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Author: Giuseppe Panza
Publisher:
ISBN: 9780789209436
Category : Art
Languages : en
Pages : 416
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Book Description
"A collector and advocate of contemporary art since the late 1940s, Giuseppe Panza has played a fundamental role in the artistic culture of his time, introducing American phenomena such as Minimalism to the museums of Europe. In this book, Panza shares philosophical insights and personal reflections that bridge a half-century of his discovery of new artists and movements"--Provided by publisher.
Author: Giuseppe Panza
Publisher:
ISBN: 9780789209436
Category : Art
Languages : en
Pages : 416
Get Book Here
Book Description
"A collector and advocate of contemporary art since the late 1940s, Giuseppe Panza has played a fundamental role in the artistic culture of his time, introducing American phenomena such as Minimalism to the museums of Europe. In this book, Panza shares philosophical insights and personal reflections that bridge a half-century of his discovery of new artists and movements"--Provided by publisher.
Author: Giuseppe Panza
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 252
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Book Description
This collection of contemporary art, created by Giuseppe Panza di Biumo in over forty-five years of collecting is one of the most important collections of art from the last decades of the twentieth century. This fully illustrated book gives an account of the history of the collection, of loans to important museums and of exhibitions of the works from it at contemporary art museums around the world.
Author: Giuseppe Panza
Publisher: Silvana Editoriale
ISBN: 9788836625222
Category : Art
Languages : en
Pages : 0
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Book Description
Giuseppe (1923-2010) and Giovanna Panza di Biumo are known as passionate and tireless collectors who over the course of more than fifty years built an extraordinary collection of contemporary art. Extraordinary for the artists included - Rothko, Kline, Tàpies, Lichtenstein, Oldenburg, Rosenquist, Andre, Serra, Nauman, Kosuth, LeWitt, Weiner, Sims and Fredenthal, among others - but especially for its implied vision: an innate and bold capacity to recognize in each work its radical, peculiar content of truth, well in advance of the critics and art market. This volume is the result of a long conversation with Philippe Ungar between 2007 and 2009. In this cultured and moving dialogue, the inner need to discover and acquire works of art is revealed as an intellectual adventure and a spiritual journey but also as the creation of a familiar lexicon founded on the tenacious search for beauty through art.
Author: Julia Brown
Publisher: Museum of Contemporary Art, San Diego
ISBN:
Category : Art
Languages : en
Pages : 70
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Book Description
Author: Jennifer Blessing
Publisher: Guggenheim Museum
ISBN:
Category : Art
Languages : en
Pages : 354
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Book Description
Originally, Solomon R. Guggenheim donated works from his collection to the Solomon R. Guggenheim Foundation, which he began in 1937 to support and promote non-objective art. Then, in 1939, he established the Museum of Non-Objective Painting, which was renamed the Solomon R. Guggenheim Museum in 1952, and its signature Frank Lloyd Wright building opened on New York's Fifth Avenue in 1959. Over time, the Guggenheim has expanded the type of art that it exhibits and collects through the addition of other great collections - notably, those of Karl Nierendorf, Peggy Guggenheim, Justin and Hilde Thannhauser, and Giuseppe Panza di Biumo - as well as through opportunities that resulted from the institution's increasingly international focus in more recent decades. The Guggenheim today encompasses venues on two continents: the museum in New York, the Peggy Guggenheim Collection in Venice, the Guggenheim Museum Bilbao, the Deutsche Guggenheim in Berlin and the Guggenheim Hermitage Museum in Las Vegas. This volume is published on the occasion of a major exhibition at the Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, and the Kunstmuseum Bonn. With its comprehensive presentation of masterworks from the Guggenheim's extended holdings, it provides insight into Modern and Contemporary art movements - from Impressionism to Cubism, Surrealism to Abstract Expressionism, Pop art and Minimalism to the most recent developments - and the distinctive features of the collection. The selection emphasizes the Guggenheim's ongoing commitment to acquiring the work of particular artists in depth, including Vasily Kandinsky, Paul Klee, Pablo Picasso, Robert Rauschenberg, Richard Serra and Matthew Barney, among many others.
Author: Francesca Esmay
Publisher: Guggenheim Museum Publications
ISBN: 9780892075560
Category : Art
Languages : en
Pages : 324
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Book Description
Case studies / Francesca Esmay, Ted Mann, and Jeffrey Weiss -- Decommission. Lost and found : history, policy, works / Francesca Esmay, Ted Mann, and Jeffrey Weiss -- Endgame / Martha Buskirk -- Enforcing the work of art / Virginia Rutledge -- Where eoes the work reside? a conversation between Martha Buskirk and Virginia Rutledge -- Selected correspondence and PCI interviews.
Author: Martha Buskirk
Publisher: MIT Press
ISBN: 9780262524421
Category : Art
Languages : en
Pages : 324
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Book Description
An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated performance and video, and have created works through instructions carried out by others. Furthermore, works of art that lack traditional signs of authenticity or permanence have been embraced by institutions long devoted to the original and the permanent. Buskirk begins with questions of authorship raised by minimalists' use of industrial materials and methods, including competing claims of ownership and artistic authorship evident in conflicts over the right to fabricate artists' works. Examining recent examples of appropriation, she finds precedents in pop art and the early twentieth-century readymade and explores the intersection of contemporary artistic copying and the system of copyrights, trademarks, and brand names characteristic of other forms of commodity production. She also investigates the ways that connections between work and context have transformed art and institutional conventions, the impact of new materials on definitions of medium, the role of the document as both primary and secondary object, and the significance of conceptually oriented performance work for the intersection of photography and the human body in contemporary art. Buskirk explores how artists active in the 1980s and 1990s have recombined strategies of the art of the 1960s and 1970s. She also shows how the mechanisms through which art is presented shape not only readings of the work but the work itself. She uses her discussion of the readymade and conceptual art to explore broader issues of authorship, reproduction, context, and temporality.
Author: Craig Adcock
Publisher: Univ of California Press
ISBN: 0520331451
Category : Art
Languages : en
Pages : 695
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Book Description
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1990. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Author: Assoc Prof Catherine Dossin
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472471326
Category : Art
Languages : en
Pages : 329
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Book Description
In The Rise and Fall of American Art, 1940s-1980s, Catherine Dossin challenges the now-mythic perception of New York as the undisputed center of the art world between the end of World War II and the fall of the Berlin Wall, a position of power that brought the city prestige, money, and historical recognition. Dossin reconstructs the concrete factors that led to the shift of international attention from Paris to New York in the 1950s, and documents how ‘peripheries’ such as Italy, Belgium, and West Germany exerted a decisive influence on this displacement of power. As the US economy sank into recession in the 1970s, however, American artists and dealers became increasingly dependent on the support of Western Europeans, and cities like Cologne and Turin emerged as major commercial and artistic hubs - a development that enabled European artists to return to the forefront of the international art scene in the 1980s. Dossin analyses in detail these changing distributions of geopolitical and symbolic power in the Western art worlds - a story that spans two continents, forty years, and hundreds of actors. Her transnational and interdisciplinary study provides an original and welcome supplement to more traditional formal and national readings of the period.
Author: Dan Flavin
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 134
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Book Description
This exhibition catalogue dedicated to Flavin, one of the most important artists of the second half of the 20th century, is published in conjunction with the exhibition at Villa Panza in Italy and organized with the Findo per l'Ambiente Italiano and the Solomon R. Guggenheim Museum of New York, September 30th - December 12th, 2004.
