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Author: Ernest Newman
Publisher: London : B. Dobell
ISBN:
Category : Composers
Languages : en
Pages : 336
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Book Description
Author: Ernest Newman
Publisher: London : B. Dobell
ISBN:
Category : Composers
Languages : en
Pages : 336
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Book Description
Author: Daniel Heartz
Publisher: Pendragon Press
ISBN: 9781576470817
Category : History
Languages : en
Pages : 360
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Book Description
A collection of 18 essays on musical theatre in the eighteenth century, written between 1967 and 2001
Author: Patricia Howard
Publisher: Cambridge University Press
ISBN: 9780521296649
Category : Music
Languages : en
Pages : 160
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Book Description
This book explores all aspects of Gluck's historically important opera Orfeo.
Author: Ernest Newman
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 0
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Book Description
Author: Ernest Newman
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ernest Newman
Publisher: London : B. Dobell
ISBN:
Category : Composers
Languages : en
Pages : 342
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Book Description
Author: Patricia Howard
Publisher: Psychology Press
ISBN: 9780415940726
Category : Music
Languages : en
Pages : 178
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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Patricia Howard
Publisher: London : Barrie and Rockliff
ISBN:
Category : Opera
Languages : en
Pages : 136
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Book Description
Author: Ernest Newman
Publisher:
ISBN: 9781404790643
Category : Opera
Languages : en
Pages : 300
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Book Description
Author: Bruce Alan Brown
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 564
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Book Description
In this richly illustrated study, the Viennese reform of opera and ballet is placed in the context of Christoph Gluck's decade-long involvement with the city's first French theatre, established in 1752. Following a detailed examination of the institutional and cultural frameworks of theatrical life in Maria Theresia's capital (drawing upon important new documentary sources), and of the interaction between Parisian and Viennese repertories, each of the areas of Gluck's activity in the Burgtheater--concerts, opera-comique, and ballet--and their products are examined in turn. Such masterworks as Orfeo ed Euridice and Don Juan are shown to be intimately connected with the regular musical repertory of the French theatre, which was itself rich in innovation; in addition, a large number of works by Gluck (and his colleagues) are identified and analyzed here for the first time.
