Guide to the Persian Collection in the Museum PDF Download
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Author: Royal Scottish Museum
Publisher:
ISBN:
Category : Art, Iranian
Languages : en
Pages : 20
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Book Description
Author: Royal Scottish Museum
Publisher:
ISBN:
Category : Art, Iranian
Languages : en
Pages : 20
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Book Description
Author: South Kensington Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
Author: Vanessa Martin
Publisher: Routledge
ISBN: 1134191979
Category : History
Languages : en
Pages : 182
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Book Description
With contributions from renowned experts in the field, this book provides an excellent background to the history of Anglo-Iranian relations. Focusing on the political and economic relationship of Britain and issues of strategic sensitivity, the book also illuminates British relations with society and the state and describes the interaction between various representatives and agents of both countries. Anglo-Iranian relations have had a long and complex history, characterized on the one hand by mistrust and intrusion and on the other by mutual exchange and understanding. This book explores the intriguing history of this interactive relationship since 1800, looking at it from a variety of perspectives. Drawing on previously unavailable documents in English and Persian, the book argues that Iran in the nineteenth century had a national state, which strongly defended the national interests.
Author: William Kirk Dickson
Publisher:
ISBN:
Category :
Languages : en
Pages : 436
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Book Description
Author: William Kirk Dickson
Publisher:
ISBN:
Category : Archaeologists
Languages : en
Pages : 432
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Book Description
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 456
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Book Description
Author: Sarah Hughes
Publisher: Routledge
ISBN: 1317093097
Category : Language Arts & Disciplines
Languages : en
Pages : 159
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Book Description
Museum and Gallery Publishing examines the theory and practice of general and scholarly publishing associated with museum and art gallery collections. Focusing on the production and reception of these texts, the book explains the relevance of publishing to the cultural, commercial and social contexts of collections and their institutions. Combining theory with case studies from around the world, Sarah Anne Hughes explores how, why and to what effect museums and galleries publish books. Covering a broad range of publishing formats and organisations, including heritage sites, libraries and temporary exhibitions, the book argues that the production and consumption of printed media within the context of collecting institutions occupies a unique and privileged role in the creation and communication of knowledge. Acknowledging that books offer functions beyond communication, Hughes argues that this places books published by museums in a unique relationship to institutions, with staff acting as producers and visitors as consumers.The logistical and ethical dimensions of museum and gallery publishing are also examined in depth, including consideration of issues such as production, the impact of digital technologies, funding and sponsorship, marketing, co-publishing, rights, and curators’ and artists’ agency. Focusing on an important but hitherto neglected topic, Museum and Gallery Publishing is key reading for researchers in the fields of museum, heritage, art and publishing studies. It will also be of interest to curators and other practitioners working in museums, heritage and science centres and art galleries.
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 710
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Book Description
Author:
Publisher:
ISBN:
Category : Textile industry
Languages : en
Pages : 688
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Book Description
Author: Isabelle Gadoin
Publisher: Routledge
ISBN: 1000437000
Category : Art
Languages : en
Pages : 232
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Book Description
This book examines British collectors of so-called Persian art (a broad umbrella term then covering a large portion of Islamic art) in the late 19th century, including ceramics, metalwork, carpets, textiles and woodwork. Based on a foundational event, the very first exhibition of “Persian and Arab Art” held by a London Gentlemen’s Club in 1885, this book follows one generation of men, retracing the subtle shades of difference among “amateurs,” “connoisseurs,” “experts” and “collectors,” and exploring all the mechanisms of the construction of a collective fascination for the Orient. Isabelle Gadoin uncovers some of the first “scientific” analyses of Islamic objects and of the first private notebooks or exhibition catalogues, to provide an in-depth study of the way Westerners talked about Islamic objects and began to define what would become Islamic art history. All the while, Gadoin unravels the skein of Western prejudice, Romantic fancy, sincere admiration and ruthless appropriation, in art collecting, to write a new chapter of Orientalist history. The book will be of interest to scholars working in art history, history of collecting, colonialism and postcolonialism, and Orientalism.
