Author: William Carew Hazlitt
Publisher: Johnson Reprint Corporation
ISBN:
Category : Reference
Languages : en
Pages : 308
Book Description
A Manual for the Collector and Amateur of Old English Plays
Author: William Carew Hazlitt
Publisher: Johnson Reprint Corporation
ISBN:
Category : Reference
Languages : en
Pages : 308
Book Description
Publisher: Johnson Reprint Corporation
ISBN:
Category : Reference
Languages : en
Pages : 308
Book Description
A Manual Fro the Collector and Amateur of Old English Plays
Author: Hazlitt
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
Book Description
Poetical and Dramatic Works
Author: Gerald Griffin
Publisher:
ISBN:
Category :
Languages : en
Pages : 418
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 418
Book Description
The Spectator
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1306
Book Description
A weekly review of politics, literature, theology, and art.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1306
Book Description
A weekly review of politics, literature, theology, and art.
Catalogue of the Public Library of the City of Fall River
Author: Fall River Public Library
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 964
Book Description
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 964
Book Description
Plays 1682–1696: Volume 4, The Plays 1682–1696
Author: Aphra Behn
Publisher: Cambridge University Press
ISBN: 1108899226
Category : Literary Criticism
Languages : en
Pages : 956
Book Description
Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.
Publisher: Cambridge University Press
ISBN: 1108899226
Category : Literary Criticism
Languages : en
Pages : 956
Book Description
Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.
Biblical References in Shakespeare's Plays
Author: Naseeb Shaheen
Publisher: University of Delaware
ISBN: 1611493730
Category : Bibles
Languages : en
Pages : 982
Book Description
The hundreds of biblical references in Shakespeare's plays give ample evidence that he was well acquainted with Scripture. Not only is the range of his biblical references impressive, but also the aptness with which he makes them. Hamlet and Othello each have more than fifty biblical references. No study of Shakespeare's plays is complete that ignores Shakespeare's use of scripture. The Bibles that Shakespeare knew, however, were not those that are in use today. By the time the King James Bible appeared in 1611, Shakespeare's career was all but over, and the Anglican liturgy that is evident in his plays is likewise one that few persons are acquainted with. This volume provides a comprehensive survey of the English Bibles of Shakespeare's day, notes their similarities and differences, and indicates which version the playwright knew best. The thorny question of what constitutes a valid biblical reference is also discussed. The study of Shakespeare's biblical references is not based on secondary sources. The author owned one of the world's largest collections of early English bibles, including over one hundred copies of the Geneva bible and numerous editions of other Bibles, prayer books, and books of homilies of Shakespeare's day. To be of real worth, a study of Shakespeare's biblical references should also enable the reader to determine which references Shakespeare borrowed from his plot sources and which he added from his own memory as part of his design for the play. The author studies every source that Shakespeare is known to have read or consulted before writing each play and has examined the biblical references in those sources. Shaheen then points out which biblical references in his literary sources Shakespeare accepted, and how he adapted them in his plays. This information is especially valuable when assessing the theological meanings that are sometimes imposed on his plays, meanings that often go beyond what Shakespeare intended or what his audience must have understood. Biblical References in Shakespeare's Plays is considerably broader in scope than any other study of its kind and provides the scholarly checks and balances in dealing with the subject that previous studies lacked. .
Publisher: University of Delaware
ISBN: 1611493730
Category : Bibles
Languages : en
Pages : 982
Book Description
The hundreds of biblical references in Shakespeare's plays give ample evidence that he was well acquainted with Scripture. Not only is the range of his biblical references impressive, but also the aptness with which he makes them. Hamlet and Othello each have more than fifty biblical references. No study of Shakespeare's plays is complete that ignores Shakespeare's use of scripture. The Bibles that Shakespeare knew, however, were not those that are in use today. By the time the King James Bible appeared in 1611, Shakespeare's career was all but over, and the Anglican liturgy that is evident in his plays is likewise one that few persons are acquainted with. This volume provides a comprehensive survey of the English Bibles of Shakespeare's day, notes their similarities and differences, and indicates which version the playwright knew best. The thorny question of what constitutes a valid biblical reference is also discussed. The study of Shakespeare's biblical references is not based on secondary sources. The author owned one of the world's largest collections of early English bibles, including over one hundred copies of the Geneva bible and numerous editions of other Bibles, prayer books, and books of homilies of Shakespeare's day. To be of real worth, a study of Shakespeare's biblical references should also enable the reader to determine which references Shakespeare borrowed from his plot sources and which he added from his own memory as part of his design for the play. The author studies every source that Shakespeare is known to have read or consulted before writing each play and has examined the biblical references in those sources. Shaheen then points out which biblical references in his literary sources Shakespeare accepted, and how he adapted them in his plays. This information is especially valuable when assessing the theological meanings that are sometimes imposed on his plays, meanings that often go beyond what Shakespeare intended or what his audience must have understood. Biblical References in Shakespeare's Plays is considerably broader in scope than any other study of its kind and provides the scholarly checks and balances in dealing with the subject that previous studies lacked. .
Shakespeare's Ovid
Author: A. B. Taylor
Publisher: Cambridge University Press
ISBN: 0521030315
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
A comprehensive examination of Shakespeare's use of Ovid's epic poem, Metamorphoses.
Publisher: Cambridge University Press
ISBN: 0521030315
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
A comprehensive examination of Shakespeare's use of Ovid's epic poem, Metamorphoses.
Gerald Griffin (1803-1840)
Author: John Cronin
Publisher: Cambridge University Press
ISBN: 0521218004
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
A full-length critical study of the life and works of the Irish writer Gerald Griffin (1803-1840).
Publisher: Cambridge University Press
ISBN: 0521218004
Category : Literary Criticism
Languages : en
Pages : 190
Book Description
A full-length critical study of the life and works of the Irish writer Gerald Griffin (1803-1840).
Bram Stoker and the Stage, Volume 2
Author: Catherine Wynne
Publisher: Taylor & Francis
ISBN: 1040129242
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
Though best known as the author of Dracula (1897) Bram Stoker had a successful career in the theatre. This collection brings together all Stoker's theatrical reviews from Dublin's Evening Mail, his published essays and interviews on the theatre, selections from Reminiscences of Henry Irving (1906) and a fictional work on the theatre.
Publisher: Taylor & Francis
ISBN: 1040129242
Category : Literary Criticism
Languages : en
Pages : 356
Book Description
Though best known as the author of Dracula (1897) Bram Stoker had a successful career in the theatre. This collection brings together all Stoker's theatrical reviews from Dublin's Evening Mail, his published essays and interviews on the theatre, selections from Reminiscences of Henry Irving (1906) and a fictional work on the theatre.