Author: John Ruskin
Publisher: London : Arundel Society
ISBN:
Category : Madonna dell'Arena (Chapel) Padua, Italy
Languages : en
Pages : 140
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Author: Hourly History
Publisher:
ISBN:
Category :
Languages : en
Pages : 46
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Book Description
Discover the remarkable life of Giotto di Bondone...The name Giotto di Bondone may not be as well-known as Leonardo da Vinci, but it was Giotto who made da Vinci and his contemporaries of the Renaissance possible. Giotto, born in the late thirteenth century, was the first painter to escape the artistic chains of the Dark Ages and revive the natural art of Ancient Greece. Instead of creating flat, expressionless figures, as was the custom of the Middle Ages, Giotto painted characters with personalities and emotions. Since almost all art of that time was commissioned by the Church, Giotto spent his life painting magnificent frescos for churches and chapels. He became the most famous painter of his time and opened the artistic doors to the splendid Renaissance to come. Discover a plethora of topics such as Humble Beginnings The Assisi Frescos From Rome to Padua: The Arena Chapel At King Robert's Court Giotto, the Architect Late Life and Death And much more! So if you want a concise and informative book on Giotto di Bondone, simply scroll up and click the "Buy now" button for instant access!
Author: Giotto
Publisher: DK Publishing (Dorling Kindersley)
ISBN:
Category : Painters
Languages : en
Pages : 148
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Book Description
The artist who influenced the whole of the Italian Renaissance, of whom Vasari wrote "GIOTTO restored the link between art and nature."
Author: Laura Jacobus
Publisher: Harvey Miller
ISBN:
Category : Art
Languages : en
Pages : 468
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Book Description
This book is divided into two parts, the first presenting new evidence and reconstructions of the chapel's design and early history; the second offering new interpretations of Giotto's frescoes. Appendices present original sources, all of which are newly-discovered, unpublished or previously published in inaccessible editions. An outline of the early history of the Scrovegni family and the career of the chapel's patron, Enrico Scrovegni, introduces the first part of the book. It is argued that the chapel's varied functions played an important part in determining the form of the building and the content of its frescoes. A complete reconstruction of the appearance of the Arena Chapel at the time of its consecration in 1305 forms the basis for an entirely new understanding of Giotto's frescoes. Giotto was the architect of the Arena Chapel, architecture and decoration were completely integrated in his design. Changes in the design brief during the period 1300-1305 prevented the full realization of his design. Some of the paintings now seen in the Arena Chapel, which have always been attributed to Giotto, are not in fact by him. Several independent masters worked under Giotto's direction. He headed a flexibly-organized workshop. Part II is introduced by a discussion of the frescoes that would be encountered by visitors to the Arena Chapel. These frescoes were deliberately placed in these positions by Giotto in order to further a process of luminal transformation upon entry into sacred space. Giotto employed radically new compositional devices to evoke correspondences between the pictured protagonists in their fictive environments, and viewers in the real environment of the chapel. Dr. Laura Jacobus' research interests cover various aspects of Italian visual culture during the period c.1250-1450. She teaches at Birkbeck University of London.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217357
Category : Art
Languages : en
Pages : 1454
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Book Description
Vol. 1: Life Giotto (1334) is the first European artist about whom it is possible to write following the schema of "life and work". The situation of the sources, however, is complicated: On Giotto's life, there are – on the one hand – biographical accounts from the mid-fourteenth century onwards that responded to various ideological requirements (patriotism, humanism, Renaissance ideology, cult of the artist); on the other, there is extensive documentary material from Giotto's lifetime, which seems to reflect less the biography of an artist than that of a bourgeois businessman resolutely climbing the social ladder. The present volume focuses on this second aspect of the Giotto figure's double life relating it to the form of existence of the pre-modern artist. Vol. 2: Works The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again. Vol. 3: Survival Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Author: Francesca Flores d'Arcais
Publisher: Abbeville Press
ISBN: 9780789211149
Category :
Languages : en
Pages : 0
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Book Description
"The preface to the second Italian edition was translated by Marguerite Shore"--T.p. verso.
Author: Jill Dunkerton
Publisher: Yale University Press
ISBN: 0300050828
Category : Art
Languages : en
Pages : 414
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Book Description
"This book provides a survey of European painting between 1260 and 1510, in both northern and southern Europe, based largely on the National Gallery collection ... some 70 of the finest and best known paintings in the Gallery are examined in detail"--Cover.
Author: Julian Gardner
Publisher: Harvard University Press
ISBN: 0674060970
Category : Art
Languages : en
Pages : 256
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Book Description
This probing analysis of three works by Giotto and the patrons who commissioned them goes far beyond the clichés of Giotto as the founding figure of Western painting. It traces the interactions between Franciscan friars and powerful bankers, illuminating the complex interplay between mercantile wealth and the iconography of poverty. Political strife and religious faction lacerated fourteenth-century Italy. Giotto’s commissions are best understood against the background of this social turmoil. They reflected the demands of his patrons, the requirements of the Franciscan Order, and the restlessly inventive genius of the painter. Julian Gardner examines this important period of Giotto’s path-breaking career through works originally created for Franciscan churches: Stigmatization of Saint Francis from San Francesco at Pisa, now in the Louvre, the Bardi Chapel cycle of the Life of St. Francis in Santa Croce at Florence, and the frescoes of the crossing vault above the tomb of Saint Francis in the Lower Church of San Francesco at Assisi. These murals were executed during a twenty-year period when internal tensions divided the friars themselves and when the Order was confronted by a radical change of papal policy toward its defining vow of poverty. The Order had amassed great wealth and built ostentatious churches, alienating many Franciscans in the process and incurring the hostility of other Orders. Many elements in Giotto’s frescoes, including references to St. Peter, Florentine politics, and church architecture, were included to satisfy patrons, redefine the figure of Francis, and celebrate the dominant group within the Franciscan brotherhood.
Author: Lucia Corrain
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 72
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Book Description
Examines the life, work, and world of the medieval Italian artist, and assesses his impact on later art.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217314
Category : Art
Languages : en
Pages : 595
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Book Description
The paintings examined and contextualised in this volume are those secured for Giotto through early written sources. These sources also help to reconstruct the sequence of his works and artistic inventions as is plausible in the context of media culture in the decades around and after 1300: while Giotto was spiritually and intellectually formed in the sphere of the Florentine Dominicans, his artistic path began in Rome in the shadow of the Curia. The breakthrough to his own artistic concept came immediately before and during his work in Padua. In addition to prominent churchmen, ecclesiastical institutions, and the King of Naples, his clients were predominantly members of Italy's urban and financial elites. The adoption and further development of his inventions by other - especially Sienese - painters pressured him in his later years to try new approaches again.