Author: George Barrell Cheever
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 518
Book Description
Studies in Poetry
Author: George Barrell Cheever
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 518
Book Description
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 518
Book Description
Merry's Museum
Author: Samuel Griswold Goodrich
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 400
Book Description
Publisher:
ISBN:
Category : New York (N.Y.)
Languages : en
Pages : 400
Book Description
Rising from the Ruins
Author: Bruce C. Swaffield
Publisher: Cambridge Scholars Publishing
ISBN: 1443815853
Category : Literary Criticism
Languages : en
Pages : 187
Book Description
The neoclassic tendency to write about the ruins of Rome was both an attempt to recapture the grandeur of the “golden age” of man and a lament for the passing of a great civilization. John Dyer, who wrote The Ruins of Rome in 1740, was largely responsible for the eighteenth-century revival of a unique subgenre of landscape poetry dealing with ruins of the ancient world. Few poems about the ruins had been written since Antiquités de Rome in 1558 by Joachim Du Bellay. Dyer was one of first neoclassic poets to return to the decaying stones of a past society as a source of poetic inspiration and imagination. He views the relics as monuments of grandeur and greatness, but also of impending death and destruction. While following most of the rules and standards of neoclassicism—that of imitating nature and giving pleasure to a reader—Dyer also includes his personal reactions and emotions in The Ruins of Rome. The work is composed from the position of a poet who serves as interpreter and translator of the subject, a primary characteristic of “prospect” poetry in the eighteenth century. Numerous other writers quickly followed Dyer’s example, including George Keate, William Whitehead and William Parsons. The tendency by these poets to write about the ruins of Rome from a subjective point of view was one of the strongest themes in what Northrop Frye has called the “Age of Sensibility.” Although the renewed interest in Roman ruins lasted well into the nineteenth century, influencing Romantic poets from Lord Byron to William Wordsworth, the evolution of this type of verse was a gradual process: it originated with Du Bellay’s poem, continued through seventeenth-century paintings by Claude Lorrain and Salvator Rosa (along with the later art of Piranesi and Pannini), and reached maturity with the poetic interest in the imagination in the eighteenth century. All of these factors, especially the tendency of poets to record their subjective feelings and insights concerning the ruins, are elements that proved to be instrumental in the eventual development of Romanticism.
Publisher: Cambridge Scholars Publishing
ISBN: 1443815853
Category : Literary Criticism
Languages : en
Pages : 187
Book Description
The neoclassic tendency to write about the ruins of Rome was both an attempt to recapture the grandeur of the “golden age” of man and a lament for the passing of a great civilization. John Dyer, who wrote The Ruins of Rome in 1740, was largely responsible for the eighteenth-century revival of a unique subgenre of landscape poetry dealing with ruins of the ancient world. Few poems about the ruins had been written since Antiquités de Rome in 1558 by Joachim Du Bellay. Dyer was one of first neoclassic poets to return to the decaying stones of a past society as a source of poetic inspiration and imagination. He views the relics as monuments of grandeur and greatness, but also of impending death and destruction. While following most of the rules and standards of neoclassicism—that of imitating nature and giving pleasure to a reader—Dyer also includes his personal reactions and emotions in The Ruins of Rome. The work is composed from the position of a poet who serves as interpreter and translator of the subject, a primary characteristic of “prospect” poetry in the eighteenth century. Numerous other writers quickly followed Dyer’s example, including George Keate, William Whitehead and William Parsons. The tendency by these poets to write about the ruins of Rome from a subjective point of view was one of the strongest themes in what Northrop Frye has called the “Age of Sensibility.” Although the renewed interest in Roman ruins lasted well into the nineteenth century, influencing Romantic poets from Lord Byron to William Wordsworth, the evolution of this type of verse was a gradual process: it originated with Du Bellay’s poem, continued through seventeenth-century paintings by Claude Lorrain and Salvator Rosa (along with the later art of Piranesi and Pannini), and reached maturity with the poetic interest in the imagination in the eighteenth century. All of these factors, especially the tendency of poets to record their subjective feelings and insights concerning the ruins, are elements that proved to be instrumental in the eventual development of Romanticism.
