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Author: Prof. Richard J. Hand
Publisher: University of Exeter Press
ISBN: 1905816359
Category : History
Languages : en
Pages : 399
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Book Description
The Théâtre du Grand-Guignol in Paris (1897 - 1962) achieved a legendary reputation as the 'Theatre of Horror' a venue displaying such explicit violence and blood-curdling terror that a resident doctor was employed to treat the numerous spectators who fainted each night. Indeed, the phrase 'grand guignol' has entered the language to describe any display of sensational horror. Since the theatre closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance. It gives full consideration to practical applications and to the challenges presented to the actor and director. The book also includes outstanding new translations by the authors of ten Grand-Guignol plays, none of which have been previously available in English. The presentation of these plays in English for the first time is an implicit demand for a total reappraisal of the grand-guignol genre, not least for the unexpected inclusion of two very funny comedies.
Author: Prof. Richard J. Hand
Publisher: University of Exeter Press
ISBN: 1905816359
Category : History
Languages : en
Pages : 399
Get Book Here
Book Description
The Théâtre du Grand-Guignol in Paris (1897 - 1962) achieved a legendary reputation as the 'Theatre of Horror' a venue displaying such explicit violence and blood-curdling terror that a resident doctor was employed to treat the numerous spectators who fainted each night. Indeed, the phrase 'grand guignol' has entered the language to describe any display of sensational horror. Since the theatre closed its doors forty years ago, the genre has been overlooked by critics and theatre historians. This book reconsiders the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance. It gives full consideration to practical applications and to the challenges presented to the actor and director. The book also includes outstanding new translations by the authors of ten Grand-Guignol plays, none of which have been previously available in English. The presentation of these plays in English for the first time is an implicit demand for a total reappraisal of the grand-guignol genre, not least for the unexpected inclusion of two very funny comedies.
Author: Mel Gordon
Publisher: Da Capo Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
The Theatre of the Grand Guignol, which began in turn-of-the-century Paris, celebrated horror and fear. Innocent victims, mangled beauty, insanity, mutilation, depravity and guilt were its primary themes. This text examines its history, themes and methods and summarizes its plots.
Author: Mel Gordon
Publisher: Feral House
ISBN: 1627310436
Category : Performing Arts
Languages : en
Pages : 326
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Book Description
"Bloodcurdling shrieks, fiendish schemes, deeds of darkness, mayhem and mutilation—we all have a rough idea of what Grand Guignol stands for. But until now it has been hard to find out much more about it than that. According to the American theater historian Mel Gordon, no major history of the theater so much as mentions it, although it is a form of entertainment that held its own on the Paris stage for more than half a century. But Mr. Gordon has made a thorough job of filling the gap."—John Gross, The New York Times Here is the expanded edition of classic outré book, The Grand Guignol, first published in 1988 and now long out of print. Like the original anthology, it includes an illustrated introduction to the theater of Paris and abroad, a breakdown of its stage tricks, a summary of one hundred plots, extensive photo documentation, André de Lord's essay, "Fear in Literature," and two originally produced Grand Guignol scripts. The expanded edition also contains additional graphic and textual material including a color insert of Grand Guignol posters; the 1938 autobiographical account of Maxa, the company's leading female performer entitled "I Am the Maddest Woman in the World"; and the controversial playscript Orgy in the Lighthouse.
Author: Carl Grose
Publisher: Bloomsbury Publishing
ISBN: 1849438234
Category : Performing Arts
Languages : en
Pages : 110
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Book Description
1903. In the back streets of Montmartre, the Theatre du Grand Guignol opens its doors to an unsuspecting public. The plays performed, rife with madness and murder, are sold out every night. A psychiatrist obsessed with the playwright’s gruesome dramas ingratiates his way into the company. But when he starts to unpick the author’s mind, the boundaries between theatre and truth begin to blur... Delighting in this lost theatrical form, Carl Grose’s demented new play works fast and loose with convention. A black comedy, a psychological thriller and an unrepentant splatterfest, Grand Guignol is a head-spinning, genre-bending phantasmagoria guaranteed to keep you guessing (and wincing) to the very last horror show...
Author: Prof. Richard J. Hand
Publisher: University of Exeter Press
ISBN: 1905816367
Category : Drama
Languages : en
Pages : 403
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Book Description
A companion to UEP’s Grand-Guignol: The French Theatre of Horror (now in its third reprint). A genre that has left more of a mark on British and American culture than we may imagine” (Gothic Studies). London’s Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy. On its side were some of the finest actors on the English stage, in the shape of Sybil Thorndike and Lewis Casson, and a team of extremely able writers, including Noël Coward. London's Grand Guignol and the Theatre of Horror considers the importance and influence of the English Grand Guignol within its social, cultural and historical contexts. It also presents a selection of ten remakarble English-language Grand Guignol plays, some of which were banned by the Lord Chamberlain, the censor of the day, and have never been published or publicly performed. Among the plays in the book is a previously unpublished work by Noël Coward, The Better Half, first performed at the Little Theatre in 1922. The reviewer in the journal Gothic Studies wrote, of the authors’ previous book: “having recently taught a module on Grand Guignol with third year drama students, it is also worth noting that this book captured their imaginations in a way that few other set texts seem to manage.”
