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Author: Hongzhong Gu
Publisher: Royal Collection of Imperi
ISBN: 9781487801557
Category : Art
Languages : en
Pages : 0
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Book Description
Handscroll;Color on silk; 533cm(width)*22cm(height) This painting depicts the life of a Southern Tang official, Han Xizai. The work breaks up the concept of time through the use of panels, an office desk, musical instruments, and day beds. The five scenes (listening to music, watching a dance performance, resting, playing musical instruments, and saying farewell) are well positioned in a single painting. In this reproduction of the refinement and elegance of the lifestyle of the Southern Tang literati, it is almost impossible to hide the despondency and emotion Han Xizai feels toward political life. It is a successful portrayal of his complex mood.
Author: Hongzhong Gu
Publisher: Royal Collection of Imperi
ISBN: 9781487801557
Category : Art
Languages : en
Pages : 0
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Book Description
Handscroll;Color on silk; 533cm(width)*22cm(height) This painting depicts the life of a Southern Tang official, Han Xizai. The work breaks up the concept of time through the use of panels, an office desk, musical instruments, and day beds. The five scenes (listening to music, watching a dance performance, resting, playing musical instruments, and saying farewell) are well positioned in a single painting. In this reproduction of the refinement and elegance of the lifestyle of the Southern Tang literati, it is almost impossible to hide the despondency and emotion Han Xizai feels toward political life. It is a successful portrayal of his complex mood.
Author: Michael Sullivan
Publisher: Univ of California Press
ISBN: 9780520252097
Category : Art
Languages : en
Pages : 82
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Book Description
"Sullivan recounts the story of the production of this important painting, evoking the mood of the peaceable kingdom in the years before conquest by the newly established Song Dynasty in 975 - a disaster that Han Xizai did not live to see. As the first scholar to include in his discussion nearly all the known versions of this famous scroll, Sullivan demonstrates how the life of a great painting can be extended through copies and reinterpretations into later centuries."--BOOK JACKET.
Author: Cheryl Wong
Publisher:
ISBN: 9781913536329
Category :
Languages : en
Pages :
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Book Description
* Part of a series of 10 paintings from the Tang, Song and Yuan dynasties of ancient China -- presented in the traditional format of a handscrollTen more handscrolls from the series Collection of Ancient Calligraphy and Painting Handscrolls: Paintings have rich themes and diverse styles, such as vivid portraits, exquisite landscape paintings, and meticulous paintings of flowers and birds. The paintings are accompanied by texts written by experts, offering detailed analysis of the artists' works. It is a powerful tribute to Chinese ancient paintings and provides original insight into the work itself. In this series (volumes 11-20), most of handscrolls are painted in Song Dynasty, in which painting became an art of high sophistication and reached a new level of sophistication with further development of landscape painting. The original paintings have been in the collection of the Palace Museum or the Taipei Palace Museum for many years. The artworks are presented in the traditional format of a handscroll which can be extended indefinitely, so that the postscripts and observations of later generations can be directly followed by the end of the works.
Author: Wu Hung
Publisher: University of Chicago Press
ISBN: 9780226360744
Category : Art
Languages : en
Pages : 304
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Book Description
In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and cultural conventions neglected. A screen occupies a space and divides it, supplies an ideal surface for painting, and has been a favorite pictorial image in Chinese art since antiquity. Wu Hung undertakes a comprehensive analysis of the screen, which can be an object, an art medium, a pictorial motif, or all three at once. With its diverse roles, the screen has provided Chinese painters with endless opportunities to reinvent their art. The Double Screen provides a powerful non-Western perspective on issues from portraiture and pictorial narrative to voyeurism, masquerade, and political rhetoric. It will be invaluable to anyone interested in the history of art and Asian studies.
Author: Xifan Li
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110790947
Category : Art
Languages : en
Pages : 664
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Book Description
This volume examines the progress of Chinese art during the time period of the Five Dynasties, Northern and Southern Song, Liao, Western Xia, Jin Dynasties as well as the Yuan Dynasty. A special focus lies on the analysis of cultural policies adopted during the reign of the respective dynasties and their effects on the development of dance, court music and drama. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
Author:
Publisher: ATF Press
ISBN: 192537145X
Category : Art
Languages : en
Pages : 331
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Book Description
This book, a collection of ancient cultural relics from the Sui, Tang, and Five Dynasties, 581 to 960, covers calligraphy, jade and bronze ware, gold and silver ware, pottery, porcelain, painting, calligraphy, stone carving and handicrafts. In 589, the Chen Dynasty which governed the areas south of the lower reaches of the Yangtze River was destroyed by what became the Sui Dynasty, finally putting an end to a history of separate states covering 300 years from the late Eastern Han Dynasty and re-establishing national unification and order. The year 618 saw its replacement by the Tang Dynasty that has gone down in history as a time of grander political and military achievements. During the mid and late period political storms repeatedly occurred. The military governors, eunuchs and different cliques brought about one disaster after another, finally resulting in its collapse and giving rise to the independent regimes of the Five Dynasties and Ten States. The united Sui and Tang Dynasties developed and improved various state systems in the fields of politics, economy, law, military affairs, education and ethics, ensuring that the economy flourished. In particular, the economy in the areas south of the lower reaches of the Yangtze River gained rapid progress and the development level of agriculture, the handicraft industry and commerce in these areas was unprecedented. The Sui, Tang and Five Dynasties were times of great elegance and beauty. Various minds of arts and craft. including jade articles, tri-coloured glazed pottery. porcelain. painting calligraphy, stone carving and sculpture achieved peaks in their respective development history, which was really a great wonder. This book, the fifth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 379 descriptions.
