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Author: Sigrid Rausing
Publisher: Granta
ISBN: 1905881800
Category : Literary Collections
Languages : en
Pages : 272
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Book Description
We are what we remember, and even when we invent, we write what we remember. Every line is a fragment of something else; that is the great collective project that we call culture. In this issue of Granta, writers remember, or invent, scenes from their own lives and the lives of others. Ann Beattie Fiona Benson Andrew Brown Bernard Cooper Lydia Davis David Gates Arcelis Girmay Laura Kasischke Olivia Laing Colin McAdam Lorrie Moore Norman Rush Johnny Steinberg Nathan Thornburgh Marta Werner Edmund White Joy Williams Introducing: Katherine Faw Morris Photography: Brigitte Grignet Yuri Kozyrev Collages: Janet Malcolm
Author: Sigrid Rausing
Publisher: Granta
ISBN: 1905881800
Category : Literary Collections
Languages : en
Pages : 272
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Book Description
We are what we remember, and even when we invent, we write what we remember. Every line is a fragment of something else; that is the great collective project that we call culture. In this issue of Granta, writers remember, or invent, scenes from their own lives and the lives of others. Ann Beattie Fiona Benson Andrew Brown Bernard Cooper Lydia Davis David Gates Arcelis Girmay Laura Kasischke Olivia Laing Colin McAdam Lorrie Moore Norman Rush Johnny Steinberg Nathan Thornburgh Marta Werner Edmund White Joy Williams Introducing: Katherine Faw Morris Photography: Brigitte Grignet Yuri Kozyrev Collages: Janet Malcolm
Author: Janet Malcolm
Publisher: Vintage
ISBN: 0307830616
Category : Biography & Autobiography
Languages : en
Pages : 224
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Book Description
In an astonishing feat of literary detection, one of the most provocative critics of our time and the author of In the Freud Archives and The Purloined Clinic offers an elegantly reasoned meditation on the art of biography. In The Silent Woman, Janet Malcolm examines the biographies of Sylvia Plath to create a book not about Plath’s life but about her afterlife: how her estranged husband, the poet Ted Hughes, as executor of her estate, tried to serve two masters—Plath’s art and his own need for privacy; and how it fell to his sister, Olwyn Hughes, as literary agent for the estate, to protect him by limiting access to Plath’s work. Even as Malcolm brings her skepticism to bear on the claims of biography to present the truth about a life, a portrait of Sylvia Plath emerges that gives us a sense of “knowing” this tragic poet in a way we have never known her before. And she dispels forever the innocence with which most of us have approached the reading of any biography.
Author: Janet Malcolm
Publisher: Farrar, Straus and Giroux
ISBN: 0374709726
Category : Literary Collections
Languages : en
Pages : 320
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Book Description
A National Book Critics Circle Finalist for Criticism A deeply Malcolmian volume on painters, photographers, writers, and critics. Janet Malcolm's In the Freud Archives and The Journalist and the Murderer, as well as her books about Sylvia Plath and Gertrude Stein, are canonical in the realm of nonfiction—as is the title essay of this collection, with its forty-one "false starts," or serial attempts to capture the essence of the painter David Salle, which becomes a dazzling portrait of an artist. Malcolm is "among the most intellectually provocative of authors," writes David Lehman in The Boston Globe, "able to turn epiphanies of perception into explosions of insight." Here, in Forty-one False Starts, Malcolm brings together essays published over the course of several decades (largely in The New Yorker and The New York Review of Books) that reflect her preoccupation with artists and their work. Her subjects are painters, photographers, writers, and critics. She explores Bloomsbury's obsessive desire to create things visual and literary; the "passionate collaborations" behind Edward Weston's