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Author: Michael Gamer
Publisher: Cambridge University Press
ISBN: 1139426842
Category : Literary Criticism
Languages : en
Pages : 274
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Book Description
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
Author: Michael Gamer
Publisher: Cambridge University Press
ISBN: 1139426842
Category : Literary Criticism
Languages : en
Pages : 274
Get Book Here
Book Description
This is the first full-length study to examine the links between high Romantic literature and what has often been thought of as a merely popular genre - the Gothic. Michael Gamer offers a sharply focused analysis of how and why Romantic writers drew on Gothic conventions whilst, at the same time, denying their influence in order to claim critical respectability. He shows how the reception of Gothic literature, including its institutional and commercial recognition as a form of literature, played a fundamental role in the development of Romanticism as an ideology. In doing so he examines the early history of the Romantic movement and its assumptions about literary value, and the politics of reading, writing and reception at the end of the eighteenth century. As a whole the book makes an original contribution to our understanding of genre, tracing the impact of reception, marketing and audience on its formation.
Author: Laura R. Kremmel
Publisher: University of Wales Press
ISBN: 1786838508
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
This book debates a crossover between the Gothic and the medical imagination in the Romantic period. It explores the gore and uncertainty typical of medical experimentation, and expands the possibilities of medical theories in a speculative space by a focus on Gothic novels, short stories, poetry, drama and chapbooks. By comparing the Gothic’s collection of unsavoury tropes to morbid anatomy’s collection of diseased organs, the author argues that the Gothic’s prioritisation of fear and gore gives it access to nonnormative bodies, reallocating medical and narrative agency to bodies considered otherwise powerless. Each chapter pairs a trope with a critical medical debate, granting silenced bodies power over their own narratives: the reanimated corpse confronts fears about vitalism; the skeleton exposes fears about pain; the unreliable corpse feeds on fears of dissection; the devil redirects fears about disability; the dangerous narrative manipulates fears of contagion and vaccination.
Author: Angela Wright
Publisher: Edinburgh University Press
ISBN: 074869675X
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
"Traces the Gothic impulses in proto-Romantic and Romantic British, American and European culture, 1740-1830"--Quatrième de couverture.
Author: Kerry Dean Carso
Publisher: University of Wales Press
ISBN: 1783161612
Category : Literary Criticism
Languages : en
Pages : 267
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Book Description
American Gothic Art and Architecture in the Age of Romantic Literature analyses the impact British Gothic novels and historical romances had on American art and architecture in the Romantic era. Key figures include Thomas Jefferson, Washington Allston, Alexander Jackson Davis, James Fenimore Cooper, Washington Irving, Thomas Cole, Edwin Forrest and Nathaniel Hawthorne. Hawthorne articulated the subject of this book when he wrote that he could understand Sir Walter Scott’s romances better after viewing Scott’s Gothic Revival house Abbotsford, and he understood the house better for having read the romances. This study investigates this symbiotic relationship between the arts and Gothic literature to reveal new interpretative possibilities. Contents Introduction Chapter One. Gothic Monticello: Thomas Jefferson’s Garden Narratives Chapter Two. ‘Banditti Mania’: The Gothic Haunting of Washington Allston Chapter Three. ‘Arranging the Trap Doors’: The Gothic Revival Castles of Alexander Jackson Davis Chapter Four. Old Dwellings Transmogrified: The Homes of James Fenimore Cooper and Washington Irving Chapter Five. Gothic Castles in the Landscape: Thomas Cole, Sir Walter Scott And the Hudson River School of Painting Chapter Six. The Theatrical Spectacle of Medieval Revival: Edwin Forrest’s Fonthill Castle Conclusion. ‘Clap It Into a Romance:’ Nathaniel Hawthorne’s Gothic Houses
Author: Steven Bruhm
Publisher: University of Pennsylvania Press
ISBN: 0812206738
Category : Literary Criticism
Languages : en
Pages : 207
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Book Description
An intriguing scholarly investigation, not so much of the ways the late eighteenth and early nineteenth centuries articulated pain, but of the ways in which pain itself articulated the late eighteenth-century experience. Through analysis of novels, plays, and poems, the author explores the transition from sensibility as a sense of "selflessness" to Romanticism, which puts the self in the foreground as the mediating consciousness. His tightly focused discussion sets a starting point for further critical investigation of the subject.
Author: Scott Thomas
Publisher: Inkshares
ISBN: 1942645821
Category : Fiction
Languages : en
Pages : 432
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Book Description
A psychological horror with a literary twist, Kill Creek delivers elevated prose, while evoking the unnerving, atmospheric terror essential to greats like Peter Straub and Stephen King—a haunting that lingers long after turning the last page.
Author: Tom Duggett
Publisher: Springer Nature
ISBN: 3030968324
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
Gothic Romanticism: Wordsworth, Architecture, Politics, Form offers a revisionist account of both Wordsworth and the politics of antiquarianism in the late eighteenth and early nineteenth centuries. As a historically-driven study that develops a significant critique and revision of genre- and theory-based approaches to the Gothic, it covers many key works by Wordsworth and his fellow “Lake Poets” Samuel Taylor Coleridge and Robert Southey. The second edition incorporates new materials that develop the argument in new directions opened up by changes in the field over the last decade. The book also provides a sustained reflection upon Romantic conservatism, including the political thought and lasting influence of Edmund Burke. New material places the book in wider and longer context of the political and historical forms seen developing in Wordsworth, and proposes Gothic Romanticism as the alternative line of cultural development to Victorian Medievalism.
Author: T. Duggett
Publisher: Springer
ISBN: 0230109039
Category : Literary Criticism
Languages : en
Pages : 226
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Book Description
Gothic Romanticism, winner of the 2010 MLA Prize for Independent Scholars, is a study of the relationship between British Romanticism and the Gothic Revival. Reading a wide range of canonical and raretexts, and spanning the Romantic discourses of architecture, politics, and literary form, the book recovers the collaborative project of Wordsworth, Coleridge, and Southeyfor a purified 'Gothic' poetry and a 'second Gothic' culture.
Author:
Publisher: Art of Darkness: Ingenious
ISBN:
Category :
Languages : en
Pages : 281
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Book Description
Author: Roland Borgards
Publisher:
ISBN: 9783775733731
Category : Art, European
Languages : en
Pages : 0
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Book Description
From its very inception in the late eighteenth century, Romanticism's celebration of euphoria and sublimity has been dogged by its equally intense fascination with melancholia, insanity, crime, the grotesque and the irrational. In 1930, the famous literary theorist Mario Praz named this strain in literature "Dark Romanticism," but its equivalent in art has never been thoroughly assessed in art history. This volume is the first to examine a current that runs from Goya's war etchings through Symbolism and up to Surrealism, presenting Romanticism as an intellectual position that was embraced throughout Europe and that endured into the twentieth century. Among the artists included are Henry Fuseli, William Blake, Caspar David Friedrich, Victor Hugo, Arnold Böcklin, Gustave Moreau, Odilon Redon, Félicien Rops, James Ensor, Max Klinger, Edvard Munch, Hans Bellmer and Max Ernst.
