A Comprehensive Persian-English Dictionary PDF Download
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Author: Francis Steingass
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1560
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Book Description
Author: Francis Steingass
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1560
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Book Description
Author: Hooman Koliji
Publisher: Routledge
ISBN: 1317117697
Category : Architecture
Languages : en
Pages : 341
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Book Description
Contemporary technical architectural drawings, in establishing a direct relationship between the drawing and its object, tend to privilege the visible physical world at the expense of the invisible intangible ideas and concepts, including that of the designer’s imagination. As a result, drawing may become a utilitarian tool for documentation, devoid of any meaningful value in terms of a kind of knowledge that could potentially link the visible and invisible. This book argues that design drawings should be recognized as intermediaries, mediating between the world of ideas and the world of things, spanning the intangible and tangible. The notion of the 'Imaginal' as an intermediary between the invisible and visible is discussed, showing how architectural drawings lend themselves to this notion by performing as creative agents contributing not only to the physical world but also penetrating the realm of concepts. The book argues that this 'in-between' quality to architectural drawing is essential and that it is critical to perceive drawings as subtle bodies that hold physical attributes (for example, form, proportion, color), highly evocative, yet with no matter. Focusing on Islamic geometric architectural drawings, both historical and contemporary, it draws on key philosophical and conceptual notions of imagination from the Islamic tradition as these relate to the creative act. In doing so, this book not only makes important insights into the design process and act of architectural representation, but more broadly it adds to debates on philosophies of the imagination, linking both Western and Islamic traditions.
Author: F. Steingass
Publisher: Routledge
ISBN: 1136852484
Category : Foreign Language Study
Languages : en
Pages : 1549
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Book Description
First published in 2004. This dictionary is a valuable resource for Persian to English translation and includes Arabic Words and Phrases to be found in Persian literature. The initial aim originally laid down for this Dictionary was to prepare a revised edition of Johnson's enlargement of Wilkins-Richardson's Persian, Arabic, and English Dictionary, by reducing the Arabic element and increasing the Persian, so as to produce a volume of moderate dimensions and price, specially adapted to the wants of the English Student.
Author: F. Steingass
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1558
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Book Description
Author: Crane
Publisher: BRILL
ISBN: 9004659900
Category : Art
Languages : en
Pages : 223
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Book Description
Author: Mircea Pitici
Publisher: Princeton University Press
ISBN: 1400888557
Category : Mathematics
Languages : en
Pages : 243
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Book Description
The year's finest mathematics writing from around the world This annual anthology brings together the year’s finest mathematics writing from around the world. Featuring promising new voices alongside some of the foremost names in the field, The Best Writing on Mathematics 2017 makes available to a wide audience many articles not easily found anywhere else—and you don’t need to be a mathematician to enjoy them. These writings offer surprising insights into the nature, meaning, and practice of mathematics today. They delve into the history, philosophy, teaching, and everyday occurrences of math, and take readers behind the scenes of today’s hottest mathematical debates. Here Evelyn Lamb describes the excitement of searching for incomprehensibly large prime numbers, Jeremy Gray speculates about who would have won math’s highest prize—the Fields Medal—in the nineteenth century, and Philip Davis looks at mathematical results and artifacts from a business and marketing viewpoint. In other essays, Noson Yanofsky explores the inherent limits of knowledge in mathematical thinking, Jo Boaler and Lang Chen reveal why finger-counting enhances children’s receptivity to mathematical ideas, and Carlo Séquin and Raymond Shiau attempt to discover how the Renaissance painter Fra Luca Pacioli managed to convincingly depict his famous rhombicuboctahedron, a twenty-six-sided Archimedean solid. And there’s much, much more. In addition to presenting the year’s most memorable writings on mathematics, this must-have anthology includes a bibliography of other notable writings and an introduction by the editor, Mircea Pitici. This book belongs on the shelf of anyone interested in where math has taken us—and where it is headed.
Author: John Shakespear
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1322
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Book Description
Author: John Shakespear
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 1204
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Book Description
Author: Henry Hill Butts
Publisher:
ISBN:
Category : Land settlement
Languages : en
Pages : 438
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Book Description
Author: Yasser Tabbaa
Publisher: University of Washington Press
ISBN: 0295803932
Category : History
Languages : en
Pages : 224
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Book Description
The transformation of Islamic architecture and ornament during the eleventh and twelfth centuries signaled profound cultural changes in the Islamic world. Yasser Tabbaa explores with exemplary lucidity the geometric techniques that facilitated this transformation, and investigates the cultural processes by which meaning was produced within the new forms. Iran, Iraq, and Syria saw the development of proportional calligraphy, vegetal and geometric arabesque, muqarnas (stalactite) vaulting, and other devices that became defining features of medieval Islamic architecture. Ultimately, the forms and themes described in this book shaped the development of Mamluk architecture in Egypt and Syria, and by extension, the entire course of North African and Andalusian architecture as well. These innovations developed and were disseminated in a highly charged atmosphere of confrontation between the Seljuk and post-Seljuk proponents of the traditionalist Sunni revival and their main opponents in Fatimid Egypt. These forms stood as visual signs of allegiance to the orthodox Abbasid caliphate and of difference from the heterodox Fatimids. Tabbaa proposes that their rapid spread throughout the Islamic world operated within a system of reciprocating, ceremonial gestures, which conveyed a new and formal language that helped negotiate the gap between the myth of a unified Sunni Islam and its actual political fragmentation. In subject matter and approach, The Transformation of Islamic Art during the Sunni Revival makes original contributions to the study of art, revealing that this relatively neglected sector of medieval art and architecture is of critical importance for reevaluating the entire field of Islamic studies. It challenges the essentialist and positivist approaches that still permeate the study of Islamic art, and offers a historical and semiotic alternative for exploring meaning within ruptures of change.
