Greek Tragedy and the Emotions. An Introductory Study. (1. Publ.)

Greek Tragedy and the Emotions. An Introductory Study. (1. Publ.) PDF Author: William Bedell Stanford
Publisher:
ISBN:
Category :
Languages : en
Pages : 192

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Book Description


Greek Tragedy and the Emotions (Routledge Revivals)

Greek Tragedy and the Emotions (Routledge Revivals) PDF Author: W. B. Stanford
Publisher: Routledge
ISBN: 1317698770
Category : Drama
Languages : en
Pages : 203

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Book Description
According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre. In Greek Tragedy and the Emotions, first published in 1993, W.B. Stanford reviews the evidence for ‘emotionalism’ – as the great Attic playwrights presented it, as the actors and choruses expressed it, and as their audiences reacted to it. Sociological aspects of the issue are considered, and the whole range of emotions, not just ‘pity and fear’, is discussed. The aural, visual and stylistic methods of inciting emotion are analysed, and Aeschylus’ Oresteia is examined exclusively in terms of the emotions that it exploits. Finally, Stanford’s conclusions are contrasted with the accepted theories of tragic ‘catharsis’. Greek terms are transliterated and all quotations are in translation, so Greek Tragedy and the Emotions will appeal particularly to those unfamiliar with Classical Greek.

Greek Tragedy and the Emotions

Greek Tragedy and the Emotions PDF Author: William Bedell Stanford
Publisher: Routledge & Kegan Paul Books
ISBN:
Category : Drama
Languages : en
Pages : 208

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Book Description


Greek Tragedy and the Emotions (Routledge Revivals)

Greek Tragedy and the Emotions (Routledge Revivals) PDF Author: W. B. Stanford
Publisher: Routledge
ISBN: 9781138019041
Category : Drama
Languages : en
Pages : 202

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Book Description
According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre. In Greek Tragedy and the Emotions, first published in 1993, W.B. Stanford reviews the evidence for 'emotionalism' - as the great Attic playwrights presented it, as the actors and choruses expressed it, and as their audiences reacted to it. Sociological aspects of the issue are considered, and the whole range of emotions, not just 'pity and fear', is discussed. The aural, visual and stylistic methods of inciting emotion are analysed, and Aeschylus' Oresteia is examined exclusively in terms of the emotions that it exploits. Finally, Stanford's conclusions are contrasted with the accepted theories of tragic 'catharsis'. Greek terms are transliterated and all quotations are in translation, so Greek Tragedy and the Emotions will appeal particularly to those unfamiliar with Classical Greek.

Greek Tragedy and the Emotions

Greek Tragedy and the Emotions PDF Author: W. Bedell Stanford
Publisher: Routledge/Thoemms Press
ISBN: 9780710208828
Category :
Languages : en
Pages : 192

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Book Description


Greek Tragedy and the Emotions (Routledge Revivals)

Greek Tragedy and the Emotions (Routledge Revivals) PDF Author: W. B. Stanford
Publisher: Routledge
ISBN: 1317698762
Category : Drama
Languages : en
Pages : 154

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Book Description
According to Aristotle the main purpose of tragedy is the manipulation of emotions, and yet there are relatively few accessible studies of the precise dynamics of emotion in the Athenian theatre. In Greek Tragedy and the Emotions, first published in 1993, W.B. Stanford reviews the evidence for ‘emotionalism’ – as the great Attic playwrights presented it, as the actors and choruses expressed it, and as their audiences reacted to it. Sociological aspects of the issue are considered, and the whole range of emotions, not just ‘pity and fear’, is discussed. The aural, visual and stylistic methods of inciting emotion are analysed, and Aeschylus’ Oresteia is examined exclusively in terms of the emotions that it exploits. Finally, Stanford’s conclusions are contrasted with the accepted theories of tragic ‘catharsis’. Greek terms are transliterated and all quotations are in translation, so Greek Tragedy and the Emotions will appeal particularly to those unfamiliar with Classical Greek.

Archive Feelings

Archive Feelings PDF Author: Mario Telò
Publisher:
ISBN: 9780814257739
Category :
Languages : en
Pages : 0

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Book Description
Using classic Greek texts and modern theory, Telò forges a new model of tragic aesthetics.

Greek Tragedy

Greek Tragedy PDF Author: H. D. F. Kitto
Publisher: Routledge
ISBN: 1317761456
Category : History
Languages : en
Pages : 412

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Book Description
This classic work not only records developments in the form and style of Greek drama, it also analyses the reasons for these changes. It provides illuminating answers to questions that have confronted generations of students, such as: * why did Aeschylus introduce the second actor? * why did Sophocles develop character drawing? * why are some of Euripides' plots so bad and others so good? Greek Tragedy is neither a history nor a handbook, but a penetrating work of criticism which all students of literature will find suggestive and stimulating.

Greek Tragedy

Greek Tragedy PDF Author:
Publisher: CUP Archive
ISBN:
Category : Greek drama (Tragedy)
Languages : en
Pages : 176

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Book Description


An Introduction to Greek Tragedy

An Introduction to Greek Tragedy PDF Author: Ruth Scodel
Publisher: Cambridge University Press
ISBN: 1139493493
Category : History
Languages : en
Pages :

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Book Description
This book provides an accessible introduction for students and anyone interested in increasing their enjoyment of Greek tragic plays. Whether readers are studying Greek culture, performing a Greek tragedy, or simply interested in reading a Greek play, this book will help them to understand and enjoy this challenging and rewarding genre. An Introduction to Greek Tragedy provides background information, helps readers appreciate, enjoy and engage with the plays themselves, and gives them an idea of the important questions in current scholarship on tragedy. Ruth Scodel seeks to dispel misleading assumptions about tragedy, stressing how open the plays are to different interpretations and reactions. In addition to general background, the book also includes chapters on specific plays, both the most familiar titles and some lesser-known plays - Persians, Helen and Orestes - in order to convey the variety that the tragedies offer readers.