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Author: Lura Anna Boies
Publisher:
ISBN:
Category : New York (State)
Languages : en
Pages : 322
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Book Description
Author: Lura Anna Boies
Publisher:
ISBN:
Category : New York (State)
Languages : en
Pages : 322
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Book Description
Author: Harry Graham
Publisher: BoD - Books on Demand
ISBN:
Category : Poetry
Languages : en
Pages : 56
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Book Description
"The Motley Muse: Rhymes for the Times" is a collection of humorous verses written by Harry Graham. Harry Graham (1874–1936) was a British writer and poet known for his witty and satirical poetry. "The Motley Muse" is one of several collections where Graham showcased his talent for light verse and comedic commentary on various aspects of contemporary life. Key features of "The Motley Muse" may include: Humorous Verses: The collection likely consists of light, humorous poetry that satirizes different aspects of society, politics, or daily life. Satirical Tone: Harry Graham was known for his satirical and often irreverent approach to his subjects. His verses may contain playful jabs at conventions and social norms. Rhymes for the Times: The title suggests that Graham's poetry is relevant to the contemporary issues or events of his time, providing a humorous take on the happenings of the day. Clever Wordplay: Graham was skilled at using clever wordplay and puns in his verses. Readers can expect a playfulness with language that adds to the comedic effect. Social Commentary: While presented in a humorous manner, Graham's poetry often carries underlying social commentary, offering insights into the concerns and attitudes of the period.
Author: Steve Sullivan
Publisher: Rowman & Littlefield
ISBN: 1442254491
Category : Music
Languages : en
Pages : 830
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Book Description
Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording
Author: David Brackett
Publisher: Univ of California Press
ISBN: 0520225414
Category : Juvenile Nonfiction
Languages : en
Pages : 280
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Book Description
In this book David Brackett crosses the disciplines of cultural studies in music theory to consider how listeners evaluate popular songs and how they come to attribute a rich variety of meanings to them.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 436
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Book Description
Author: the late Russell Sanjek
Publisher: Oxford University Press
ISBN: 0198021275
Category : Music
Languages : en
Pages : 741
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Book Description
This volume focuses on developments in the music business in the twentieth century, including vaudeville, music boxes, the relationship of Hollywood to the music business, the "fall and rise" of the record business in the 1930s, new technology (TV, FM, and the LP record) after World War II, the dominance of rock-and-roll and the huge increase in the music business during the 1950s and 1960s, and finally the changing music business scene from 1967 to the present, especially regarding government regulations, music licensing, and the record business.
Author: John Shepherd
Publisher: A&C Black
ISBN: 0826463223
Category : Popular music
Languages : en
Pages : 713
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Book Description
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Author: Timothy Warner
Publisher: Routledge
ISBN: 1351774514
Category : Social Science
Languages : en
Pages : 291
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Book Description
This title was first published in 2003.This highly original and accessible book draws on the author’s personal experience as a musician, producer and teacher of popular music to discuss the ways in which audio technology and musical creativity in pop music are inextricably bound together. This relationship, the book argues, is exemplified by the work of Trevor Horn, who is widely acknowledged as the most important, innovative and successful British pop record producer of the early 1980s. In the first part of the book, Timothy Warner presents a definition of pop as distinct from rock music, and goes on to consider the ways technological developments, such as the transition from analogue to digital, transform working practices and, as a result, impact on the creative process of producing pop.
Author: John Shepherd
Publisher: A&C Black
ISBN: 1847144721
Category : Social Science
Languages : en
Pages : 713
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Book Description
The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 132
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Book Description
