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Author: Tom Rasmussen
Publisher: Cambridge University Press
ISBN: 9780521376792
Category : Art
Languages : en
Pages : 210
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Book Description
An ancient Greek vase is a difficult object for the non-expert to come to terms with. Faced with rows of apparently undifferentiated black, red and buff pots, he or she is at a loss as to where to begin. Greek vases are treated as objets d'art in the modern world, but how much were they worth in the ancient? They are often used to demonstrate 'the Greek genius' and aspects of ancient Greek society, but why do many of them carry Eastern motifs, and why do so many turn up in Italy? Why were the Greeks not content with simple patterns on their pottery? What did the pictures on the pots mean to them? Why should a vase depict a scene from a play? These are the sorts of questions that this book, first published in 1991, attempts to answer. As the title implies, it is a series of 'looks' at Greek vases, offering suggestions on how to read the often complex images they present.
Author: Tom Rasmussen
Publisher: Cambridge University Press
ISBN: 9780521376792
Category : Art
Languages : en
Pages : 210
Get Book Here
Book Description
An ancient Greek vase is a difficult object for the non-expert to come to terms with. Faced with rows of apparently undifferentiated black, red and buff pots, he or she is at a loss as to where to begin. Greek vases are treated as objets d'art in the modern world, but how much were they worth in the ancient? They are often used to demonstrate 'the Greek genius' and aspects of ancient Greek society, but why do many of them carry Eastern motifs, and why do so many turn up in Italy? Why were the Greeks not content with simple patterns on their pottery? What did the pictures on the pots mean to them? Why should a vase depict a scene from a play? These are the sorts of questions that this book, first published in 1991, attempts to answer. As the title implies, it is a series of 'looks' at Greek vases, offering suggestions on how to read the often complex images they present.
Author: J.N. Coldstream
Publisher: Routledge
ISBN: 1135835195
Category : History
Languages : en
Pages : 406
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Book Description
Geometric Greece has long been the standard work on this absorbing period, which saw the evolution of the Greek city-states, the composition of the Homeric poems, the rise of the great Panhellenic sanctuaries and the first exodus of Greek colonists to southern Italy and Sicily. Professor Coldstream has now fully updated his comprehensive survey with a substantial new chapter on the abundant discoveries and developments made since the book's first publication. The text is presented in three main sections: the passing of the dark ages, c. 900-770 BC; the Greek renaissance, c. 770-700 BC, covered region by region, and the final part on life in eighth century Greece. Its geographical coverage in the Mediterranean ranges from Syria to Sicily, and the detailed archaeological evidence is amplified by reference to literary sources. Highly illustrated, including images of several finds never previously published, this is the essential handbook for anyone studying early Greek antiquity.
Author: John Nicolas Coldstream
Publisher:
ISBN:
Category : Greece
Languages : en
Pages : 582
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Book Description
Author: Robert Manuel Cook
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Rui Morais
Publisher: Archaeopress Publishing Ltd
ISBN: 1789690242
Category : Social Science
Languages : en
Pages : 518
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Book Description
Over 50 papers, first presented at the international congress ‘Greek Art in Motion’ (Lisbon, 2017) in honour of Sir John Boardman’s 90th Birthday, are collected here under the following headings: Sculpture, Architecture, Terracotta & Metal, Greek Pottery, Coins, Greek History & Archaeology, Greeks Overseas, Reception & Collecting, Art & Myth.
Author: John Boardman
Publisher: Thames & Hudson
ISBN: 9780500203095
Category : Art
Languages : en
Pages : 287
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Book Description
This volume completes a series of four titles which comprehensively cover the development of Greek vases.
Author: Dietrich von Bothmer
Publisher: Getty Publications
ISBN: 0892360658
Category : Art
Languages : en
Pages : 97
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Book Description
The eloquent beauty of the vases produced in the workshops of the ancient Greeks is represented by a selection of pieces from the superb private collection of Molly and Walter Bareiss that spans more than a thousand years of the craft. From a delightful miniature stirrup vase dating ca. 1300 B.C. to prime examples of the molded vases from Augustan Rome, the Bareiss collection includes a splendid representative collection, guided by a sure instinct for the unique beauty of design and drawing. Assembled in this brief catalogue are illustrated discussions of forty-seven of the masterpieces from the 258 vases currently on loan to the Getty Museum. Dietrich von Bothmer, Chairman of Greek and Roman Art at the Metropolitan Museum of Art, introduces this most important collection, one with which he has been intimately involved since its conception, advising, studying, interpreting, and even piecing together shattered vases. Following the individual catalogue entries is a full checklist of an additional 205 vases that are on loan to the Getty Museum.
Author: Dietrich Von Bothmer
Publisher: Metropolitan Museum of Art
ISBN: 0870994883
Category : Vase-painting, Greek
Languages : en
Pages : 75
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Book Description
Author: J.N. COLDSTREAM
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Anthony Snodgrass
Publisher: Cambridge University Press
ISBN: 9780521629812
Category : Art
Languages : en
Pages : 204
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Book Description
This is a book about Homer, myth and art. The Iliad and Odyssey so dominate our view of ancient Greece that our natural reaction on viewing certain works of early Greek art is to identify them as 'scenes from Homer'. However, Anthony Snodgrass argues that, so far from 'illustrating' the Homeric poems, these works very rarely show signs of acquaintance with the Iliad or Odyssey, seldom even choosing their subject-matter from them. When the subjects do overlap, the artists occasionally give positive signs of preferring a non-Homeric version of the episode. He then attempts to explain why this should be so: despite Homer's unique standing in antiquity, the artists inhabited an independent world, where their own inspirations and concerns dominated their production. It is only the traditional dominance of the literary study of antiquity which has hidden this from us.
