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Author: Astrida Orle Tantillo
Publisher: A&C Black
ISBN: 1441120203
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
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Author: Astrida Orle Tantillo
Publisher: A&C Black
ISBN: 1441120203
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
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Author: Matthew Charles
Publisher: Bloomsbury Publishing
ISBN: 1350013951
Category : Philosophy
Languages : en
Pages : 241
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Book Description
Widely regarded as one of the foremost cultural critics of the last century, Walter Benjamin's relation to Modernism has largely been understood in the context of his reception of the aesthetic theories of Early German Romanticism and his associated interest in avant-garde Surrealism. But this Romantic understanding only gives half the picture. Running through Benjamin's thought is also a critique of Romanticism, developed in conjunction with a positive engagement with the philosophical, artistic and historical writings of J. W. von Goethe. In demonstrating the significance of these Goethean elements, this book challenges the dominant understanding of Benjamin's philosophy as essentially Romantic and instead proposes that Goethe's Classicism, conceived as the counterpoint to Romanticism, permits a corrective to the latter's deficiencies. Benjamin's Modernist concept of criticism, it is argued, is constituted in the movement between these polarities of Romanticism and Classicism. Conversely, placing Goethe's Classicism in relation to Benjamin's practice of literary criticism reveals historical tensions with Romanticism that constitute the untimely – indeed, it will be argued, cinematic – Modernism of his work. Adopting a transcritical approach, this book alternates between Benjamin and Goethe in relation to the experiences of colour, language and technology, assembling a constellation of philosophical and artistic figures between them, including the writings of Kant, Nietzsche, Cohen, Deleuze, Koselleck, Klages, and the work of Grünewald, Marées, Klee, Turner, Hulme, Eisenstein, Tretyakov, and Murnau.
Author: Franco Moretti
Publisher: Verso
ISBN: 9781859849347
Category : Epic literature
Languages : en
Pages : 272
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Book Description
Having coined a new term modern epic, the author analyses the phenomenon, & attempts to situate the works of e.g. Joyce, Proust & Musil within our literary tradition.
Author: Gerald Izenberg
Publisher: University of Chicago Press
ISBN: 0226388697
Category : Art
Languages : en
Pages : 279
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Book Description
Modernism and Masculinity argues that a crisis of masculinity among European writers and artists played a key role in the modernist revolution. Gerald Izenberg revises the notion that the feminine provided a premodern refuge for artists critical of individualism and materialism. Industrialization and the growing power of the market inspired novelist Thomas Mann, playwright Frank Wedelind, and painter Wassily Kandinsky to feel the problematic character of their own masculinity. As a result, these artists each came to identify creativity, transcendence, and freedom with the feminine. But their critique of masculinity created enormous challenges: How could they appropriate a feminine aesthetic while retaining their own masculine idenitites? How did appropiating the feminine affect their personal relationships or their political views? Modernism and Masculinity seeks to answer these questions. In this absorbing combination of biography and formal critique, Izenberg reconsiders the works of Mann, Wedekind, Kandinsky and semonstrates how the cirses of masculinity they endure are found not just within the images and forms of their art, but in the distinct and very personal impulses that inspired it.
Author: Harry Edgar Moore
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 178
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Book Description
Author: Julie D. Prandi
Publisher: University Press of America
ISBN: 9780819189912
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
This book explores Goethe's ethics of happiness and the role of resignation within them. Prandi has carefully separated autobiographical material from literary expository of these themes in order to clarify the misunderstanding that has resulted from relying on Goethe's fictional works to document his personal ethical convictions. The book aims in part at working out in detail the usefulness of Spinoza's Ethics in evaluating ethical views expressed in poetry and fiction; and in part at correcting erroneous and confused ideas about Goethean resignation. Prandi studies the 'natural morality' Goethe developed and practiced, using Lucretius and Spinoza as models of influence. All three define the good as what makes people rationally happy; each has his own resignation model to offer. From a deep analysis of views on happiness and resignation, the author's discussion leads to some surprising new conclusions.
Author: Marshall Berman
Publisher: Verso
ISBN: 9780860917854
Category : History
Languages : en
Pages : 388
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Book Description
The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.
Author: Gregory Maertz
Publisher: Columbia University Press
ISBN: 3838269810
Category : Literary Criticism
Languages : en
Pages : 299
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Book Description
The construction of Johann Wolfgang von Goethe as an Anglo-American sage and literary icon was the product of a cult of personality that lay at the center of nineteenth-century cultural politics. A reconstruction of the culture wars fought over Goethe’s authority, a previously hidden chapter in the intellectual history of the period ranging from the late eighteenth century to the threshold of Modernism, is the focus of Literature and the Cult of Personality. Marginal as well as canonical writers and critics figured prominently in this process, and Literature and the Cult of Personality offers insight into the mediation activities of Mary Wollstonecraft, Henry Crabb Robinson, the canonical Romantic poets, Thomas Carlyle, Margaret Fuller, George Eliot, Matthew Arnold, and others. For women writers and Jacobins, Scots, and Americans, translating Goethe served as an empowering cultural platform that challenges the myth of the self-sufficiency of British literature. Reviewing and translating German authors provided a means of gaining literary enfranchisement and offered a paradigm of literary development according to which 're-writers' become original writers through an apprenticeship of translation and reviewing. In the diverse and fascinating body of critical writing examined in this book, textual exegesis plays an unexpectedly minor role; in its place, a full-blown cult of personality emerges along with a blueprint for the ideology of hero-worship that is more fully mapped out in the cultural and political life of twentieth-century Europe.
Author: Michael Gluzman
Publisher:
ISBN:
Category :
Languages : en
Pages : 450
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Book Description
Author: Robert K. Weninger
Publisher: University Press of Florida
ISBN: 0813059828
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
"The first comprehensive account of the enormous impact of Joyce on German modernist and postmodern writers. An indispensable book on Joyce's 'German' face."—Gerald Gillespie, Stanford University In August 1919, a production of James Joyce's Exiles was mounted at the Munich Schauspielhaus and quickly fell due to harsh criticism. The reception marked the beginning of a dynamic association between Joyce, German-language writers, and literary critics. It is this relationship that Robert Weninger analyzes in The German Joyce. Opening a new dimension of Joycean scholarship, this book provides the premier study of Joyce's impact on German-language literature and literary criticism in the twentieth century. The opening section follows Joyce's linear intrusion from the 1910s to the 1990s by focusing on such prime moments as the first German translation of Ulysses, Joyce's influence on the Marxist Expressionism debate, and the Nazi blacklisting of Joyce's work. Utilizing this historical reception as a narrative backdrop, Weninger then presents Joyce's horizontal diffusion into German culture. Weninger succeeds in illustrating both German readers' great attraction to Joyce's work as well as Joyce's affinity with some of the great German masters, including Goethe and Rilke. He argues that just as Shakespeare was a model of linguistic exuberance for Germans in the eighteenth century, Joyce became the epitome of poetic inspiration in the twentieth. This volume, through Weninger's critiques and repositions, simultaneously revisits the fraught relationship between influence and intertextuality in literary studies and reassesses their value as tools for contemporary comparative criticism today. Robert K. Weninger, emeritus professor of German and comparative literature at King’s College London, is author or editor of over ten books, including Arno Schmidts Joyce-Rezeption 1957-1970: Ein Beitrag zur Poetik Arno Schmidts, and is a past editor of the Journal of Comparative Critical Studies.
