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Author: Jean Sibelius
Publisher: Courier Corporation
ISBN: 0486285707
Category : Music
Languages : en
Pages : 243
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Book Description
Three of the most popular modern violin concertos: Sibelius' Violin Concerto in D Minor, Op. 47 — among the most played and recorded of all violin concertos; Elgar's Violin Concerto in B Minor, Op. 61, a ravishing combination of bravura and sweetness; and Glazunov's Violin Concerto in A Minor, Op. 82, a masterpiece of lyricism and virtuosity.
Author: Jean Sibelius
Publisher: Courier Corporation
ISBN: 0486285707
Category : Music
Languages : en
Pages : 243
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Book Description
Three of the most popular modern violin concertos: Sibelius' Violin Concerto in D Minor, Op. 47 — among the most played and recorded of all violin concertos; Elgar's Violin Concerto in B Minor, Op. 61, a ravishing combination of bravura and sweetness; and Glazunov's Violin Concerto in A Minor, Op. 82, a masterpiece of lyricism and virtuosity.
Author: Tina K. Ramnarine
Publisher: Oxford University Press, USA
ISBN: 0190611537
Category : Music
Languages : en
Pages : 161
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Book Description
Jean Sibelius's Violin Concerto is the story of Sibelius as performer and composer, of violin performing traditions, of histories of musical transmission, and of virtuosity itself. It investigates the history and legacy of one of the most recorded concertos in the violin repertoire. Sibelius, a celebrated and influential composer of the late 19th and 20th centuries, was an accomplished violinist, whose enduring interest in the instrument has been paralleled by the broad success of the only concerto in his oeuvre: his violin concerto (premiered in 1904 and revised in 1905). Considering how violinists engage with the work, author Tina K. Ramnarine discusses technology's central role in the concerto's transmission from Jascha Heifetz's seminal 1935 recording to contemporary online performances, gender issues in violin solo careers, and nature-based musical aesthetics that lead to thinking about the ecology of virtuosity in an era of environmental crisis. Beginning with Sibelius's early training as a violinist and his aspirations as a performer, Ramnarine traces the dramatic historical context of the violin concerto. It was composed as Finland underwent a period of heightened self-determination, nationalism, and protest against Russian imperial policies, and it heralded intense political dynamics relating to Europe's East-West border that have extended to the present. This story of the violin concerto points to the notion of Sibelius - and the virtuoso more generally - as a political figure.
Author: George Green
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages :
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Book Description
Author: George Clarence Green
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: George Green
Publisher:
ISBN:
Category : Concertos (Violin)
Languages : en
Pages : 127
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Book Description
Author: Tatjana Goldberg
Publisher: Routledge
ISBN: 1351167502
Category : Biography & Autobiography
Languages : en
Pages : 188
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Book Description
Tatjana Goldberg reveals the extent to which gender and socially constructed identity influenced female violinists’ ‘separate but unequal’ status in a great male-dominated virtuoso lineage by focussing on the few that stood out: the American Maud Powell (1867–1920), Australian-born Alma Moodie (1898–1943), and the British Marie Hall (1884–1956). Despite breaking down traditional gender-based patriarchal social and cultural norms, becoming celebrated soloists, and greatly contributing towards violin works and the early recording industry (Powell and Hall), they received little historical recognition. Goldberg provides a more complete picture of their artistic achievements and the impact they had on audiences.