nudes; and the character of the German art photographer Thomas Struth, who is "haunted by the Nazi past," yet whose photographs have "a lightness of spirit." In "The Woman Who Hated Women," Malcolm delves beneath the "onyx surface" of Edith Wharton's fiction, while in "Advanced Placement" she relishes the black comedy of the Gossip Girl novels of Cecily von Zeigesar. In "Salinger's Cigarettes," Malcolm writes that "the pettiness, vulgarity, banality, and vanity that few of us are free of, and thus can tolerate in others, are like ragweed for Salinger's helplessly uncontaminated heroes and heroines." "Over and over," as Ian Frazier writes in his introduction, "she has demonstrated that nonfiction—a book of reporting, an article in a magazine, something we see every day—can rise to the highest level of literature." One of Publishers Weekly's Best Nonfiction Books of 2013
Author: United States. Office of Business Economics
Publisher:
ISBN:
Category : Economic assistance, American
Languages : en
Pages : 668
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Book Description
Author: Norman Rush
Publisher: Vintage
ISBN: 067973709X
Category : Fiction
Languages : en
Pages : 498
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Book Description
NATIONAL BOOK AWARD WINNER • Is love between equals possible? This modern classic is a delightful intellectual love story that explores the deepest canyons of romantic love even as it asks large questions about society, geopolitics, and the mystery of what men and women really want. “Luminous…Few books evoke the state of love at its apogee.” —The New York Times Book Review “The best rendering of erotic politics…since D.H. Lawrence…The voice of Rush’s narrator is immediate, instructive and endearing.” —The New York Review of Books The narrator of this splendidly expansive novel of high intellect and grand passion is an American anthropologist at loose ends in the South African republic of Botswana. She has a noble and exacting mind, a compelling waist, and a busted thesis project. She also has a yen for Nelson Denoon, a charismatic intellectual who is rumored to have founded a secretive and unorthodox utopian society in a remote corner of the Kalahari—one in which he is virtually the only man. What ensues is an exhilarating quest and an exuberant comedy of manners: “A dryly comic love story about grown-up people who take the life of the mind seriously.” —Newsweek
Author: John Freeman
Publisher: Granta
ISBN: 1905881703
Category : Literary Collections
Languages : en
Pages : 256
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Book Description
Policeman-turned-detective-turned-writer A Yi describes life as a provincial gumshoe in China. Physician Siddhartha Mukherjee visits a government hospital in New Delhi, where he meets Madha Sengupta, at the end of his life and on the frontiers of medicine. Robert Macfarlane explores the limestone underworld beneath the Peak District. And Haruki Murakami revisits his walk to Kobe in the aftermath of the 1995 earthquake. In this issue - which includes poems by Charles Simic and Ellen Bryant Voigt, a story by Miroslav Penkov and non-fiction by David Searcy, Teju Cole and Hector Abad - Granta presents a panoramic view of our shared landscape and investigates our motivations for exploring it. '
Author: Andrew Brown
Publisher: Granta Books
ISBN: 1847085679
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
From the 1960s to the 1980s, Sweden was an affluent, egalitarian country envied around the world. Refugees were welcomed, even misfit young Englishmen could find a place there. Andrew Brown spent part of his childhood in Sweden during the 1960s. In the 1970s he married a Swedish woman and worked in a timber mill while helping to raise their small son. Fishing became his passion and his escape. In the mid-1980s his marriage and the country fell apart. The Prime Minister was assassinated. The welfare system crumbled along with the industries that had supported it. Twenty years later, Andrew Brown travelled the length of Sweden in search of the country he had loved, and then hated, and now found he loved again.
