Grade 1 Viola Sight Reading Intensive Exercise PDF Download
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Author: Regina Regina Pratley
Publisher:
ISBN: 9781091838185
Category :
Languages : en
Pages : 26
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Book Description
This book is written for students who are going to take the ABRSM grade 1 viola exam. 60 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you!
Author: Regina Regina Pratley
Publisher:
ISBN: 9781091838185
Category :
Languages : en
Pages : 26
Get Book Here
Book Description
This book is written for students who are going to take the ABRSM grade 1 viola exam. 60 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you!
Author: Regina Regina Pratley
Publisher:
ISBN:
Category :
Languages : en
Pages : 44
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Book Description
This book is written for students who are going to take the Associated Board (ABRSM) grade 5 viola exam. 60 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you! For full catalog of my books and updates, please visit: www.reginapratley.com.
Author: Regina Regina Pratley
Publisher:
ISBN: 9781092225823
Category :
Languages : en
Pages : 36
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Book Description
This book is written for students who are going to take the ABRSM grade 3 viola exam. 60 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you!
Author: Regina Regina Pratley
Publisher:
ISBN: 9781070906645
Category :
Languages : en
Pages : 34
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Book Description
This book is written for students who are going to take the ABRSM grade 4 viola exam. Over 50 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you!
Author: Regina Regina Pratley
Publisher:
ISBN: 9781092136327
Category :
Languages : en
Pages : 26
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Book Description
This book is written for students who are going to take the ABRSM grade 2 viola exam. 60 original tunes written by the author are designed for students who want more sight reading exercise in the standard of the exam. Tricky things that frequently appear in the sight reading part are included in the pieces of this book so that students can have more practice on them and avoid making mistakes in the real exam! If you want to prepare better for the sight reading part of your viola exam, this book is definitely for you!
Author: John Kember
Publisher: Schott Music
ISBN: 3795799716
Category : Music
Languages : de
Pages : 76
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Book Description
- An approach based on self-learning and recognition of rhythmic and melodic patterns. - Original tunes, rather than abstract sight-reading exercises. - 214 carefully graded pieces in a range of musical styles. - Eight sections ranging from open strings to 3rd position. - Each section concludes with a set of duets and accompanied pieces for practice of ensemble sight-reading. - Tunes progress towards all key signatures up to three sharps and flats. - Preliminary towards grade 5.
Author: Robert Anthony
Publisher: CreateSpace
ISBN: 9781505887587
Category :
Languages : en
Pages : 90
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Book Description
First and foremost: THIS IS NOT A METHOD BOOK. It is precisely what it says it is: 300 Progressive Sight Reading Exercises! Volume One is comprised of 300 progressive eight-bar exercises that cover the keys of C Major, F Major, G Major, A Minor, D Minor and E Minor. Time signatures include 4/4 (Common Time), 3/4, 2/4, 6/8, and 2/2 (Cut Time). The remaining key signatures, additional time signatures, tempo markings and dynamics markings will be covered in future volumes. All of the exercises are eight measures long. If one has done any study of formal analysis, they will find that eight measures is a typical 'period' of music and usually contains two, four-bar phrases (also typical in length). For example, many sonatinas, jazz standards, and pop songs use "32 Bar Form" (A A B A), "Binary Form" (A B), and "Ternary Form" (A B A), with each section often being eight bars. Thus, eight measures (one period of music) makes the perfect length for sight-reading studies in my opinion. How to use this book: Start where the exercises begin and work across the book - from exercise 1, 5, 9, 13 and so on until you get to a point where the music challenges you and then mark your ending point. The next practice, play exercises 2, 6, 10, 14, and so on... The next: 3, 7, 11, 15 and so on, and finally 4, 8, 12, 16, and so on. If you want to work at your "break point" (the point in the book where you can no longer play musically), work DOWN the page instead of across the pages. Note: This book is also available in a LARGE PRINT version that for printing purposes had to be divided into two books. If you have poor vision or want this book to be easy to SEE on an electronic device, you might prefer the Large Print Version. "These books differ from conventional 'methods' in that technical and theoretical instructions have been omitted, in the belief that these are more appropriately left for the teacher to explain to the student." - Bela Bartok, Mikrokosmos. I whole-heartedly agree with Bartok's sentiment and if music teachers would ask their students what they like least (or hate the most) about typical lessons, it is the method books that win this contest EVERY TIME. I have completely eliminated method books from my own teaching practice and have much happier and more productive students than ever. While this book is intended to train sight-reading skills, it may also be used by beginners or those new to reading to acquire basic reading skills, but it assumes one either has a teacher or can at least find C on their instrument. It starts at a very basic level (only three notes) and adds a new note, rhythm, or concept every four exercises and thoroughly reinforces them throughout the rest of the book. Next, the music's composition is a slave to its function: The purpose of the books is to train reading skill, and the exercises keep challenging the range that has been established by previous exercises as well as less-than-convenient intervalic skips. They are composed from a 'music-first' perspective, as opposed to an 'instrument-first' perspective, and are purposely composed to be difficult to memorize. For example, the first exercises begin on C because they are in the key of C, and then go on to sometimes start and end on different scale degrees of the same key. Those familiar with the Fundamental Modes will likely recognize what they are hearing, but those unfamiliar with these modes will likely be hearing something that sounds a bit different, or odd, until their ears acclimate to these sounds. I see many students go through this process with altered dominants and augmented triads as well. Additionally, a 20th-century composition technique (Bartok, Stravinsky) - Serial Composition - has also been used on several of the pieces, so if your ears are unfamiliar with this type of music, you might at first be uncomfortable with what you are hearing.
Author:
Publisher: ABRSM Sight-reading
ISBN: 9781848493544
Category : Sight-reading (Music)
Languages : en
Pages : 0
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Book Description
This volume contains valuable practice material for candidates preparing for ABRSM Viola exams, Grades 15. Includes many specimen tests for the revised sight-reading requirements from 2012, written in attractive and approachable styles and representative of the technical level expected in the exam.
Author: John Kember
Publisher: Schott Music
ISBN: 3795799767
Category : Music
Languages : de
Pages : 93
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Book Description
- An approach based on self-learning and recognition of rhythmic and melodic patterns - Original tunes not abstract sight-reading exercises - 150 carefully graduated pieces in a range of musical styles - Five sections related to the technical development of the viola player - Tunes progress to eventually include key signatures up to five sharps and flats; whole-tone, chromatic, modal and atonal elements are also incorporated - Each section concludes with duets and accompanied pieces for practice of ensemble sight-reading - Tunes range from Grade 4 to advanced
Author: John Davies
Publisher: Faber & Faber
ISBN: 9780571510757
Category : Sight-reading (Music)
Languages : en
Pages : 0
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Book Description
Now more than ever, the ability to sight-read fluently is an essential part of the training of musicians of any instrument. This workbook is designed to help young musicians overcome the nerves that often cause sight-reading problems, by giving them thorough technical grounding as well as confidence boosting strategies. Step by step it helps the player to create a complete picture of each piece, first through rhythmic and melodic exercises related to specific problems, then by the study of a prepared piece with associated questions for the student to answer, and so finally to the real, unprepared sight-reading test itself.
