Pleasures reclaims the femme fictions dismissed as "trash" to celebrate the surprisingly cathartic pleasures of domination, privilege, and the material trappings of patriarchal culture"--
Publisher: NYU Press
ISBN: 1479807095
Category : Literary Criticism
Languages : en
Pages : 169
Book Description
"Avidly Reads Guilty Pleasures reclaims the femme fictions dismissed as "trash" to celebrate the surprisingly cathartic pleasures of domination, privilege, and the material trappings of patriarchal culture"--
Guilty Pleasures
Author: Hugh McIntosh
Publisher: University of Virginia Press
ISBN: 0813941660
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Guilty pleasures in one’s reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed America’s cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood. In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom’s Cabin, Ben Hur, and Trilby as well as fictional representations—from Trollope to Baldwin—of American culture’s lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fiction’s unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community.
Publisher: University of Virginia Press
ISBN: 0813941660
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
Guilty pleasures in one’s reading habits are nothing new. Late-nineteenth-century American literary culture even championed the idea that popular novels need not be great. Best-selling novels arrived in the public sphere as at once beloved and contested objects, an ambivalence that reflected and informed America’s cultural insecurity. This became a matter of nationhood as well as aesthetics: the amateurism of popular narratives resonated with the discourse of new nationhood. In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom’s Cabin, Ben Hur, and Trilby as well as fictional representations—from Trollope to Baldwin—of American culture’s lack of artistic greatness. Drawing on a transatlantic archive of contemporary criticism, urban display, parody, and advertising, Guilty Pleasures thoroughly documents how the conflicted attitude toward popular novels shaped these ephemeral modes of response. Paying close attention to this material history of novel reading, McIntosh reveals how popular fiction’s unique status as socially saturating and aesthetically questionable inspired public reflection on what it meant to belong to a flawed national community.
Guilty Pleasures
Author: Pamela Robertson
Publisher: Duke University Press
ISBN: 9780822317487
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Using detailed studies of stars such as Mae West, Joan Crawford and Madonna, Guilty Pleasures examines the tradition of feminist camp - a female form of aestheticism related to masquerade and rooted in burlesque, parallel but different to gay male camp.
Publisher: Duke University Press
ISBN: 9780822317487
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
Using detailed studies of stars such as Mae West, Joan Crawford and Madonna, Guilty Pleasures examines the tradition of feminist camp - a female form of aestheticism related to masquerade and rooted in burlesque, parallel but different to gay male camp.
Guilty Aesthetic Pleasures
Author: Timothy Aubry
Publisher: Harvard University Press
ISBN: 0674988965
Category : Literary Criticism
Languages : en
Pages : 143
Book Description
In the wake of radical social movements in the 1960s and 1970s, literary studies’ embrace of politics entailed a widespread rejection of aesthetic considerations. For scholars invested in literature’s role in supporting or challenging dominant ideologies, appreciating literature’s formal beauty seemed frivolous and irresponsible, even complicit with the iniquities of the social order. This suspicion of aesthetics became the default posture within literary scholarship, a means of establishing the rigor of one’s thought and the purity of one’s political commitments. Yet as Timothy Aubry explains, aesthetic pleasure never fully disappeared from the academy. It simply went underground. From New Criticism to the digital humanities, Aubry recasts aesthetics as the complicated, morally ambiguous, embattled yet resilient protagonist in late twentieth-century and early twenty-first–century literary studies. He argues that academic critics never stopped asserting preferences for certain texts, rhetorical strategies, or intellectual responses. Rather than serving as the enemy of formalism and aesthetics, political criticism enabled scholars to promote heightened experiences of perceptual acuity and complexity while adjudicating which formal strategies are best designed to bolster these experiences. Political criticism, in other words, did not eradicate but served covertly to nurture reading practices aimed at achieving aesthetic satisfaction. Guilty Aesthetic Pleasures shows that literary studies’ break with midcentury formalism was not as clean as it once appeared. Today, when so many scholars are advocating renewed attention to textual surfaces and aesthetic experiences, Aubry’s work illuminates the surprisingly vast common ground between the formalists and the schools of criticism that succeeded them.
Publisher: Harvard University Press
ISBN: 0674988965
Category : Literary Criticism
Languages : en
Pages : 143
Book Description
In the wake of radical social movements in the 1960s and 1970s, literary studies’ embrace of politics entailed a widespread rejection of aesthetic considerations. For scholars invested in literature’s role in supporting or challenging dominant ideologies, appreciating literature’s formal beauty seemed frivolous and irresponsible, even complicit with the iniquities of the social order. This suspicion of aesthetics became the default posture within literary scholarship, a means of establishing the rigor of one’s thought and the purity of one’s political commitments. Yet as Timothy Aubry explains, aesthetic pleasure never fully disappeared from the academy. It simply went underground. From New Criticism to the digital humanities, Aubry recasts aesthetics as the complicated, morally ambiguous, embattled yet resilient protagonist in late twentieth-century and early twenty-first–century literary studies. He argues that academic critics never stopped asserting preferences for certain texts, rhetorical strategies, or intellectual responses. Rather than serving as the enemy of formalism and aesthetics, political criticism enabled scholars to promote heightened experiences of perceptual acuity and complexity while adjudicating which formal strategies are best designed to bolster these experiences. Political criticism, in other words, did not eradicate but served covertly to nurture reading practices aimed at achieving aesthetic satisfaction. Guilty Aesthetic Pleasures shows that literary studies’ break with midcentury formalism was not as clean as it once appeared. Today, when so many scholars are advocating renewed attention to textual surfaces and aesthetic experiences, Aubry’s work illuminates the surprisingly vast common ground between the formalists and the schools of criticism that succeeded them.