Author: Valerie Miles
Publisher: Granta
ISBN: 1909889407
Category : Literary Collections
Languages : en
Pages : 394
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Book Description
Granta 155: Best of Young Spanish-Language Novelists 2 showcases the work of twenty-five of the most exciting young writers in the Spanish speaking world, chosen by judges Chloe Aridjis, Horacio Castellanos Moya, Rodrigo Fresn, Aurelio Major, Gaby Wood and guest editor Valerie Miles. Granta 155 is published simultaneously with Granta en Espaol 23: Los Mejores Narradores Jvenes en Espaol 2, in Spain and in the US. Andrea Abreu (Spain) trans. Julia Sanches Jos Adiak Montoya (Nicaragua) trans. Samantha Schnee David Aliaga (Spain) trans. Daniel Hahn Carlos Manuel lvarez (Cuba) trans. Frank Wynne Jos Ardila (Colombia) trans. Lindsay Griffiths and Adrin Izquierdo Gonzalo Baz (Uruguay) trans. Christina MacSweeney Miluska Benavides (Peru) trans. Katherine Silver Martn Felipe Castagnet (Argentina) trans. Frances Riddle Andrea Chapela (Mexico) trans. Kelsi Vanada Camila Fabbri (Argentina) trans. Jennifer Croft Paulina Flores (Mexico) trans. Megan McDowell Carlos Fonseca (Costa Rica/Puerto Rico) trans. Megan McDowell Mateo Garca Elizondo (Mexico) trans. Robin Myers Aura Garca-Junco (Mexico) trans. Lizzie Davis Munir Hachemi (Spain) trans. Nick Caistor Dainerys Machado Vento (Cuba) trans. Will Vanderhyden Estanislao Medina Huesca (Equatorial Guinea) trans. Mara Faye Lethem Cristina Morales (Spain) trans. Kevin Gerry Dunn Alejandro Morelln (Spain) trans. Esther Allen Michel Nieva (Argentina) trans. Natasha Wimmer Mnica Ojeda (Ecuador) trans. Sarah Booker Eudris Planche Savn (Cuba) trans. Margaret Jull Costa Irene Reyes-Noguerol (Spain) trans. Lucy Greaves Aniela Rodrguez (Mexico) trans. Sophie Hughes Diego Ziga (Chile) trans. Megan McDowell
Author: Paul Hetherington
Publisher: Princeton University Press
ISBN: 0691212139
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
An engaging and authoritative introduction to an increasingly important and popular literary genre Prose Poetry is the first book of its kind—an engaging and authoritative introduction to the history, development, and features of English-language prose poetry, an increasingly important and popular literary form that is still too little understood and appreciated. Poets and scholars Paul Hetherington and Cassandra Atherton introduce prose poetry’s key characteristics, chart its evolution from the nineteenth century to the present, and discuss many historical and contemporary prose poems that both demonstrate their great diversity around the Anglophone world and show why they represent some of today’s most inventive writing. A prose poem looks like prose but reads like poetry: it lacks the line breaks of other poetic forms but employs poetic techniques, such as internal rhyme, repetition, and compression. Prose Poetry explains how this form opens new spaces for writers to create riveting works that reshape the resources of prose while redefining the poetic. Discussing prose poetry’ s precursors, including William Wordsworth and Walt Whitman, and prose poets such as Charles Simic, Russell Edson, Lydia Davis, and Claudia Rankine, the book pays equal attention to male and female prose poets, documenting women’s essential but frequently unacknowledged contributions to the genre. Revealing how prose poetry tests boundaries and challenges conventions to open up new imaginative vistas, this is an essential book for all readers, students, teachers, and writers of prose poetry.
Author: Gottfried M. Heuer
Publisher: Taylor & Francis
ISBN: 1317293533
Category : Political Science
Languages : en
Pages : 252
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Book Description
Otto Gross was the first analyst to link his work with radical politics, connecting inner, personal transformation with outer, collective change. Since his death in 1920 his work has been suppressed, despite his seminal influence on the developing analytic discipline and on the fields of sociology, philosophy and literature. Here Gottfried M. Heuer introduces Gross’ life and ideas, using an innovative, historiographic methodology he terms trans-historical: a psychoanalytic, intersubjective, and trans-temporal approach to the past, aimed at ‘healing wounded history’ in the present. Heuer considers several previously unpublished sources to explore Gross’s ideas and legacy as well as his unusually bohemian life. His use of the anarchist concept of mutuality to develop a relational and intersubjective approach in his own analytic theory and clinical practice was unique, and his work had a lasting, yet unacknowledged, influence on Freud, Jung (with whom he had the first recorded mutual analysis) and many other analysts. His ideas were appropriated by Max Weber, the founder of sociology, and by the philosopher Martin Buber, playing a pivotal role in what we now call ‘modernity’. Heuer also explores Gross’s paradigmatic father/son battle with his father Hans, who established the science of criminology, and touches upon Gross’s links to the literary field of the early 20th century via Kafka, Werfel, et al., German expressionism and the Dada-movement, as well as the Anglo-American world through the work of D. H. Lawrence. This innovative, multi-faceted approach to Gross’s work and its influence marks a turning point, putting him firmly on the map of the historiography of analysis as well as linking this field with the neighbouring disciplines of the history of law and criminology, literature, sociology and philosophy. In addition, Gross continuing relevance for leading edge clinical and political ideas is addressed. This book will be essential reading for Jungian and Freudian analysts, psychotherapists and counsellors, academics and students of analysis, politics, history, criminology and sociology.
