Author:
Publisher:
ISBN: 9780976136408
Category : Merry-go-round
Languages : en
Pages : 152
Book Description
Restoration artist Rosa Ragan spent 20 years, from 1983 to 2003, restoring the Dentzel menagerie carousel in Glen Echo, MD. The full story of her work is now captured in Restoring the Glen Echo Park Carousel by Deborah Lange, with over 500 beautiful full-color photographs showing the methods Rosa used on the animals, chariots, drum panels, ceiling panels, rounding boards, and band organ. Her methods are carefully explained, with detailed descriptions of how she finds original colors, removes park paint, makes repairs, cleans the animals, traces designs, protects the original paint, applies leaf, paints the animals, applies pin striping and designs, and applies a finish coat. The inpainting methods she uses on the drum panels and ceiling panels are also fully described, as are the bronze powder methods she uses on the Wurlitzer band organ.Also included is a chapter on repair techniques, which describes filling voids, tightening seams, and shaping and attaching new pieces, and a chapter on painting techniques, which covers surface preparation, leafing, glazing, bronzing, blending, creating dapples, pin striping, varnishing, and other topics. A complete materials list and photographic catalog of all finished animals and chariots makes this book an excellent aid for anyone considering a restoration. This book, however, is more than a restorer's guide. It is written for the general public to explain how a much-loved but abused ride was restored to become once again the magnificent functional art it was when it arrived at the park in 1921.
Restoring the Glen Echo Park Carousel
Author:
Publisher:
ISBN: 9780976136408
Category : Merry-go-round
Languages : en
Pages : 152
Book Description
Restoration artist Rosa Ragan spent 20 years, from 1983 to 2003, restoring the Dentzel menagerie carousel in Glen Echo, MD. The full story of her work is now captured in Restoring the Glen Echo Park Carousel by Deborah Lange, with over 500 beautiful full-color photographs showing the methods Rosa used on the animals, chariots, drum panels, ceiling panels, rounding boards, and band organ. Her methods are carefully explained, with detailed descriptions of how she finds original colors, removes park paint, makes repairs, cleans the animals, traces designs, protects the original paint, applies leaf, paints the animals, applies pin striping and designs, and applies a finish coat. The inpainting methods she uses on the drum panels and ceiling panels are also fully described, as are the bronze powder methods she uses on the Wurlitzer band organ.Also included is a chapter on repair techniques, which describes filling voids, tightening seams, and shaping and attaching new pieces, and a chapter on painting techniques, which covers surface preparation, leafing, glazing, bronzing, blending, creating dapples, pin striping, varnishing, and other topics. A complete materials list and photographic catalog of all finished animals and chariots makes this book an excellent aid for anyone considering a restoration. This book, however, is more than a restorer's guide. It is written for the general public to explain how a much-loved but abused ride was restored to become once again the magnificent functional art it was when it arrived at the park in 1921.
Publisher:
ISBN: 9780976136408
Category : Merry-go-round
Languages : en
Pages : 152
Book Description
Restoration artist Rosa Ragan spent 20 years, from 1983 to 2003, restoring the Dentzel menagerie carousel in Glen Echo, MD. The full story of her work is now captured in Restoring the Glen Echo Park Carousel by Deborah Lange, with over 500 beautiful full-color photographs showing the methods Rosa used on the animals, chariots, drum panels, ceiling panels, rounding boards, and band organ. Her methods are carefully explained, with detailed descriptions of how she finds original colors, removes park paint, makes repairs, cleans the animals, traces designs, protects the original paint, applies leaf, paints the animals, applies pin striping and designs, and applies a finish coat. The inpainting methods she uses on the drum panels and ceiling panels are also fully described, as are the bronze powder methods she uses on the Wurlitzer band organ.Also included is a chapter on repair techniques, which describes filling voids, tightening seams, and shaping and attaching new pieces, and a chapter on painting techniques, which covers surface preparation, leafing, glazing, bronzing, blending, creating dapples, pin striping, varnishing, and other topics. A complete materials list and photographic catalog of all finished animals and chariots makes this book an excellent aid for anyone considering a restoration. This book, however, is more than a restorer's guide. It is written for the general public to explain how a much-loved but abused ride was restored to become once again the magnificent functional art it was when it arrived at the park in 1921.
The Carousel
Author: Liz Rosenberg
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152018870
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
Two sisters find that the horses of a broken carousel have come alive in the rain.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780152018870
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
Two sisters find that the horses of a broken carousel have come alive in the rain.
Carousel Beach
Author: Orly Konig
Publisher: Forge Books
ISBN: 0765398818
Category : Fiction
Languages : en
Pages : 318
Book Description
A cryptic letter on her grandmother's grave and a puzzling inscription on a carousel horse lead artist Maya Brice to ninety-year-old Hank Hauser. While stripping chipped layers of paint from the old horses and peeling, fragmented memories from their mysterious carver, Maya untangles the intertwined secrets of love, heartbreak and misunderstandings among three generations of strong willed women.
