Author: Steven Huebner
Publisher: Oxford [England] : Clarendon Press ; Toronto : Oxford University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
Gounod was the leading opera composer in France in the mid-nineteenth century, and his best-known operas, including Faust and Romeo and Juliette, date from that time. Despite the overwhelming success of Faust and Gounod's immense influence on all French composers of the later nineteenth century, he has been virtually ignored by scholars until now. Huebner here charts the composer's career and deals with each of the major operas, discussing not only the music but also the critical reception and source material. He considers aspects of the composer's musical style and outlines his influence on subsequent generations of composers.
The Operas of Charles Gounod
Author: Steven Huebner
Publisher: Oxford [England] : Clarendon Press ; Toronto : Oxford University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
Gounod was the leading opera composer in France in the mid-nineteenth century, and his best-known operas, including Faust and Romeo and Juliette, date from that time. Despite the overwhelming success of Faust and Gounod's immense influence on all French composers of the later nineteenth century, he has been virtually ignored by scholars until now. Huebner here charts the composer's career and deals with each of the major operas, discussing not only the music but also the critical reception and source material. He considers aspects of the composer's musical style and outlines his influence on subsequent generations of composers.
Publisher: Oxford [England] : Clarendon Press ; Toronto : Oxford University Press
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 342
Book Description
Gounod was the leading opera composer in France in the mid-nineteenth century, and his best-known operas, including Faust and Romeo and Juliette, date from that time. Despite the overwhelming success of Faust and Gounod's immense influence on all French composers of the later nineteenth century, he has been virtually ignored by scholars until now. Huebner here charts the composer's career and deals with each of the major operas, discussing not only the music but also the critical reception and source material. He considers aspects of the composer's musical style and outlines his influence on subsequent generations of composers.
Faust
Author: Charles Gounod
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 64
Book Description
The Oxford Handbook of Faust in Music
Author: Lorna Fitzsimmons
Publisher: Oxford University Press
ISBN: 0190694521
Category : Music
Languages : en
Pages : 617
Book Description
Since its emergence in sixteenth-century Germany, the magician Faust's quest has become one of the most profound themes in Western history. Though variants are found across all media, few adaptations have met with greater acclaim than in music. Bringing together more than two dozen authors in a foundational volume, The Oxford Handbook of Faust in Music testifies to the spectacular impact the Faust theme has exerted over the centuries. The Handbook's three-part organization enables readers to follow the evolution of Faust in music across time and stylistic periods. Part I explores symphonic, choral, chamber, and solo Faust works by composers from Beethoven to Schnittke. Part II discusses the range of Faustian operas, and Part III examines Faust's presence in ballet and musical theater. Illustrating the interdisciplinary relationships between music and literature and the fascinating tapestry of intertextual relationships among the works of Faustian music themselves, the volume suggests that rather than merely retelling the story of Faust, these musical compositions contribute significant insights on the tale and its unrivalled cultural impact.
Publisher: Oxford University Press
ISBN: 0190694521
Category : Music
Languages : en
Pages : 617
Book Description
Since its emergence in sixteenth-century Germany, the magician Faust's quest has become one of the most profound themes in Western history. Though variants are found across all media, few adaptations have met with greater acclaim than in music. Bringing together more than two dozen authors in a foundational volume, The Oxford Handbook of Faust in Music testifies to the spectacular impact the Faust theme has exerted over the centuries. The Handbook's three-part organization enables readers to follow the evolution of Faust in music across time and stylistic periods. Part I explores symphonic, choral, chamber, and solo Faust works by composers from Beethoven to Schnittke. Part II discusses the range of Faustian operas, and Part III examines Faust's presence in ballet and musical theater. Illustrating the interdisciplinary relationships between music and literature and the fascinating tapestry of intertextual relationships among the works of Faustian music themselves, the volume suggests that rather than merely retelling the story of Faust, these musical compositions contribute significant insights on the tale and its unrivalled cultural impact.
Romeo e Giulietta; an opera, in five acts. [Translated into English and Italian from the French of P. J. Barbier and M. Carré.] The English libretto by H. B. Farnie, etc
Author:
Publisher:
ISBN:
Category : Operas
Languages : it
Pages : 84
Book Description
Publisher:
ISBN:
Category : Operas
Languages : it
Pages : 84
Book Description
Music in Goethe's Faust
Author: Lorraine Byrne Bodley
Publisher: Boydell & Brewer
ISBN: 1783272007
Category : Foreign Language Study
Languages : en
Pages : 358
Book Description
Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century, hashad a seminal impact in musical realms.
Publisher: Boydell & Brewer
ISBN: 1783272007
Category : Foreign Language Study
Languages : en
Pages : 358
Book Description
Goethe's Faust, a work which has attracted the attention of composers since the late eighteenth century and played a vital role in the evolution of vocal, operatic and instrumental repertoire in the nineteenth century, hashad a seminal impact in musical realms.
Gounod's Faust
Author: Burton D. Fisher
Publisher: Opera Journeys Publishing
ISBN: 1102009040
Category :
Languages : en
Pages : 20
Book Description
Publisher: Opera Journeys Publishing
ISBN: 1102009040
Category :
Languages : en
Pages : 20
Book Description
Muppets Meet the Classics: the Phantom of the Opera
Author: Gaston Leroux
Publisher: Penguin
ISBN: 0451534379
Category : Fiction
Languages : en
Pages : 306
Book Description
Leroux's classic tale of love, intrigue, and jealousy at the Paris Opera House is reimagined with the cast of the Muppets. Readers can join Kermit, Miss Piggy, Uncle Deadly, and the other Muppets as they bring this gripping tale to life in their own hilarious way.
