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Author: Jill Dunkerton
Publisher: Yale University Press
ISBN: 0300050828
Category : Art
Languages : en
Pages : 414
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Book Description
"This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection ... some 70 of the finest and best known paintings in the Gallery are examined in detail"--Cover.
Author: Jill Dunkerton
Publisher: Yale University Press
ISBN: 0300050828
Category : Art
Languages : en
Pages : 414
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Book Description
"This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection ... some 70 of the finest and best known paintings in the Gallery are examined in detail"--Cover.
Author: Jill Dunkerton
Publisher: Yale University Press
ISBN: 0300095333
Category : Art
Languages : en
Pages : 340
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Book Description
"The authors look closely at a variety of types of painting - including large altarpieces, small domestic, devotional images, diplomatic gifts, furniture, decorations and both intimate and full-length portraits - as well as frescoes, drawings and prints. They provide insights into the meanings of individual pictures and into the purposes they were originally intended to serve, and they explore the social position of the artist in the 1500s.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 408
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Book Description
Author: Giotto
Publisher: DK Publishing (Dorling Kindersley)
ISBN:
Category : Painters
Languages : en
Pages : 148
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Book Description
The artist who influenced the whole of the Italian Renaissance, of whom Vasari wrote "GIOTTO restored the link between art and nature."
Author: Tim Marlow
Publisher:
ISBN: 9780571209088
Category : Art
Languages : en
Pages : 319
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Book Description
A perfect introduction for anyone interested in the rich history of Western Art. Great Artists takes its readers on a journey through the history of art, beginning in the thirteenth century with Giotto, and ending in the twentieth century with Picasso. Along the way the major painters of Western art are considered, placed in their social context, and discussed in terms of the most recent scholarship. The book explores how and why these painters were significant in changing how the world was seen and represented. Intelligent and accessible, this book ties in with a 15-part Channel 5 TV series from the authors, and is the ideal gift for would-be connoisseurs seeking a pathway into the lives of the great painters.
Author: Laura Jacobus
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
This book is divided into two parts, the first presenting new evidence and reconstructions of the chapel's design and early history; the second offering new interpretations of Giotto's frescoes. Appendices present original sources, all of which are newly-discovered, unpublished or previously published in inaccessible editions. An outline of the early history of the Scrovegni family and the career of the chapel's patron, Enrico Scrovegni, introduces the first part of the book. It is argued that the chapel's varied functions played an important part in determining the form of the building and the content of its frescoes. A complete reconstruction of the appearance of the Arena Chapel at the time of its consecration in 1305 forms the basis for an entirely new understanding of Giotto's frescoes. Giotto was the architect of the Arena Chapel, architecture and decoration were completely integrated in his design. Changes in the design brief during the period 1300-1305 prevented the full realization of his design. Some of the paintings now seen in the Arena Chapel, which have always been attributed to Giotto, are not in fact by him. Several independent masters worked under Giotto's direction. He headed a flexibly-organized workshop. Part II is introduced by a discussion of the frescoes that would be encountered by visitors to the Arena Chapel. These frescoes were deliberately placed in these positions by Giotto in order to further a process of luminal transformation upon entry into sacred space. Giotto employed radically new compositional devices to evoke correspondences between the pictured protagonists in their fictive environments, and viewers in the real environment of the chapel. Dr. Laura Jacobus' research interests cover various aspects of Italian visual culture during the period c.1250-1450. She teaches at Birkbeck University of London.
Author: Harry Quilter
Publisher:
ISBN:
Category : Painting, Renaissance
Languages : en
Pages : 236
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Book Description
Author: Katherine Crawford Luber
Publisher: Cambridge University Press
ISBN: 9780521562881
Category : Art
Languages : en
Pages : 310
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Book Description
Publisher Description
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217357
Category : Art
Languages : en
Pages : 1454
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Book Description
Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Author: Tim Marlow
Publisher:
ISBN:
Category : Art, European
Languages : en
Pages :
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Book Description