Publisher: Forge Books
ISBN: 0765398818
Category : Fiction
Languages : en
Pages : 318
Book Description
A cryptic letter on her grandmother's grave and a puzzling inscription on a carousel horse lead artist Maya Brice to ninety-year-old Hank Hauser. While stripping chipped layers of paint from the old horses and peeling, fragmented memories from their mysterious carver, Maya untangles the intertwined secrets of love, heartbreak and misunderstandings among three generations of strong willed women.
Johnstown Flood National Memorial, Elias J. Unger House
Author: Ella Sue Rayburn
Publisher:
ISBN:
Category : Elias J. Unger House (Johnstown Flood National Memorial, Pa.)
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category : Elias J. Unger House (Johnstown Flood National Memorial, Pa.)
Languages : en
Pages : 292
Book Description
Up and Down on the Merry-Go-Round
Author: Bill Martin
Publisher: Macmillan
ISBN: 9780805016383
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
In this rhyming story, children describe the sights and sounds of riding on the merry-go-round.
Publisher: Macmillan
ISBN: 9780805016383
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
In this rhyming story, children describe the sights and sounds of riding on the merry-go-round.
Maryland's Amusement Parks
Author: Jason Rhodes
Publisher: Arcadia Publishing
ISBN: 9780738517957
Category : History
Languages : en
Pages : 132
Book Description
From Ferris wheels to roller coasters to tunnels of love, everyone has a favorite amusement park memory. For nearly 130 years, many of those memories have been made at Maryland's amusement parks. Today, only five exist, but throughout history, nearly three dozen have been part of Maryland's landscape. Images of America: Maryland's Amusement Parks offers a glimpse of those parks and how they helped millions quench their thirst for recreation. Maryland's first recorded amusement park, Cabin John Park in Montgomery County, opened in 1876, serving as a training ground for such industry luminaries as Scenic Railway and roller coaster pioneer L.A. Thompson and carousel carver Gustav Dentzel. More than a century later, Maryland's oldest park, Trimper's Rides and Amusements in Ocean City, is a virtual museum of amusement park history with operating rides dating to 1902. Some favorite parks, including Glen Echo, Gwynn Oak, Pen Mar, Tolchester Beach, and The Enchanted Forest, did not last as long, but their memories live on through more than 200 images in this volume.
Publisher: Arcadia Publishing
ISBN: 9780738517957
Category : History
Languages : en
Pages : 132
Book Description
From Ferris wheels to roller coasters to tunnels of love, everyone has a favorite amusement park memory. For nearly 130 years, many of those memories have been made at Maryland's amusement parks. Today, only five exist, but throughout history, nearly three dozen have been part of Maryland's landscape. Images of America: Maryland's Amusement Parks offers a glimpse of those parks and how they helped millions quench their thirst for recreation. Maryland's first recorded amusement park, Cabin John Park in Montgomery County, opened in 1876, serving as a training ground for such industry luminaries as Scenic Railway and roller coaster pioneer L.A. Thompson and carousel carver Gustav Dentzel. More than a century later, Maryland's oldest park, Trimper's Rides and Amusements in Ocean City, is a virtual museum of amusement park history with operating rides dating to 1902. Some favorite parks, including Glen Echo, Gwynn Oak, Pen Mar, Tolchester Beach, and The Enchanted Forest, did not last as long, but their memories live on through more than 200 images in this volume.
