Author: Matthew Hargraves
Publisher: Yale University Press
ISBN: 0300116586
Category : Art
Languages : en
Pages : 244
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Book Description
Paul Mellon (1907--1999) assembled one of the world’s greatest collections of British drawings and watercolors. In his memoirs he wrote of their “beauty and freshness… their immediacy and sureness of technique, their comprehensiveness of subject matter, their vital qualities, their Englishness.” This catalogue celebrating the centenary of Mellon's birth features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M.W. Turner.
Author: Andrew Wilton
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0
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Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.
Author: Yale Center for British Art
Publisher:
ISBN: 9780300259506
Category : Watercolor painting
Languages : en
Pages : 223
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Book Description
"Paul Mellon (1907-1999) assembled one of the world’s greatest collections of British drawings and watercolors.... This catalogue celebrates the centenary of Mellon's birth and features eighty-eight outstanding watercolors from the fifty thousand works of art on paper with which he endowed the Yale Center for British Art. The selection spans the emergence of watercolor painting in the mid-18th century to its apogee in the mid-19th. These works highlight the diversity of British watercolors, showcasing both landscape and figurative works by some of the principal artists working in the medium, including Thomas Gainsborough, Thomas Rowlandson, William Blake, and J. M. W. Turner"--Publisher's description.
Author: Henry E. Huntington Library and Art Gallery
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848224483
Category : Art
Languages : en
Pages : 0
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Book Description
Introduction : British drawings at The Huntington / Melinda McCurdy -- Excursions of imagination : British Drawing from the seventeenth to the twentieth century / Ann Bermingham -- Catalogue.
Author: Christopher Finch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 324
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Book Description
A comprehensive history of watercolor in the United States.
Author: Christopher Finch
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Gathers watercolors by Chagall, Picasso, Matisse, Stuart Davis, Edward Hopper, George Grosz, Otto Dix, Paul Islee, Joan Miro, and Piet Mondrian.
Author: Graham Reynolds
Publisher: Herbert Press
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
This is an illustrated survey of watercolour painting from 1750 to the present day, including the finest examples of work by Sandby, Cozens, Girtin, Turner, Rowlandson, Cotman, De Wint, Constable, Blake, Palmer, Prout, Rossetti, Whistler and many other famous and not so famous artists, with full notes on each. The author relates the English School to earlier continental artists and sums up the special characteristics and achievements of each artist. He has written twenty books including Victorian Painting, Constable, The Natural Painter and Turner and has won the Mitchell Prize for the History of Art for his catalogue raisonne on The Later Paintings and Drawings of Constable.
Author: John Singer Sargent
Publisher: Mfa Publications
ISBN: 9780878467914
Category : Art
Languages : en
Pages : 247
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Book Description
John Singer Sargents approach to watercolour was unconventional. Disregarding late-nineteenth-century aesthetic standards that called for carefully delineated and composed landscapes filled with transparent washes, his confidently bold, dense strokes and loosely defined forms startled critics and fellow practitioners alike. One reviewer in England, where Sargent spent much of his adult life, called his work swagger watercolours. For Sargent, however, the watercolours were not so much about swagger as about a new way of thinking. In watercolour as opposed to oils his vision became more personal and his works more interconnected. Presenting nearly 100 works of art, this book is the first major publication of Sargents watercolours in twenty years. Each chapter highlights a different subject or theme that attracted the artists attention during his travels through Europe and the Middle East: sunlight on stone, figures reclining on grass, patterns of light and shadow. Insightful essays by the worlds leading experts enhance this book and introduce readers to the full sweep of Sargents accomplishments in the medium, in works that delight the eye as well as challenge our understanding of this prodigiously gifted artist.
Author: Celia Fisher
Publisher: Frances Lincoln
ISBN: 9780711233614
Category : Art
Languages : en
Pages : 0
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Book Description
This is a book about flowers and about painters. The author has chosen forty of her favourite flower paintings and as she is both expert gardener and art historian, she has all manner of fascinating things to say about the flowers, the artists and the contexts of the paintings. Manet's Still Life with Rose and Brioche may still hold secrets but it certainly records the arrival of the new hybrid tea rose in all its perfection. Vanessa Bell's Red Hot Pokers and Artichoke came in the wake of Roger Fry's Post-Impressionist exhibitions in London and at a time when Bell had found refuge and creative energy with Duncan Grant at Charleston. The paintings are not always the most obvious - Van Gogh is here represented by a ravishing branch of almond blossom. But Monet has his waterlilies and Rennie Mackintosh his delicate fritillaries and there is a feast of glorious Dutch bouquets. There is old and new, known and unknown in this wonderful collection. Each painting has been chosen both to delight the eye and to offer a source of lively stories and intriguing facts.
Author: David Cox
Publisher: Yale University Press
ISBN:
Category : Art
Languages : en
Pages : 280
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Book Description
Born in Birmingham, England, in 1783, David Cox was destined to become a major figure in the linked worlds of landscape painting and watercolor painting in the first half of the nineteenth century. Remarkably, no significant study of the artist has been undertaken in more than a century. This beautifully illustrated volume focuses much-needed attention on Cox, filling in the details of his biography and illuminating his contributions to British landscape painting. Cox's widely-known Sun, Wind, and Rain, painted in 1845, is emblematic of his concern with the representation of light and atmosphere and weather. He was unparalleled in his ability to capture the effects of wind and weather. Scott Wilcox's chapter in this book investigates Cox's artistic identity and his legacy. Other chapters address such topics as Birmingham's cultural milieu; myths about Cox's life; the papers he chose; his painting in oils; and the fakes, forgeries, and misattributions that have challenged attempts to identify his oeuvre with certainty. Published in association with the Yale Center for British Art and the Birmingham Museums & Art Gallery Exhibition Schedule: Yale Center for British Art (October 16, 2008 - January 4, 2009) Birmingham Museums & Art Gallery, Birmingham, England (January 31 - May 3, 2009)
