Catalogue of Opera Librettos Printed Before 1800 PDF Download
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Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
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Book Description
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
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Book Description
Author: John Denison Champlin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 636
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Book Description
Author: Sandra Mangsen
Publisher: Boydell & Brewer
ISBN: 1580465498
Category : History
Languages : en
Pages : 284
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Book Description
Keyboard arrangements of vocal music flourished in England between1560 and 1760. Songs without Words, by noted harpsichordist and early-music authority Sandra Mangsen, is the first in-depth study of this topic, uncovering a body of material that is remarkably varied, musically interesting, and indicative of major trends in musical and social life at the time. Mangsen's Songs without Words argues that the pieces upon which these keyboard arrangements were based constituted a shared repertoire, akin to the jazz standards of the twentieth century. In Restoration England, the ballad tradition saw tunes and texts move between oral, manuscript, and printed transmission and from street to playhouse and back again. During the eighteenth century, printed keyboard arrangements were aimed particularly at female amateur keyboardists and helped opera to become a widely popular genre. Songs without Words considers a wide range of model pieces, including songs of many kinds and arias and other numbers from operas and oratorios. The resulting keyboard versions range from simple and pedagogically oriented to highly virtuosic. Two central issues -- the relationship between an arrangement and its model and the reception and aesthetics of arrangements -- are explored in the framing chapters. The result is a study that will be of great interest to scholars, performers, and anyone who loves the music of the late Renaissance, Baroque, and early Classic eras. Sandra Mangsen is professor emerita of music at the University of Western Ontario.
Author: Pietro Floridia
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 214
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Book Description
Author:
Publisher:
ISBN:
Category : Musicals
Languages : en
Pages : 1058
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Book Description
Author: Michael Talbot
Publisher: Liverpool University Press
ISBN: 9780853235286
Category : Music
Languages : en
Pages : 334
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Book Description
Is business, for music, a regrettable necessity or a spur to creativity? In the 11 essays in this text the authors wrestle with this question from the perspective of their chosen area of research.
Author: Peter Holman
Publisher: Boydell & Brewer
ISBN: 1783274565
Category : Music
Languages : en
Pages : 434
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Book Description
How was large-scale music directed or conducted in Britain before baton conducting took hold in the 1830s?
Author: John Denison Champlin
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 648
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Book Description
Author: Iain Fenlon
Publisher: Oxford University Press
ISBN: 9780198163701
Category : Music
Languages : en
Pages : 368
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Book Description
This collection of essays by European, British, and American musicologists seeks to consolidate the recent growth of interest in seventeenth century studies. It includes discussions of leading composers, repertories, geographical issues, institutional contexts, and iconography.
Author: Catherine Haworth
Publisher: Routledge
ISBN: 1317130057
Category : Music
Languages : en
Pages : 344
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Book Description
From the perennially young, precocious figure of 'little orphan Annie' to the physical and vocal ageing of the eighteenth-century castrato, interlinked cultural constructions of age and gender are central to the historical and contemporary depiction of creative activity and its audiences. Gender, Age and Musical Creativity takes an interdisciplinary approach to issues of identity and its representation, examining intersections of age and gender in relation to music and musicians across a wide range of periods, places, and genres, including female patronage in Renaissance Italy, the working-class brass band tradition of northern England, twentieth-century jazz and popular music cultures, and the contemporary 'New Music' scene. Drawing together the work of musicologists and practitioners, the collection offers new ways in which to conceptualise the complex links between age and gender in both individual and collective practice and their reception: essays explore juvenilia and 'late' style in composition and performance, the role of public and private institutions in fostering and sustaining creative activity throughout the course of musical careers, and the ways in which genres and scenes themselves age over time.