Author: Franz Liszt
Publisher: Courier Corporation
ISBN: 9780486252216
Category : Music
Languages : en
Pages : 158
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Book Description
Authoritative Breitkopf & Hartel editions of Piano Concerto No. 1 in E-flat Major and Piano Concerto No. 2 in A major. Unabridged. "
Author: Paolo Petrocelli
Publisher: Universal-Publishers
ISBN: 1599426544
Category :
Languages : en
Pages : 81
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Book Description
The aim of this dissertation is to present a study and an historical-musicological analysis of the Concerto for Violin and Orchestra of Sir William Walton, discussing more specifically the shape of the Concerto for Violin in England between 1900 and 1940, taking into consideration the works of Charles Villiers Stanford, Edward Elgar, Samuel Coleridge-Taylor, Frederick Delius, Ralph Vaughan Williams, Arthur Somervell, Arnold Bax and Benjamin Britten. The thesis is divided in three parts: - the first discusses the Concertos for Violin and Orchestra of the composers active in England between 1900 and 1920: Stanford*, Elgar, Coleridge-Taylor, Delius. - the second discusses the Concertos for Violin and Orchestra of the composers active in England between 1920 and 1940: Vaughan Williams, Somervell, Bax, Britten. - The third part discusses the Concerto for Violin and Orchestra of William Walton. At the beginning there is a brief digression on the shape of the Concerto for Violin and Orchestra between the XIX and XX century in Europe, aimed to provide base knowledge of the characteristics of this musical form and to initiate a comparison between the various national composing styles. Each part is introduced by means of a generic historical-musical description of England and presents, after a biographical exposition of the composers, a formal, structural, harmonic and aesthetic analysis more or less extensive of the single concerts, along with a study of the technical aspects of the performance and a reflection on the composer-performer relationship. At the end of each part a comparative compendium is presented. The first and second part are entirely developed in function of the third, that discusses exclusively and in a more detailed manner the Concerto for Violin and Orchestra of William Walton, the work that provoked the most interest in me. To conclude the introduction, in the appendix there are some unpublished quotes, gained during the research work for this dissertation, given by well-known composers, regarding some of the discussed concertos, particularly in relation to Walton's. I believe this to be a precious contribution, that enriches and completes a reflection started in the dissertation, on the purely technical aspect of music for violin of British composers in the first half of the XIX century. * Concerto in D major Op.74 (1899), last concerto for violin and orchestra of the XIX century in England.
Author: Amanda Bayley
Publisher: Cambridge University Press
ISBN: 1139826093
Category : Music
Languages : en
Pages : 292
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Book Description
This Companion is an accessible guide to Bartók's music and is an ideal introduction to the composer for students, performers and concert-goers. Part I of the book sets out the cultural, social and political background in Hungary at the beginning of the twentieth century, and considers Bartók's interest in and research into folk music. Part II surveys his compositional output in all genres, relating changes in style to broad aesthetic issues, his folk music studies, and his activities as a pianist, music editor and teacher. The final part reveals the wide variety of responses to Bartók's music in Europe and the United States, both during and after his lifetime. It includes a comparison of analytical approaches to his music and an evaluation of performances including those of the composer himself. The book is written by a team of specialists, who represent more recent thinking on the composer and his music.
Author: Tina K. Ramnarine
Publisher: Oxford University Press
ISBN: 0190611553
Category : Music
Languages : en
Pages : 128
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Book Description
Jean Sibelius's Violin Concerto is the story of Sibelius as performer and composer, of violin performing traditions, of histories of musical transmission, and of virtuosity itself. It investigates the history and legacy of one of the most recorded concertos in the violin repertoire. Sibelius, a celebrated and influential composer of the late 19th and 20th centuries, was an accomplished violinist, whose enduring interest in the instrument has been paralleled by the broad success of the only concerto in his oeuvre: his violin concerto (premiered in 1904 and revised in 1905). Considering how violinists engage with the work, author Tina K. Ramnarine discusses technology's central role in the concerto's transmission from Jascha Heifetz's seminal 1935 recording to contemporary online performances, gender issues in violin solo careers, and nature-based musical aesthetics that lead to thinking about the ecology of virtuosity in an era of environmental crisis. Beginning with Sibelius's early training as a violinist and his aspirations as a performer, Ramnarine traces the dramatic historical context of the violin concerto. It was composed as Finland underwent a period of heightened self-determination, nationalism, and protest against Russian imperial policies, and it heralded intense political dynamics relating to Europe's East-West border that have extended to the present. This story of the violin concerto points to the notion of Sibelius - and the virtuoso more generally - as a political figure.
