Author: Briam Institute (Madrid)
Publisher:
ISBN:
Category :
Languages : es
Pages : 117

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Author: Briam Institute (Madrid)
Publisher:
ISBN: 9788470040788
Category :
Languages : fr
Pages : 124

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Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 117

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Author: Robert Delfs
Publisher:
ISBN:
Category :
Languages : fr
Pages : 80

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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 2422

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Author: Dondo Mathurin
Publisher:
ISBN: 9780195603200
Category : French language
Languages : en
Pages : 546

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Author: Raymond Murphy
Publisher: Cambridge University Press
ISBN: 9780521559287
Category : Foreign Language Study
Languages : en
Pages : 308

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Book Description
Essential Grammar in Use is available with a promotional bonus extra CD-ROM. The CD-ROM contains: * over 150 interactive grammar questions * instant scoring and feedback * electronic study guides for students to check their level * printable grammar reference pullout panels * introduction to the range of Cambridge Learner's Dictionaries

Author: Philippe Martin
Publisher: Cambridge University Press
ISBN: 1107036186
Category : Foreign Language Study
Languages : en
Pages : 321

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Book Description
An innovative and unified grammar of sentence intonation, applied to six Romance languages (French, Italian, Spanish, Portuguese, Catalan and Romanian).

Author: Martin S. Staum
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773566244
Category : History
Languages : en
Pages : 359

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Book Description
In theory the CMPS was set up to enshrine the human and social studies that were at the heart of Enlightenment culture. Staum illustrates, however, that the Institute helped transform key ideas of the Enlightenment in order to maintain civil rights while upholding social stability, and that the social and political assumptions on which it was based affected notions of social science. He traces the careers of individual members and the factions within the Institute, arguing that the discord within the CMPS reflects the unravelling of Enlightenment culture. Minerva's Message presents a valuable overview of the intellectual life of the period and brings together new evidence about the social sciences in their nascent period.

Author: Craig Dworkin
Publisher: MIT Press
ISBN: 0262312719
Category : Art
Languages : en
Pages : 228

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Book Description
Close readings of ostensibly “blank” works—from unprinted pages to silent music—that point to a new understanding of media. In No Medium, Craig Dworkin looks at works that are blank, erased, clear, or silent, writing critically and substantively about works for which there would seem to be not only nothing to see but nothing to say. Examined closely, these ostensibly contentless works of art, literature, and music point to a new understanding of media and the limits of the artistic object. Dworkin considers works predicated on blank sheets of paper, from a fictional collection of poems in Jean Cocteau's Orphée to the actual publication of a ream of typing paper as a book of poetry; he compares Robert Rauschenberg's Erased De Kooning Drawing to the artist Nick Thurston's erased copy of Maurice Blanchot's The Space of Literature (in which only Thurston's marginalia were visible); and he scrutinizes the sexual politics of photographic representation and the implications of obscured or obliterated subjects of photographs. Reexamining the famous case of John Cage's 4'33”, Dworkin links Cage's composition to Rauschenberg's White Paintings, Ken Friedman's Zen for Record (and Nam June Paik's Zen for Film), and other works, offering also a “guide to further listening” that surveys more than 100 scores and recordings of “silent” music. Dworkin argues that we should understand media not as blank, base things but as social events, and that there is no medium, understood in isolation, but only and always a plurality of media: interpretive activities taking place in socially inscribed space.