Finding Your Style In Pastel
Author: Jean Hirons
Publisher: AuthorHouse
ISBN: 9781477271360
Category : Crafts & Hobbies
Languages : en
Pages : 202
Book Description
As artists, we have choices. There are very few rules that apply across the board. We can create highly realistic paintings, or perhaps more expressive paintings, or paintings that have very little basis in reality, including those that are totally non-representational. We can record color as we see it or as we’d like it to be. As pastel artists, we have even more choices. We can use a wide variety of pastels, strokes, surfaces, and techniques to create many different looks. The choices we make form the framework of our individual style, our signature as artists. Any subscriber to The Pastel Journal realizes how varied the medium of pastel can be. For the experienced artist, these articles are stimulating, offering possible ways to experiment with alternative approaches. For the beginner, the panoply of choices can be overwhelming. Painting is primarily an intuitive process. But intuition is gained through study and experience. Part of my impetus in writing this book has been to create a more structured approach to help those fairly new to the medium understand its many possibilities. The book is aimed at all levels of pastel artists. Beginners will find a wealth of helpful information and intermediate artists will gain insight into how to take their work to another level and develop a style. Many advanced artists teach pastel; the organization of ideas and the exercises included should be of assistance. I offer a variety of suggested approaches and sometimes make up terminology to describe my experiences with the medium. The instructions in the book are based on my preferences and the guidance that I offer my students. The diversity of styles and techniques evident in the paintings of contributing artists should make it clear, however, that there are many ways to successfully work in pastel. Having acknowledged the many possibilities, I want to note a few musts. Representational paintings must be well-drawn. Poor drawing skills cannot be overcome with lovely color or great technique. Likewise, paintings must have strong compositions, regardless of whether they are realistic, abstracted, or non-representational. Values must be properly interpreted to produce strong compositions and to use pastel to its full effect. And finally, pastel paintings must sing! Whether the applications are light and airy, or rich and painterly, it should be clear that the artist is in control of the medium and is using it to produce his or her desired look. For years I have resisted suggestions that I write a book. As a landscape painter, I knew that there were more authoritative books already available. And the growing popularity of pastel has led to so many resources, including online blogs, a biennial convention, and the wonderful Pastel Journal, mentioned above. What could I add to this? My personal training in pastel has been from weeklong landscape workshops with some of the leading pastel painters in the country. As a teacher in a community college, I am not teaching a particular style nor focusing on specific subject matter. Some of my students work with the landscape, but others do portraits or figurative work, while others prefer still life, or work abstractly. In dealing with this mixture, I’ve realized that there are different ways to approach one’s use of color, and this formed my first idea for creating a book. Furthermore, as a teacher, I’ve spent time experimenting with different surfaces, pastel brands, and techniques in order to make suggestions to students to help them find the look they want to achieve. I do not teach students to paint the way I do, but instead, try to share my experience and help them develop their own individual style.
Publisher: AuthorHouse
ISBN: 9781477271360
Category : Crafts & Hobbies
Languages : en
Pages : 202
Book Description
As artists, we have choices. There are very few rules that apply across the board. We can create highly realistic paintings, or perhaps more expressive paintings, or paintings that have very little basis in reality, including those that are totally non-representational. We can record color as we see it or as we’d like it to be. As pastel artists, we have even more choices. We can use a wide variety of pastels, strokes, surfaces, and techniques to create many different looks. The choices we make form the framework of our individual style, our signature as artists. Any subscriber to The Pastel Journal realizes how varied the medium of pastel can be. For the experienced artist, these articles are stimulating, offering possible ways to experiment with alternative approaches. For the beginner, the panoply of choices can be overwhelming. Painting is primarily an intuitive process. But intuition is gained through study and experience. Part of my impetus in writing this book has been to create a more structured approach to help those fairly new to the medium understand its many possibilities. The book is aimed at all levels of pastel artists. Beginners will find a wealth of helpful information and intermediate artists will gain insight into how to take their work to another level and develop a style. Many advanced artists teach pastel; the organization of ideas and the exercises included should be of assistance. I offer a variety of suggested approaches and sometimes make up terminology to describe my experiences with the medium. The instructions in the book are based on my preferences and the guidance that I offer my students. The diversity of styles and techniques evident in the paintings of contributing artists should make it clear, however, that there are many ways to successfully work in pastel. Having acknowledged the many possibilities, I want to note a few musts. Representational paintings must be well-drawn. Poor drawing skills cannot be overcome with lovely color or great technique. Likewise, paintings must have strong compositions, regardless of whether they are realistic, abstracted, or non-representational. Values must be properly interpreted to produce strong compositions and to use pastel to its full effect. And finally, pastel paintings must sing! Whether the applications are light and airy, or rich and painterly, it should be clear that the artist is in control of the medium and is using it to produce his or her desired look. For years I have resisted suggestions that I write a book. As a landscape painter, I knew that there were more authoritative books already available. And the growing popularity of pastel has led to so many resources, including online blogs, a biennial convention, and the wonderful Pastel Journal, mentioned above. What could I add to this? My personal training in pastel has been from weeklong landscape workshops with some of the leading pastel painters in the country. As a teacher in a community college, I am not teaching a particular style nor focusing on specific subject matter. Some of my students work with the landscape, but others do portraits or figurative work, while others prefer still life, or work abstractly. In dealing with this mixture, I’ve realized that there are different ways to approach one’s use of color, and this formed my first idea for creating a book. Furthermore, as a teacher, I’ve spent time experimenting with different surfaces, pastel brands, and techniques in order to make suggestions to students to help them find the look they want to achieve. I do not teach students to paint the way I do, but instead, try to share my experience and help them develop their own individual style.