Guilty Pleasures
Author: Laura E. Little
Publisher:
ISBN: 0190625767
Category : Humor
Languages : en
Pages : 233
Book Description
In Guilty Pleasures, legal scholar Laura Little provides a multi-faceted account of American law and humor, looking at constraints on humor (and humor's effect on law), humor about law, and humor in law.
Publisher:
ISBN: 0190625767
Category : Humor
Languages : en
Pages : 233
Book Description
In Guilty Pleasures, legal scholar Laura Little provides a multi-faceted account of American law and humor, looking at constraints on humor (and humor's effect on law), humor about law, and humor in law.
Guilty Knowledge, Guilty Pleasure
Author: William Logan
Publisher: Columbia University Press
ISBN: 0231166869
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the Òmost hated man in American poetry,Ó his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a witty polemic against the wish to have critics announce their aesthetics every time they begin a review. ÒThe Unbearable Rightness of CriticismÓ is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books wereÑthey saw the poems plain, yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank OÕHara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Glck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert FrostÕs notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is ÒElizabeth Bishop at Summer Camp,Ó which prints for the first time her early adolescent verse, along with the intimate letters written to the first girl she loved.
Publisher: Columbia University Press
ISBN: 0231166869
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
William Logan has been a thorn in the side of American poetry for more than three decades. Though he has been called the Òmost hated man in American poetry,Ó his witty and articulate reviews have reminded us how muscular good reviewing can be. These new essays and reviews take poetry at its word, often finding in its hardest cases the greatest reasons for hope. Logan begins with a witty polemic against the wish to have critics announce their aesthetics every time they begin a review. ÒThe Unbearable Rightness of CriticismÓ is a plea to read those critics who got it wrong when they reviewed Lyrical Ballads or Leaves of Grass or The Waste Land. Sometimes, he argues, such critics saw exactly what these books wereÑthey saw the poems plain, yet often did not see that they were poems. In such wrongheaded criticism, readers can recover the ground broken by such groundbreaking books. Logan looks again at the poetry of Wallace Stevens, Frank OÕHara, and Philip Larkin; at the letters of T. S. Eliot, Elizabeth Bishop, and Robert Lowell; and at new books by Louise Glck and Seamus Heaney. Always eager to overturn settled judgments, Logan argues that World War II poets were in the end better than the much-lauded poets of World War I. He revisits the secretly revised edition of Robert FrostÕs notebooks, showing that the terrible errors ruining the first edition still exist. The most remarkable essay is ÒElizabeth Bishop at Summer Camp,Ó which prints for the first time her early adolescent verse, along with the intimate letters written to the first girl she loved.
Guilty Pleasures
Author: Lawrence Sanders
Publisher: Putnam Adult
ISBN: 9780399146909
Category :
Languages : en
Pages :
Book Description
Publisher: Putnam Adult
ISBN: 9780399146909
Category :
Languages : en
Pages :
Book Description
My Guilty Pleasure (Mills & Boon Blaze)
Author: Jamie Denton
Publisher: HarperCollins UK
ISBN: 1472056604
Category : Fiction
Languages : en
Pages : 173
Book Description
Eager to shed her good-girl reputation lawyer Joey Winfield spends the night with her boss, powerful and sexy Sebastian.
Publisher: HarperCollins UK
ISBN: 1472056604
Category : Fiction
Languages : en
Pages : 173
Book Description
Eager to shed her good-girl reputation lawyer Joey Winfield spends the night with her boss, powerful and sexy Sebastian.
Guilty Pleasure: A Bound Hearts Novel
Author: Lora Leigh
Publisher: Macmillan
ISBN: 1743532490
Category : Fiction
Languages : en
Pages : 323
Book Description
#1 New York Times bestselling author Lora Leigh has captivated millions with her sizzling tales. When FBI agent Marty Matthews is assigned to shadow Khalid, a dangerous, forbidden man who has haunted her dreams for years, she struggles against her desires for him. That is, until Khalid is cleared and Marty freed from her assignment. Now all bets are off . . . The beautiful, fierce Marty Matthews is the one woman Khalid hungers for like no other and is the one woman he dare not let himself have. His past dogs his every step and danger lurks around every corner. To save her he must keep away. But the power of their desire is something they cannot deny - and once Marty is his, Khalid will do whatever it takes to keep her in his arms forever.
Publisher: Macmillan
ISBN: 1743532490
Category : Fiction
Languages : en
Pages : 323
Book Description
#1 New York Times bestselling author Lora Leigh has captivated millions with her sizzling tales. When FBI agent Marty Matthews is assigned to shadow Khalid, a dangerous, forbidden man who has haunted her dreams for years, she struggles against her desires for him. That is, until Khalid is cleared and Marty freed from her assignment. Now all bets are off . . . The beautiful, fierce Marty Matthews is the one woman Khalid hungers for like no other and is the one woman he dare not let himself have. His past dogs his every step and danger lurks around every corner. To save her he must keep away. But the power of their desire is something they cannot deny - and once Marty is his, Khalid will do whatever it takes to keep her in his arms forever.