Author: De-nin Deanna Lee
Publisher:
ISBN: 9780295990729
Category : Art
Languages : en
Pages : 164
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Book Description
The tenth-century Chinese handscrollThe Night Banquet of Han Xizai(attributed to tenth-century artist Gu Hongzheng), long famous for its depiction of a decadent party hosted by a government official, is used by De-nin Lee to explore how art objects are created and the many sociopolitical eras and individual hands through which they pass. By the tenth or eleventh century, and in earnest by the thirteenth, viewers of Chinese paintings lodged their responses to a work of art directly on the object itself, in the form of seals, inscriptions, and colophons. The scrawls and markings may amount to distractions for the seasoned admirer of European easel painting, but Lee explains that a handscroll painting without its complement of textual accretions loses its very history. Through her deft detective work, we watch the Night Banquet handscroll-much like the enigmatic seventeenth-century Cremonese instrument in Francois Girard's filmThe Red Violin-travel through the centuries from owner to owner and viewer to viewer, influencing and being influenced by the people who contemplate it and add their thoughts, signatures, and seals to its borders. Treating the scroll as a co-creation of painter and viewers, Lee tells a fascinating story of cultural practices surrounding Chinese paintings. In effect, her book addresses a question central to art history: What is the role of art in a society? De-nin Leeis assistant professor of art and Asian studies at Bowdoin College in Maine. "A tour de force of historical scholarship,The Night Banquetis an engaging narrative that at times reads like a detective novel. Lee investigates every individual who saw, wrote on, or commented about the scroll, and she leads the reader on an enticing journey of discovery that provides both an overview of Chinese history and an in-depth reading of this extraordinary work of art."-Ankeney Weitz, Colby College "Lee has been immensely successful in her quest to uncover the history and changing significance of the Han Xizai scroll, detailing what a spectrum of career officials, connoisseurs, collectors, and emperors had to say about it--sometimes disapproving of the subject matter as licentious and immoral, sometimes considering it a vehicle for comment on current political situations. A masterful study, rooted in extensive original research, rich in detail and interpretation,The Night Banquetis a major contribution to the study of Chinese painting and to Chinese culture in general."-Ellen Johnston Laing, University of Michigan
Author: Felipe Cucker
Publisher: Cambridge University Press
ISBN: 1107354498
Category : Mathematics
Languages : en
Pages : 427
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Book Description
Most works of art, whether illustrative, musical or literary, are created subject to a set of constraints. In many (but not all) cases, these constraints have a mathematical nature, for example, the geometric transformations governing the canons of J. S. Bach, the various projection systems used in classical painting, the catalog of symmetries found in Islamic art, or the rules concerning poetic structure. This fascinating book describes geometric frameworks underlying this constraint-based creation. The author provides both a development in geometry and a description of how these frameworks fit the creative process within several art practices. He furthermore discusses the perceptual effects derived from the presence of particular geometric characteristics. The book began life as a liberal arts course and it is certainly suitable as a textbook. However, anyone interested in the power and ubiquity of mathematics will enjoy this revealing insight into the relationship between mathematics and the arts.
Author: Jeannette Shambaugh Elliot
Publisher: University of Washington Press
ISBN: 0295997559
Category : Art
Languages : en
Pages : 193
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Book Description
Author: Clara Wing-chung Ho
Publisher: The Chinese University of Hong Kong Press
ISBN: 9629964295
Category : History
Languages : en
Pages : 620
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Book Description
This is the first published volume on a variety of sources for Chinese women's history. It is an attempt to explore overt and covert information on Chinese women in a vast quantity of textual and nontextual, conventional and unconventional, source materials. Some chapters reread wellknown texts or previously marginalized texts, and brainstorm new ways to use and interpret these sources; others explore new sources or previously overlooked or underused materials. This book is a valuable product witnessing the concerted effort of twenty some scholars located in different parts of the world.