The Facts on File Companion to British Poetry
Author: Virginia Brackett
Publisher: Infobase Publishing
ISBN: 1438108354
Category : Literary Criticism
Languages : en
Pages : 497
Book Description
Presents a comprehensive A-to-Z reference with approximately 400 entries providing facts about British poets and their poetry from the seventeenth and eighteenth centuries.
Publisher: Infobase Publishing
ISBN: 1438108354
Category : Literary Criticism
Languages : en
Pages : 497
Book Description
Presents a comprehensive A-to-Z reference with approximately 400 entries providing facts about British poets and their poetry from the seventeenth and eighteenth centuries.
The Rural Poetry of the English Language
Author: Joseph William Jenks
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 574
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 574
Book Description
The Instructive Reader, Or, A Course of Reading in Natural History, Science and Literature
Author: William Draper Swan
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 298
Book Description
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 298
Book Description
The Columbia Anthology of British Poetry
Author: Carl R. Woodring
Publisher: Columbia University Press
ISBN: 9780231515818
Category : Literary Criticism
Languages : en
Pages : 936
Book Description
A sweeping compendium of British verse from Old and Middle English to the present, including the best work of poets from every corner of the British Isles, The Columbia Anthology of British Poetry offers the most up-to-date and comprehensive single volume available. Carl Woodring and James Shapiro, the same experienced editorial team who brought students and lovers of literature The Columbia History of British Literature, now present a volume that resonates with contemporary significance, yet also takes into account the centuries-old poetic tradition that planted Great Britain centrally in the canon of Western Literature. The Columbia Anthology pays tribute to the renowned works that any include--Chaucer, Spenser, Shakespeare, Milton, Blake, Eliot, Auden. But the book also resurrects the voices of excellent poets, particularly women--such as Queen Elizabeth I, Anne Ingram, and Christina Rossetti--who have been unjustifiably ignored until recently. Contemporary British poetry is fully represented as well, with the work of Thom Gunn, Seamus Heaney, Liz Lochhead, and Paula Meehan bringing The Columbia Anthology up to the minute. Unencumbered by extensive notes that divert attention from the spirit of verse, The Columbia Anthology of British Poetry allows readers to discover the poems for themselves. It is a collection poetry lovers will want on their shelves for years to come, to read and enjoy again and again.
Publisher: Columbia University Press
ISBN: 9780231515818
Category : Literary Criticism
Languages : en
Pages : 936
Book Description
A sweeping compendium of British verse from Old and Middle English to the present, including the best work of poets from every corner of the British Isles, The Columbia Anthology of British Poetry offers the most up-to-date and comprehensive single volume available. Carl Woodring and James Shapiro, the same experienced editorial team who brought students and lovers of literature The Columbia History of British Literature, now present a volume that resonates with contemporary significance, yet also takes into account the centuries-old poetic tradition that planted Great Britain centrally in the canon of Western Literature. The Columbia Anthology pays tribute to the renowned works that any include--Chaucer, Spenser, Shakespeare, Milton, Blake, Eliot, Auden. But the book also resurrects the voices of excellent poets, particularly women--such as Queen Elizabeth I, Anne Ingram, and Christina Rossetti--who have been unjustifiably ignored until recently. Contemporary British poetry is fully represented as well, with the work of Thom Gunn, Seamus Heaney, Liz Lochhead, and Paula Meehan bringing The Columbia Anthology up to the minute. Unencumbered by extensive notes that divert attention from the spirit of verse, The Columbia Anthology of British Poetry allows readers to discover the poems for themselves. It is a collection poetry lovers will want on their shelves for years to come, to read and enjoy again and again.
The Poetical Works of Armstrong, Dyer, and Green
Author: John Armstrong
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 314
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 314
Book Description
Rhetorical readings for schools [ed.] by W. M'Dowall
Author: William McDowall
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
Book Description
Nichol's Library Edition of the British Poets
Author: George Gilfillan
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 540
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 540
Book Description