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Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217330
Category : Art
Languages : en
Pages : 433
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Book Description
Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217330
Category : Art
Languages : en
Pages : 433
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Book Description
Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217357
Category : Art
Languages : en
Pages : 1454
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Book Description
Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205216970
Category : Art
Languages : en
Pages : 427
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Book Description
Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist.
Author: Christopher Wood
Publisher: Princeton University Press
ISBN: 069124426X
Category : Art
Languages : en
Pages : 376
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Book Description
"A new study of the early Renaissance portrait"--
Author: Shearjashub Spooner
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 230
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Book Description
Shearjashub Spooner's 'Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art' is a captivating exploration of the lives and works of various artists throughout history. As the second volume in a series of three, this book delves into the personal stories behind some of the most iconic pieces of art, offering a unique perspective on the creative processes of these individuals. Spooner's literary style is both informative and engaging, providing readers with a comprehensive look at the world of art. Set in the context of the 19th century, this book is a valuable resource for art history enthusiasts. As a renowned art historian and educator, Shearjashub Spooner's passion for the subject shines through in this meticulously researched volume. His expertise in the field of art allows him to offer readers a deep insight into the lives of these artists, making this book a must-read for anyone interested in the intersection of art and history. Spooner's own background as a scholar adds credibility to the narrative, further enhancing the reader's understanding of the material. I highly recommend 'Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art' to art lovers and history buffs alike. Spooner's detailed accounts and thoughtful analysis make this book a valuable addition to any collection, providing a glimpse into the fascinating world of art and the individuals who shape it.
Author: Julia Isabel Miller
Publisher: Penn State University Press
ISBN: 9780271065038
Category : Art patronage
Languages : en
Pages : 0
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Book Description
Investigatesthe major paintings and sculpture produced for the church of Ognissanti (All Saints) in Florence between about 1300 and 1500 under the artistic patronage of the religious order of the Humiliati.
Author: Joseph Archer Crowe
Publisher:
ISBN:
Category : Painting, Italian
Languages : en
Pages : 546
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Book Description
Author: Joseph Archer Crowe
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 462
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Book Description
Author: Michael Grillo
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Art
Languages : en
Pages : 440
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Book Description
Explores how the composition of Italian Early Medieval and Byzantine paintings and relief sculptures serves as a framing syntax to cue the specific meanings of the symbols that traditional scholarship on iconography recognizes. Also points out the vital role of ambiguity in the transition from hierarchical composition to perspective in late Medieval Italy. Illustrated in black and white. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Francesco Pellizzi
Publisher: Peabody Museum Press
ISBN: 087365840X
Category : Art
Languages : en
Pages : 361
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Book Description
This double volume includes: The value of forgery, Jonathan Hay; Affective operations of art and literature, Ernst van Alphen; Betty’s Turn, Stephen Melville; Richard Serra in Germany, Magdalena Nieslony; Beheadings and massacres, Federico Navarrete; Pliny the Elder and the identity of Roman art, Francesco de Angelis; Between nature and artifice, Francesca Dell’Acqua; Narrative cartographies, Gerald Guest; The artist and the icon, Alexander Nagel; Preliminary thoughts on Piranesi and Vico, Erika Naginski; Portable ruins, Alina Payne; Istanbul: The palimpsest city in search of its archi-text, Nebahat Avcioglu; The iconicity of Islamic calligraphy in Turkey, Irvin Cemil Schick; The Buddha’s house, Kazi Khalid Ashraf; A flash of recognition into how not to be governed, Natasha Eaton; Hasegawa’s fairy tales, Christine Guth; The paradox of the ethnographic-superaltern, Anna Brzyski, and contributions to “Lectures, Documents and Discussions” by Karen Kurczyncki, Mary Dumett, Emmanuel Alloa, Francesco Pellizzi, and Boris Groys.