Publisher: Penguin
ISBN: 0451534379
Category : Fiction
Languages : en
Pages : 306
Book Description
Leroux's classic tale of love, intrigue, and jealousy at the Paris Opera House is reimagined with the cast of the Muppets. Readers can join Kermit, Miss Piggy, Uncle Deadly, and the other Muppets as they bring this gripping tale to life in their own hilarious way.
The Great Operas
Author: J. C. Hadden
Publisher:
ISBN:
Category :
Languages : en
Pages : 47
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 47
Book Description
Goethe's Faust and Cultural Memory
Author: Lorna Fitzsimmons
Publisher: Lehigh University Press
ISBN: 1611461235
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
This book is an interdisciplinary collection of essays examining Goethe’s Faust and its derivatives in European, North American, and South American cultural contexts. It takes both a canonic and archival approach to Faust in studies of adaptations, performances, appropriations, sources, and the translation of the drama contextualized within cultural environments ranging from Gnosticism to artificial intelligence. Lorna Fitzsimmons’ introduction sets this scholarship within a critical framework that draws together work on intertextuality and memory. Alan Corkhill looks at the ways in which the authority of the word is critiqued in Faust and Marlowe’s Dr. Faustus.Robert E. Norton revisits the question of Herder as Faust and the early twentieth-century context in which the claim resonated. J. M. van der Laan explores the symbolic possibilities of the mysterious Eternal-Feminine. Frederick Burwick examines Coleridge’s critique of Goethe’s Faust and his own plans for a Faustian tale on Michael Scott. Andrew Bush demonstrates how Estanislao del Campo’s poem “Fausto” retells Gounod’s opera in the sociolect of Argentine gauchos. David G. John examines complete productions of Goethe’s Faust by Peter Stein and the Goetheanum. Jörg Esleben surveys contemporary Canadian interplay with Goethe’s Faust. Susanne Ledanff discusses the significance of Goethe’s Faust for Werner Fritsch’s avant-garde “Theater of the Now.” Bruce J. MacLennan examines Faust from the perspective of a researcher in several Faustian technologies: artificial intelligence, autonomous robotics, artificial life, and artificial morphogenesis.
Publisher: Lehigh University Press
ISBN: 1611461235
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
This book is an interdisciplinary collection of essays examining Goethe’s Faust and its derivatives in European, North American, and South American cultural contexts. It takes both a canonic and archival approach to Faust in studies of adaptations, performances, appropriations, sources, and the translation of the drama contextualized within cultural environments ranging from Gnosticism to artificial intelligence. Lorna Fitzsimmons’ introduction sets this scholarship within a critical framework that draws together work on intertextuality and memory. Alan Corkhill looks at the ways in which the authority of the word is critiqued in Faust and Marlowe’s Dr. Faustus.Robert E. Norton revisits the question of Herder as Faust and the early twentieth-century context in which the claim resonated. J. M. van der Laan explores the symbolic possibilities of the mysterious Eternal-Feminine. Frederick Burwick examines Coleridge’s critique of Goethe’s Faust and his own plans for a Faustian tale on Michael Scott. Andrew Bush demonstrates how Estanislao del Campo’s poem “Fausto” retells Gounod’s opera in the sociolect of Argentine gauchos. David G. John examines complete productions of Goethe’s Faust by Peter Stein and the Goetheanum. Jörg Esleben surveys contemporary Canadian interplay with Goethe’s Faust. Susanne Ledanff discusses the significance of Goethe’s Faust for Werner Fritsch’s avant-garde “Theater of the Now.” Bruce J. MacLennan examines Faust from the perspective of a researcher in several Faustian technologies: artificial intelligence, autonomous robotics, artificial life, and artificial morphogenesis.
Faust - Romeo Et Juliet
Author: Mary Dibbern
Publisher: Pendragon Press
ISBN: 9781576471012
Category : Juvenile Nonfiction
Languages : en
Pages : 286
Book Description
In 1850, the French mezzo-soprano Pauline Viardot wrote to her friend Turgenev: "Among that mass of talented composers who are witty in a vulgar sort of way, intelligible not because of their clarity but because of their trivilaity, the appearance of a musical personality such as Gounod's is so rare that one cannot welcome him heartily enough." Pendragon Press welcomes this addition to their Vox Musicae Series of Operatic Performance Guides by Mary Dibbern. The libretti and literary sources of Gounod's two masterpieces are studied in depth. The libretto section includes word-by-word translations into English and IPA transcriptions of both libretti in their final, opéra-comique versions. Dibbern explains how the literary source materials were converted into libretti, as well as the history of the various musical editions and versions. Numerous illustrations have been provided by a member of Gounod's family.
Publisher: Pendragon Press
ISBN: 9781576471012
Category : Juvenile Nonfiction
Languages : en
Pages : 286
Book Description
In 1850, the French mezzo-soprano Pauline Viardot wrote to her friend Turgenev: "Among that mass of talented composers who are witty in a vulgar sort of way, intelligible not because of their clarity but because of their trivilaity, the appearance of a musical personality such as Gounod's is so rare that one cannot welcome him heartily enough." Pendragon Press welcomes this addition to their Vox Musicae Series of Operatic Performance Guides by Mary Dibbern. The libretti and literary sources of Gounod's two masterpieces are studied in depth. The libretto section includes word-by-word translations into English and IPA transcriptions of both libretti in their final, opéra-comique versions. Dibbern explains how the literary source materials were converted into libretti, as well as the history of the various musical editions and versions. Numerous illustrations have been provided by a member of Gounod's family.