Capital Streetcars
Author: John DeFerrari
Publisher: Arcadia Publishing
ISBN: 1625856199
Category : History
Languages : en
Pages : 256
Book Description
Washington's first streetcars trundled down Pennsylvania Avenue during the Civil War. By the end of the century, streetcar lines crisscrossed the city, expanding it into the suburbs and defining where Washingtonians lived, worked and played. One of the most beloved routes was the scenic Cabin John line to the amusement park in Glen Echo, Maryland. From the quaint early days of small horse-drawn cars to the modern "streamliners" of the twentieth century, the stories are all here. Join author John DeFerrari on a joyride through the fascinating history of streetcars in the nation's capital.
Publisher: Arcadia Publishing
ISBN: 1625856199
Category : History
Languages : en
Pages : 256
Book Description
Washington's first streetcars trundled down Pennsylvania Avenue during the Civil War. By the end of the century, streetcar lines crisscrossed the city, expanding it into the suburbs and defining where Washingtonians lived, worked and played. One of the most beloved routes was the scenic Cabin John line to the amusement park in Glen Echo, Maryland. From the quaint early days of small horse-drawn cars to the modern "streamliners" of the twentieth century, the stories are all here. Join author John DeFerrari on a joyride through the fascinating history of streetcars in the nation's capital.
Race, Riots, and Roller Coasters
Author: Victoria W. Wolcott
Publisher: University of Pennsylvania Press
ISBN: 0812207599
Category : History
Languages : en
Pages : 320
Book Description
Throughout the twentieth century, African Americans challenged segregation at amusement parks, swimming pools, and skating rinks not only in pursuit of pleasure but as part of a wider struggle for racial equality. Well before the Montgomery bus boycott, mothers led their children into segregated amusement parks, teenagers congregated at forbidden swimming pools, and church groups picnicked at white-only parks. But too often white mobs attacked those who dared to transgress racial norms. In Race, Riots, and Roller Coasters, Victoria W. Wolcott tells the story of this battle for access to leisure space in cities all over the United States. Contradicting the nostalgic image of urban leisure venues as democratic spaces, Wolcott reveals that racial segregation was crucial to their appeal. Parks, pools, and playgrounds offered city dwellers room to exercise, relax, and escape urban cares. These gathering spots also gave young people the opportunity to mingle, flirt, and dance. As cities grew more diverse, these social forms of fun prompted white insistence on racially exclusive recreation. Wolcott shows how black activists and ordinary people fought such infringements on their right to access public leisure. In the face of violence and intimidation, they swam at white-only beaches, boycotted discriminatory roller rinks, and picketed Jim Crow amusement parks. When African Americans demanded inclusive public recreational facilities, white consumers abandoned those places. Many parks closed or privatized within a decade of desegregation. Wolcott's book tracks the decline of the urban amusement park and the simultaneous rise of the suburban theme park, reframing these shifts within the civil rights context. Filled with detailed accounts and powerful insights, Race, Riots, and Roller Coasters brings to light overlooked aspects of conflicts over public accommodations. This eloquent history demonstrates the significance of leisure in American race relations.
Publisher: University of Pennsylvania Press
ISBN: 0812207599
Category : History
Languages : en
Pages : 320
Book Description
Throughout the twentieth century, African Americans challenged segregation at amusement parks, swimming pools, and skating rinks not only in pursuit of pleasure but as part of a wider struggle for racial equality. Well before the Montgomery bus boycott, mothers led their children into segregated amusement parks, teenagers congregated at forbidden swimming pools, and church groups picnicked at white-only parks. But too often white mobs attacked those who dared to transgress racial norms. In Race, Riots, and Roller Coasters, Victoria W. Wolcott tells the story of this battle for access to leisure space in cities all over the United States. Contradicting the nostalgic image of urban leisure venues as democratic spaces, Wolcott reveals that racial segregation was crucial to their appeal. Parks, pools, and playgrounds offered city dwellers room to exercise, relax, and escape urban cares. These gathering spots also gave young people the opportunity to mingle, flirt, and dance. As cities grew more diverse, these social forms of fun prompted white insistence on racially exclusive recreation. Wolcott shows how black activists and ordinary people fought such infringements on their right to access public leisure. In the face of violence and intimidation, they swam at white-only beaches, boycotted discriminatory roller rinks, and picketed Jim Crow amusement parks. When African Americans demanded inclusive public recreational facilities, white consumers abandoned those places. Many parks closed or privatized within a decade of desegregation. Wolcott's book tracks the decline of the urban amusement park and the simultaneous rise of the suburban theme park, reframing these shifts within the civil rights context. Filled with detailed accounts and powerful insights, Race, Riots, and Roller Coasters brings to light overlooked aspects of conflicts over public accommodations. This eloquent history demonstrates the significance of leisure in American race relations.
Glen Echo Park
Author: Richard Cook
Publisher:
ISBN: 9780615113401
Category : Amusement parks
Languages : en
Pages : 113
Book Description
Publisher:
ISBN: 9780615113401
Category : Amusement parks
Languages : en
Pages : 113
Book Description