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Author: J. Pedro Lorente
Publisher: Mimesis International
ISBN: 886977256X
Category : Art
Languages : en
Pages : 193
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Book Description
The art world has become a point of contention within a range of debates and yet, strangely enough, while art criticism has been discussed at length, very little is said about art critics. Following in the footsteps of Lionello Venturi’s History of Art Criticism, in the current volume Lorente provides an updated reassessment of the great art critics from the Enlightenment down to the turn of the millennium. Conceived as a didactic handbook with a recommended bibliography at the end of each chapter, this concise work tells the history of a profession in permanent crisis, while also paying homage to its most infl uential practitioners in different cultural contexts.
Author: J. Pedro Lorente
Publisher: Mimesis International
ISBN: 886977256X
Category : Art
Languages : en
Pages : 193
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Book Description
The art world has become a point of contention within a range of debates and yet, strangely enough, while art criticism has been discussed at length, very little is said about art critics. Following in the footsteps of Lionello Venturi’s History of Art Criticism, in the current volume Lorente provides an updated reassessment of the great art critics from the Enlightenment down to the turn of the millennium. Conceived as a didactic handbook with a recommended bibliography at the end of each chapter, this concise work tells the history of a profession in permanent crisis, while also paying homage to its most infl uential practitioners in different cultural contexts.
Author: Elizabeth Prettejohn
Publisher: OUP Oxford
ISBN: 0191516511
Category : Art
Languages : en
Pages : 225
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Book Description
What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful? Which works of art have been called beautiful, and why? Fundamental and intriguing questions to artists and art lovers, but ones that are all too often ignored in discussions of art today. Prettejohn argues that we simply cannot afford to ignore these questions. Charting over two hundred years of western art, she illuminates the vital relationship between our changing notions of beauty and specific works of art, from the works of Kauffman to Whistler, Ingres to Rossetti, Cézanne to Jackson Pollock, and concludes with a challenging question for the future: why should we care about beauty in the twenty-first century?
Author: John Davis
Publisher: Terra Foundation for the Arts
ISBN: 9780932171689
Category : ART
Languages : en
Pages : 0
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Book Description
John Adams on the arts -- The Nation vs. Prang et Co. -- Should women artists marry? -- Dorothea Lange on documentary photography -- Emory Douglas, the Black Panther Party, and revolutionary art -- Fred Wilson exhibits suppressed histories.
Author: Nicola Vitale
Publisher: Mimesis
ISBN: 8869772357
Category : Art
Languages : en
Pages : 438
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Book Description
Since the middle of the twentieth century, visual art has displayed an ambivalent nature, torn between the poles of abstractionism and realism, conceptual and postmodern, classicist nostalgia and the violent provocation for its own sake. This essay builds an argument in favor of tracing a different path for the visual arts, in which art might be able to recover its fullness and universality. The artists analyzed in this volume – starting with Hopper and Balthus, singled out as precursors – appear to be following this shared path, even though they belong to different generations. Only very recently we have witnessed the emergence of a radical change of perspective, which refounds our notions of aesthetics: according to Vitale, there exists a timeless dimension of art that can only emerge from the work itself, from special techniques where opposite elements become reconciled. As in the art of Ancient Greece or the Middle Ages, as well as of more remote and exotic cultures, abstract tensions that intensify the visual fi eld can bring simple fi gures to life, radically changing their meaning. Akin to the Medieval scholastics’ claritas, this is a “sunniness”: we’ll have to undertake a tireless process of exercising our perceptions, if we wish to be able to grasp its basic aesthetic quality and overcome the narrow historicism that dominated the twentieth century.
Author: Sam Rose
Publisher: Penn State Press
ISBN: 0271084286
Category : Art
Languages : en
Pages : 410
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Book Description
This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement’s significance to art history today. In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude the world outside. But through careful attention to early twentieth-century connoisseurship, aesthetics, art education, design, and art in colonial Nigeria and India, Rose builds an expanded account of form based on its engagement with the social world. Art and Form thus opens discussions on a range of urgent topics in art writing, from its history and the constructions of high and low culture to the idea of global modernism. Rose demonstrates the true breadth of formalism and shows how it lends a new richness to thought about art and visual culture in the early to mid-twentieth century. Accessibly written and analytically sophisticated, Art and Form opens exciting new paths of inquiry into the meaning and lasting importance of formalism and its ties to modernism. It will be invaluable for scholars and enthusiasts of art history and visual culture.
Author: Stephanie Barron
Publisher: Univ of California Press
ISBN: 0520337654
Category : Arts, American
Languages : en
Pages : 424
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Book Description
This opulent and expansive volume, published in conjunction with the Los Angeles County Museum of Art's monumental exhibition Made in California: Art, Image, and Identity,1900-2000, charts the dynamic relationship between the arts and popular conceptions of California. Displaying a dazzling array of fine art and material culture, Made in California challenges us to reexamine the ways in which the state has been portrayed and imagined. Unusually inclusive, visually intriguing, and beautifully produced, this volume is a delight throughout--both in image and in text--and will appeal to anyone who has lived in, visited, or imagined California.
Author: Douglas Fordham
Publisher: University of Pennsylvania Press
ISBN: 0812242432
Category : Art
Languages : en
Pages : 352
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Book Description
Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.
Author: Delia da Sousa Correa
Publisher: Routledge
ISBN: 1351554239
Category : Foreign Language Study
Languages : en
Pages : 225
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Book Description
The confluence between music and literature, long hymned as sister arts, is a newly burgeoning field of critical inquiry. This innovative collection of interdisciplinary essays provides a valuable introduction to the field, mapping the contours of recent research and investigating the mutual aesthetic influence of the two arts and their common historical ground. The examination of literary works using music as an analogy for literary composition and agent of cultural value, and the consideration of musical works whose structure is derived from literary models will excite the interest of both professional scholars and students in the fields of musicology, literary studies and modern European languages. (Legenda 2006) Delia da Sousa Correa is Lecturer in Literature at The Open University. She is the author of George Eliot, Music and Victorian Culture (2002) and editor of
Author: Elizabeth Prettejohn
Publisher: Princeton Univ Department of Art &
ISBN: 9780691070575
Category : Art
Languages : en
Pages : 304
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Book Description
In a richly illustrated re-examination of a seminal period in art history, the author of Rossetti and His Circle asks important questions about the pre-Raphaelite artists, their work, their artistic themes, and their influence on the history of art.
Author: Jeannette Leonard Gilder
Publisher:
ISBN:
Category :
Languages : en
Pages : 556
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Book Description
