Grotesque Visions PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Grotesque Visions PDF full book. Access full book title Grotesque Visions by Thomas O. Haakenson. Download full books in PDF and EPUB format.
Author: Thomas O. Haakenson
Publisher: Bloomsbury Publishing USA
ISBN: 1501369911
Category : Literary Criticism
Languages : en
Pages : 370
Get Book Here
Book Description
Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle.
Author: Thomas O. Haakenson
Publisher: Bloomsbury Publishing USA
ISBN: 1501369911
Category : Literary Criticism
Languages : en
Pages : 370
Get Book Here
Book Description
Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle.
Author: Thomas Odell Haakenson
Publisher:
ISBN:
Category :
Languages : en
Pages : 764
Get Book Here
Book Description
Author: Mariapia Pietropaolo
Publisher: Cambridge University Press
ISBN: 1108488692
Category : History
Languages : en
Pages : 243
Get Book Here
Book Description
A pioneering study of the aesthetic function of grotesque imagery in Roman love elegy.
Author:
Publisher: Cambria Press
ISBN: 1621968197
Category :
Languages : en
Pages : 296
Get Book Here
Book Description
Author: Michael Hollington
Publisher: Routledge
ISBN: 1317619714
Category : Literary Criticism
Languages : en
Pages : 276
Get Book Here
Book Description
First published in 1984, this title examines the development of a special rhetoric in Dickens’ work, which, by using grotesque effects, challenged the complacency of his middle-class Victorian readers. The study begins by exploring definitions of the grotesque and moves on to look at three key aspects that particularly impacted on Dickens’ imagination: popular theatre (especially pantomime), caricature, and the tradition of the Gothic novel. Michael Hollington traces the development of Dickens’ application of the grotesque from his early work to his late novels, showing how its use becomes more subtle. Hollington’s title greatly enhances our appreciation of Dickens’ technique, showing the skill with which he used the grotesque to undermine stereotyped responses and encourage his readership to challenge their context.
Author: William James Dawson
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 266
Get Book Here
Book Description
Author: Gilbert H. Muller
Publisher:
ISBN:
Category : Grotesque in literature
Languages : en
Pages : 0
Get Book Here
Book Description
Author: William James Dawson
Publisher:
ISBN:
Category :
Languages : en
Pages : 266
Get Book Here
Book Description
Author: Rupert D. V. Glasgow
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838635599
Category : Performing Arts
Languages : en
Pages : 400
Get Book Here
Book Description
"Madness, Masks, and Laughter: An Essay on Comedy is an exploration of narrative and dramatic comedy as a laughter-inducing phenomenon. The theatrical metaphors of mask, appearance, and illusion are used as structural linchpins in an attempt to categorize the many and extremely varied manifestations of comedy and to find out what they may have in common with one another. As this reliance on metaphor suggests, the purpose is less to produce The Truth about comedy than to look at how it is related to our understanding of the world and to ways of understanding our understanding. Previous theories of comedy or laughter (such as those advanced by Hobbes, Kant, Hegel, Schopenhauer, Bergson, Freud, and Bakhtin) as well as more general philosophical considerations are discussed insofar as they shed light on this approach. The limitations of the metaphors themselves mean that sight is never lost of the deep-seated ambiguity that has made laughter so notoriously difficult to pin down in the past." "The first half of the volume focuses in particular on traditional comic masks and the pleasures of repetition and recognition, on the comedy of imposture, disguise, and deception, on dramatic and verbal irony, on social and theatrical role-playing and the comic possibilities of plays-within-plays and "metatheatre," as well as on the cliches, puns, witticisms, and torrents of gibberish which betray that language itself may be understood as a sort of mask. The second half of the book moves to the other side of the footlights to show how the spectators themselves, identifying with the comic spectacle, may be induced to "drop" their own roles and postures, laughter here operating as something akin to a ventilatory release from the pressures of social or cognitive performance. Here the essay examines the subversive madness inherent in comedy, its displaced anti-authoritarianism, as well as the violence, sexuality, and bodily grotesqueness it may bring to light. The structural tensions in this broadly Hobbesian or Freudian model of a social mask concealing an anti-social self are reflected in comedy's own ambivalences, and emerge especially in the ambiguous concepts of madness and folly, which may be either celebrated as festive fun or derided as sinfulness. The study concludes by considering the ways in which nonsense and the grotesque may infringe our cognitive limitations, here extending the distinction between appearance and reality to a metaphysical level which is nonetheless prey to unresolvable ambiguities." "The scope of the comic material ranges over time from Aristophanes to Martin Amis, from Boccaccio, Chaucer, Rabelais, and Shakespeare to Oscar Wilde, Joe Orton, John Barth, and Philip Roth. Alongside mainly Old Greek, Italian, French, Irish, English, and American examples, a number of relatively little-known German plays (by Grabbe, Tieck, Buchner, and others) are also taken into consideration."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Robert Garnett
Publisher: LSU Press
ISBN: 080718022X
Category : Biography & Autobiography
Languages : en
Pages : 347
Get Book Here
Book Description
F. Scott Fitzgerald published America’s favorite novel, The Great Gatsby, at the young age of twenty-eight. Despite this extraordinary early achievement, Fitzgerald finished just one novel in the next (and last) fifteen years of his life, ending as a mostly unemployed Hollywood screenwriter. Taking Things Hard reveals the story behind the now-iconic Gatsby, along with Fitzgerald’s struggle to write anything that matched its brilliance. Robert R. Garnett’s new biographical study of Fitzgerald’s life and work begins by constructing a portrait of the young man who would wholly and uniquely pour himself into writing Gatsby. In the years following its publication, Fitzgerald continued penning stories, some of them among his finest, yet it took him nine years to complete another novel. The downward trajectory of his career had interweaving causes, among them arrogance, irresponsibility, his troubled marriage to Zelda Sayre, financial improvidence, and a destructive alcoholism. At the root of it all, though, lingered the simple fact that Fitzgerald’s most intense and profound experiences had come early, during his truncated undergraduate years at Princeton and the months following his February 1919 discharge from the army. Taking Things Hard provides a fresh look at the imaginative sources of Fitzgerald’s fiction and considers the elements, drawn from the keen impressions and salient emotions of its author’s youth, that make Gatsby a book that still speaks powerfully to readers.