Author: Mario DeGiglio-Bellemare
Publisher:
ISBN: 9781839980961
Category :
Languages : en
Pages : 0
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Book Description
Grand-Gugignol Cinema and the Horror Genre traces important contributions of the Parisian Grand-Guignol theatre's Golden Age as theoretical considerations of embodiment and affect in the development of horror cinema in the twentieth century. This study traces key components of the Grand-Guignol stage as a means to explore the immersive and corporeal aspects of horror cinema from the sound period to today. The book is a means to explore the Grand-Guignol not only as a historical place and genre, but theoretically, as a conceptual framework that opens up an affective mapping of Grand-Guignol attractions in cinema. In a broader theoretical sense, Mario DeGiglio-Bellemare positions Grand-Guignol cinema in corporeal and affective terms as a way to discuss central themes from the Golden Age of the Grand-Guignol theatre as they figure within the framework of post-representational analysis in cinema studies. Post-representational analysis draws meaning out of matter, or the material intensities of films; here, making sense (representation and meaning) and also sensing (in a more corporeal, sensorial way) have political relevance that cut across gender, class, race and sexuality. The author deploys the Grand-Guignol as a conceptual tool to reveal its important influence on the horror genre by focusing on the dominant themes of the Grand-Guignol theatre that cinematic horror has taken up in its own immersive theatrics of the corporeal and sensorial. This study's restoration of a long Grand-Guignol tradition in cinema makes it a significant contribution to new theorizations of horror. It brings seemingly disparate traditions into conversation, as American, Canadian, French, and Italian cinema are all important sites for thinking through cinematic embodiment. These four countries have developed their own important genres and movements of Grand-Guignol cinema: the slasher, the "French Films of Sensation," Canadian "body horror," and the giallo. The Grand-Guignol famously operated in a dead-end of Chaptal Street, in the Pigalle district of Paris; this study offers affective and corporeal readings that open up new byways beyond the dead-end of psychoanalytic readings that continue to be dominant in horror genre scholarship.
Author: Peter Shelley
Publisher: McFarland
ISBN: 0786454857
Category : Performing Arts
Languages : en
Pages : 341
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Book Description
This critically analytical filmography examines 45 movies featuring "grande dames" in horror settings. Following a history of women in horror before 1962's What Ever Happened to Baby Jane?, which launched the "Grande Dame Guignol" subgenre of older women featured as morally ambiguous leading ladies, are all such films (mostly U.S.) that came after that landmark release. The filmographic data includes cast, crew, reviews, synopses, and production notes, as well as recurring motifs and each role's effect on the star's career.
Author: Amelia Gray
Publisher: Macmillan + ORM
ISBN: 0374712573
Category : Fiction
Languages : en
Pages : 141
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Book Description
“A bizarre and darkly funny world . . . There are fables, horror stories, absurd stories, and more serious stories about love.” —Ramona Ausubel, The New York Times Book Review A woman creeps through the ductwork of a quiet home. A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera. “Exhilarating and violently creative, these stories are an assault on expectation. Gutshot is a rare, new original, and Amelia Gray is her own startling genre. This is a book to be experienced, to be taught and obsessed over, to live as a prized weapon on your bookshelf.” —Alissa Nutting, author of Tampa “Gutshot is a wild journey through the singular imagination of Amelia Gray, one of the most ambitious and relentlessly inventive writers of our time. The worlds Gray conjures are gorgeous and gruesome and devastating and stone-cold hilarious—but more than anything, these stories are as fearless and original as they come.” —Laura van den Berg, author of State of Paradise “Viscerally wicked.” —Natalie Beach, O, The Oprah Magazine
Author: Jack Hunter
Publisher:
ISBN: 9781840681871
Category : Horror in literature
Languages : en
Pages : 0
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Book Description
The Grand Guignol Theatre in Paris, founded by Oscar Metenier in 1897, soon became world-renowned for staging wild and bizarre spectacles of madness, mutilation, horror and death. Hunter charts the entire history of the Grand Guignol, from its inception to its closure in 1962, referencing and describing dozens of stage productions. Also contains a whole section on films which were either based on, or inspired by, the Grand Guignol and its works.
Author: Kaori Yuki
Publisher: VIZ Media LLC
ISBN: 1421544334
Category : Comics & Graphic Novels
Languages : en
Pages : 195
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Book Description
Now that Lucille and the musicians know what they are up against (the zombie-esque Guignols!), they have to figure out how to stop them! Kaori Yuki's new epic adventure offers up not one but two new storylines to savor with "The Queen and the Jester" and the title story, "Tragédie Lyrique." Is the orchestra any closer to stopping the Guignol infestation? -- VIZ Media
