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Author: Michael Hammond
Publisher: State University of New York Press
ISBN: 1438476981
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
This is the definitive account of how America's film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war's memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade, Grand Hotel, Hell's Angels, The Black Cat, and Wings. Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry.
Author: Michael Hammond
Publisher: State University of New York Press
ISBN: 1438476981
Category : Performing Arts
Languages : en
Pages : 322
Get Book Here
Book Description
This is the definitive account of how America's film industry remembered and reimagined World War I from the Armistice in 1918 to the outbreak of World War II in 1939. Based on detailed archival research, Michael Hammond shows how the war and the sociocultural changes it brought made their way into cinematic stories and images. He traces the development of the war's memory in films dealing with combat on the ground and in the air, the role of women behind the lines, returning veterans, and through the social problem and horror genres. Hammond first examines movies that dealt directly with the war and the men and women who experienced it. He then turns to the consequences of the war as they played out across a range of films, some only tangentially related to the conflict itself. Hammond finds that the Great War acted as a storehouse of motifs and tropes drawn upon in the service of an industry actively seeking to deliver clearly told, entertaining stories to paying audiences. Films analyzed include The Big Parade, Grand Hotel, Hell's Angels, The Black Cat, and Wings. Drawing on production records, set designs, personal accounts, and the advertising and reception of key films, the book offers unique insight into a cinematic remembering that was a product of the studio system as it emerged as a global entertainment industry.
Author: Martin Löschnigg
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311036302X
Category : History
Languages : en
Pages : 468
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Book Description
The twenty-seven original contributions to this volume investigate the ways in which the First World War has been commemorated and represented internationally in prose fiction, drama, film, docudrama and comics from the 1960s until the present. The volume thus provides a comprehensive survey of the cultural memory of the war as reflected in various media across national cultures, addressing the complex connections between the cultural post-memory of the war and its mediation. In four sections, the essays investigate (1) the cultural legacy of the Great War (including its mythology and iconography); (2) the implications of different forms and media for representing the war; (3) ‘national’ memories, foregrounding the differences in post-memory representations and interpretations of the Great War, and (4) representations of the Great War within larger temporal or spatial frameworks, focusing specifically on the ideological dimensions of its ‘remembrance’ in historical, socio-political, gender-oriented, and post-colonial contexts.
Author: Nanette Norris
Publisher: Rowman & Littlefield
ISBN: 1611478049
Category : History
Languages : en
Pages : 257
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Book Description
New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called ‘core’ of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying ‘the giants,’ about whom there is so much more to say, as well as adding hitherto marginalized writers – and a few visual artists – to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called ‘modernism,’ but perhaps could be further delineated as ‘Great War modernism,’ a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.
Author: James D. Bloom
Publisher: Lexington Books
ISBN: 0739140868
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
Hollywood Intellect takes off from the wide-spread hand-wringing over the fate or disappearance of so-called public intellectuals. An account of the title phenomenon, Hollywood Intellect challenges assumptions on which such discussions have rested. James D. Bloom argues that such assumptions are the result of misleading inattention to the intellectual work that mass culture performs. Much of America's influential intellectual work has come out of Hollywood, which has long helped shape America's intellectual agenda. Bloom shows how Hollywood movies often do intellectual work as ambitious as the intellectual work in 'art films,' poems and novels, museums and erudite quarterlies. Hollywood Intellect prompts its readers to reflect on the impact of a variety of Hollywood movies with some of the same assumptions, expectations, and questions customarily applied to literary writing. Hollywood Intellect also illustrates how, in examining the emergence of Hollywood and stardom in general as shapers of the public mind, some of our most renowned poets and novelists enriched our experience of mass entertainment and of elite culture. Drawing on a range of literary works and movies, as well as on the careers of both Hollywood and literary celebrities, Bloom documents how Hollywood regulates curiosity, arbitrates civilization, construes and probes stardom, polices genre, and shapes our language.
Author: Takashi Fujitani
Publisher: Duke University Press
ISBN: 9780822325642
Category : History
Languages : en
Pages : 478
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Book Description
DIVA rethinking of the differing national memories of the Second World War in the Pacific in light of recent theories of nationalism, imperialism, and colonialism./div
Author: Peter C. Rollins
Publisher: Popular Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 316
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Book Description
Contributions study feature films and documentaries, tracing America's changing attitudes toward the Great War. Works considered include The Training of Colored Troops (1918), Hearts of the World (1918), What Price Glory (1926), The Big Parade (1925), All Quiet on the Western Front and Hell's Angels (1930), The Fighting 69th (1940), Sergeant York (1941), and the eight-part series titled "The Great War and the Shaping of the 20th Century," broadcast during the fall of 1996. A World War I filmography concludes the work. Paper edition (unseen), $19.95. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Alison Light
Publisher: Routledge
ISBN: 1135629846
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
Most studies of the interwar years have focussed upon literary elites, rendering that past and its literature in almost exclusively male terms. In Forever England Alison Light argues that we cannot make sense of Englishness in the period, or understand the changes within literary culture, unless we recognise the extent to which the female population represented the nation between the wars. From the traumatic aftermath of the First World War, Forever England traces the making of a conservative national temperament which could be defensive and protective, yet modernising in outlook. In a series of literary anaylses, the author suggests some of the tones and accents of this new version of Englishness; in particular she looks at new kinds of readership and fiction, at the historical and emotional significance of the `whodunit', the burgeoning of historical romance, and the creation of a middlebrow culture in the period. Forever England evokes a powerful sense of period and of the pleasures of reading, providing an intimate picture of interwar life from inside the English middle classes. As a feminist inquiry, it argues from a different kind of social and political history; one which makes connections between the interior structures of private life and their more public national forms. Controversially, it also urges that feminism deal with conservative, as well as radical, desires and their place in women's lives.
Author: Jonathan D. Bratten
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Barbara Hately-Broad
Publisher: Bloomsbury Publishing
ISBN: 1845207246
Category : History
Languages : en
Pages : 289
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Book Description
Millions of servicemen of the belligerent powers were taken prisoner during World War II. Until recently, the popular image of these men has been framed by tales of heroic escape or immense suffering at the hands of malevolent captors. For the vast majority, however, the reality was very different. Their history, both during and after the War, has largely been ignored in the grand narratives of the conflict. This collection brings together new scholarship, largely based on sources from previously unavailable Eastern European or Japanese archives. Authors highlight a number of important comparatives. Whereas for the British and Americans held by the Germans and Japanese, the end of the war meant a swift repatriation and demobilization, for the Germans, it heralded the beginning of an imprisonment that, for some, lasted until 1956. These and many more moving stories are revealed here for the first time.
Author: Sam Edwards
Publisher: Cambridge University Press
ISBN: 1316240630
Category : History
Languages : en
Pages : 313
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Book Description
Amidst the ruins of postwar Europe, and just as the Cold War dawned, many new memorials were dedicated to those Americans who had fought and fallen for freedom. Some of these monuments, plaques, stained-glass windows and other commemorative signposts were established by agents of the US government, partly in the service of transatlantic diplomacy; some were built by American veterans' groups mourning lost comrades; and some were provided by grateful and grieving European communities. As the war receded, Europe also became the site for other forms of American commemoration: from the sombre and solemn battlefield pilgrimages of veterans, to the political theatre of Presidents, to the production and consumption of commemorative souvenirs. With a specific focus on processes and practices in two distinct regions of Europe – Normandy and East Anglia – Sam Edwards tells a story of postwar Euro-American cultural contact, and of the acts of transatlantic commemoration that this bequeathed.
