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Author: Brian Diemert
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773514331
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
In Graham Greene's Thrillers and the 1930s Brian Diemert examines the first and most prolific phase of Graham Greene's career, demonstrating the close relationship between Greene's fiction and the political, economic, social, and literary contexts of the period. Situating Greene alongside other young writers who responded to the worsening political climate of the 1930s by promoting social and political reform, Diemert argues that Greene believed literature could not be divorced from its social and political milieu and saw popular forms of writing as the best way to inform a wide audience.
Author: Brian Diemert
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773514331
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
In Graham Greene's Thrillers and the 1930s Brian Diemert examines the first and most prolific phase of Graham Greene's career, demonstrating the close relationship between Greene's fiction and the political, economic, social, and literary contexts of the period. Situating Greene alongside other young writers who responded to the worsening political climate of the 1930s by promoting social and political reform, Diemert argues that Greene believed literature could not be divorced from its social and political milieu and saw popular forms of writing as the best way to inform a wide audience.
Author: Brian Diemert
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773514325
Category : Great Britain
Languages : en
Pages : 249
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Book Description
In Graham Greene's Thrillers and the 1930s Brian Diemert examines the first and most prolific phase of Graham Greene's career, demonstrating the close relationship between Greene's fiction and the political, economic, social, and literary contexts of the period. Situating Greene alongside other young writers who responded to the worsening political climate of the 1930s by promoting social and political reform, Diemert argues that Greene believed literature could not be divorced from its social and political milieu and saw popular forms of writing as the best way to inform a wide audience. Diemert traces Greene's adaptation of nineteenth-century romance thrillers and classical detective stories into modern political thrillers as a means of presenting serious concerns in an engaging fashion. He argues that Greene's popular thrillers were in part a reaction to the high modernism of writers such as James Joyce, Gertrude Stein, and Virginia Woolf, whose esoteric experiments with language were disengaged from immediate social concerns and inaccessible to a large segment of the reading public.
Author: Graham Greene
Publisher: Open Road Media
ISBN: 1504056728
Category : Travel
Languages : en
Pages : 495
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Book Description
A pair of revelatory travel memoirs from “a superb storyteller . . . [who] had a talent for depicting local color” (The New York Times). “One of the finest writers of any language,” British author Graham Greene embarked on two awe-inspiring and eye-opening journeys in the 1930s—to West Africa and to Mexico (The Washington Post). Greene would find himself both shaken and inspired by these trips, which would go on to inform his novels. Journey Without Maps: When Graham Greene set off from Liverpool in 1935 for what was then an Africa unmarked by colonization, it was to leave the known transgressions of his own civilization behind for those unknown. First by cargo ship, then by train and truck through Sierra Leone, and finally on foot, Greene embarked on a dangerous and unpredictable 350-mile, four-week trek through Liberia with his cousin and a handful of servants and bearers into a world where few had ever seen a white man. For Greene, this odyssey became as much a trip into the primitive interiors of the writer himself as it was a physical journey into a land foreign to his experience. “One of the best travel books [of the twentieth] century.” —The Independent The Lawless Roads: This eyewitness account of religious and political persecution in 1930s Mexico inspired The Power and the Glory, the British novelist’s “masterpiece” (John Updike). In 1938, Greene, a burgeoning convert to Roman Catholicism, was commissioned to expose the anticlerical purges in Mexico. Churches had been destroyed, peasants held secret masses in their homes, religious icons were banned, and priests disappeared. Traveling under the growing clouds of fascism, Greene was anxious to see for himself the effect it had on the people. Journeying through the rugged and remote terrain of Chiapas and Tabasco, Greene’s emotional, gut response to the landscape; the sights and sounds; the oppressive heat; and the people’s fear, despair, resignation, and fierce resilience makes for a vivid and powerful chronicle. “[A] singularly beautiful travel book.” —New Statesman
Author: Graham Greene
Publisher: Harmondsworth, Middlesex : Penguin Books
ISBN:
Category : English
Languages : en
Pages : 220
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Book Description
Author: Graham Greene
Publisher: Hal Leonard Corporation
ISBN: 9781557831880
Category : Performing Arts
Languages : en
Pages : 784
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Book Description
Gathers Greene's film writings, and offers a brief introduction to the role of motion pictures in his life and career
Author: B. Thomson
Publisher: Springer
ISBN: 0230250874
Category : Literary Criticism
Languages : en
Pages : 251
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Book Description
One of the most popular, respected and controversial writers of the twentieth century, Greene's work has still attracted relatively little scholarly comment. Thomson charts the intricate dance between his novels and screenplays, his many audiences, and an intellectual establishment reluctant to identify the work of a popular writer as 'literature'.
Author: Cates Baldridge
Publisher: University of Missouri Press
ISBN: 0826260039
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
Author: Brian W. Shaffer
Publisher: John Wiley & Sons
ISBN: 1405192445
Category : Literary Criticism
Languages : en
Pages : 1581
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Book Description
This Encyclopedia offers an indispensable reference guide to twentieth-century fiction in the English-language. With nearly 500 contributors and over one million words, it is the most comprehensive and authoritative reference guide to twentieth-century fiction in the English language. Contains over 500 entries of 1000-3000 words written in lucid, jargon-free prose, by an international cast of leading scholars Arranged in three volumes covering British and Irish Fiction, American Fiction, and World Fiction, with each volume edited by a leading scholar in the field Entries cover major writers (such as Saul Bellow, Raymond Chandler, John Steinbeck, Virginia Woolf, A.S. Byatt, Samual Beckett, D.H. Lawrence, Zadie Smith, Salman Rushdie, V.S. Naipaul, Nadine Gordimer, Alice Munro, Chinua Achebe, J.M. Coetzee, and Ngûgî Wa Thiong’o) and their key works Examines the genres and sub-genres of fiction in English across the twentieth century (including crime fiction, Sci-Fi, chick lit, the noir novel, and the avant-garde novel) as well as the major movements, debates, and rubrics within the field, such as censorship, globalization, modernist fiction, fiction and the film industry, and the fiction of migration, diaspora, and exile
Author: Rex Ferguson
Publisher: Oxford University Press
ISBN: 0198865562
Category : History
Languages : en
Pages : 235
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Book Description
Identifying the individual in the 20th century has given rise to technical innovations including fingerprint analysis and DNA profiling, as well as methods for classifying identities, such as identity cards and digital records. This book explores the link between these techniques and the literary representation of self-identity in the same period.
Author: Beryl Pong
Publisher:
ISBN: 0198840926
Category : Art
Languages : en
Pages : 308
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Book Description
Demonstrates how spatial and temporal dislocation were defining traits of the artistic response to the urban bombing campaigns of the Second World War. Studying a range of writers, as well as film, photography, and art, it argues that for civilian populations, aerial bombardment distorts the experience of time itself.
