Author: Mario Rigoni Stern
Publisher: Autumn Hill Books
ISBN: 9780982746684
Category : Fiction
Languages : en
Pages : 0
Book Description
"A small community of the plateau of Asiago worn out by the Great War: rubble everywhere, poverty, unemployment. Who does not migrate in front of him [has] only a dangerous profession, that of "recovering" beat the mountain to find remnants of war for resale to wholesalers of metals for pennies. James, the protagonist of the novel, he learned the craft as a child with his father. In the silence of the mountains, learn to converse with the missing soldiers, but also to understand and decipher the secret language of plants and animals"--ibs.it web page.
Giacomo's Seasons
Author: Mario Rigoni Stern
Publisher: Autumn Hill Books
ISBN: 9780982746684
Category : Fiction
Languages : en
Pages : 0
Book Description
"A small community of the plateau of Asiago worn out by the Great War: rubble everywhere, poverty, unemployment. Who does not migrate in front of him [has] only a dangerous profession, that of "recovering" beat the mountain to find remnants of war for resale to wholesalers of metals for pennies. James, the protagonist of the novel, he learned the craft as a child with his father. In the silence of the mountains, learn to converse with the missing soldiers, but also to understand and decipher the secret language of plants and animals"--ibs.it web page.
Publisher: Autumn Hill Books
ISBN: 9780982746684
Category : Fiction
Languages : en
Pages : 0
Book Description
"A small community of the plateau of Asiago worn out by the Great War: rubble everywhere, poverty, unemployment. Who does not migrate in front of him [has] only a dangerous profession, that of "recovering" beat the mountain to find remnants of war for resale to wholesalers of metals for pennies. James, the protagonist of the novel, he learned the craft as a child with his father. In the silence of the mountains, learn to converse with the missing soldiers, but also to understand and decipher the secret language of plants and animals"--ibs.it web page.
I Am God
Author: Giacomo Sartori
Publisher: Restless Books
ISBN: 1632062151
Category : Fiction
Languages : en
Pages : 219
Book Description
Diabolically funny and subversively philosophical, Italian novelist Giacomo Sartori’s I Am God is the diary of the Almighty’s existential crisis that erupts when he falls in love with a human. I am God. Have been forever, will be forever. Forever, mind you, with the razor-sharp glint of a diamond, and without any counterpart in the languages of men. So begins God’s diary of the existential crisis that ensues when, inexplicably, he falls in love with a human. And not just any human, but a geneticist and fanatical atheist who’s certain she can improve upon the magnificent creation she doesn’t even give him the credit for. It’s frustrating, for a god. God has infinitely bigger things to occupy his celestial attentions. Yet he can’t tear his eyes (so to speak) from the geneticist who’s unsettlingly avid when it comes to science, sex, and Sicilian cannoli. Whatever happens, he must safeguard his transcendental dignity. So he watches—disinterestedly, of course—as the handsome climatologist who has his sights set on her keeps having strange accidents. And as the lanky geneticist becomes hell-bent on infiltrating the Vatican’s secret files, for reasons of her own…. A sly critique of the hypocrisy and hubris that underlie faith in religion, science, and macho careerism, I Am God takes us on a hilarious and provocative romp through the Big Questions with the universe’s supreme storyteller.
Publisher: Restless Books
ISBN: 1632062151
Category : Fiction
Languages : en
Pages : 219
Book Description
Diabolically funny and subversively philosophical, Italian novelist Giacomo Sartori’s I Am God is the diary of the Almighty’s existential crisis that erupts when he falls in love with a human. I am God. Have been forever, will be forever. Forever, mind you, with the razor-sharp glint of a diamond, and without any counterpart in the languages of men. So begins God’s diary of the existential crisis that ensues when, inexplicably, he falls in love with a human. And not just any human, but a geneticist and fanatical atheist who’s certain she can improve upon the magnificent creation she doesn’t even give him the credit for. It’s frustrating, for a god. God has infinitely bigger things to occupy his celestial attentions. Yet he can’t tear his eyes (so to speak) from the geneticist who’s unsettlingly avid when it comes to science, sex, and Sicilian cannoli. Whatever happens, he must safeguard his transcendental dignity. So he watches—disinterestedly, of course—as the handsome climatologist who has his sights set on her keeps having strange accidents. And as the lanky geneticist becomes hell-bent on infiltrating the Vatican’s secret files, for reasons of her own…. A sly critique of the hypocrisy and hubris that underlie faith in religion, science, and macho careerism, I Am God takes us on a hilarious and provocative romp through the Big Questions with the universe’s supreme storyteller.
Bug
Author: Giacomo Sartori
Publisher: Restless Books
ISBN: 1632062755
Category : Fiction
Languages : en
Pages : 311
Book Description
With the wicked humor and imagination that made readers fall in love with his novel I Am God, Giacomo Sartori brings us a madcap story of family dysfunction, (dis)ability, intelligent robots, bees, and a family of misfit savants living outside the bounds. In the singular world of the young, deaf narrator of Bug, there are just a handful of people who try to understand him when he gets into trouble at school. His father, a data analyst for Nutella whose real job is to pinpoint terrorists, is clueless about humans in real life. His brilliant brother, called IQ in public and Robin Hood in the hackersphere, has his back but is ever busier training his robot. His grandfather, a retired anarchist-guerilla-turned-nematologist, chides him for misbehaving when he takes him hunting for worms. Meanwhile, his Buddhist beekeeper mother, ordinarily his closest confidante, has been in a coma ever since a terrible car accident. Just when the family’s survival in their converted chicken coop seems most precarious, someone—or something—new enters his life: Bug. This self-declared “fast friend” seems to know all about his family and has some creative, if not strictly legal, ideas about how to help . . . Praise for Bug “A witty tale of family resilience and a dangerous, homemade AI bot…. the characters’ antics escalate in inventive and unexpected ways. This is worth a spin.”—Publishers Weekly “A lonely boy befriends a charming but dangerous robot in Giacomo Sartori’s science fiction novel Bug. . . . The prose is lively, intense, and full of perceptive similes. The boy’s voice is unique and memorable as he records his daily adventures at school and at home. . . . Whether real or imagined or both, the boy’s adventures show him to be resilient, vulnerable, caring, and inquisitive—but above all else, he is a neglected child who wants his mother back.”—Eileen Gonzalez, Foreword Reviews “With wry attention to the gorgeous frailty of human behavior and a wicked sense of humor, Sartori brings us a family that is utterly unremarkable and unforgettable. Living in a chicken coop as his family goes through emotional and financial turmoil, the narrator, a ten-year-old boy, pulls the reader into his head. When language fails him (‘...words lend themselves without restraint to confecting colossal lies, you might even say they enjoy it.’), he turns to an unpredictable online friend. With the same messy heartbeat he gave us in I Am God, Sartori's newest novel is pure delight.”—Shawn, Mara, and Marisa, Chapter One Book Store (Hamilton, MT)
Publisher: Restless Books
ISBN: 1632062755
Category : Fiction
Languages : en
Pages : 311
Book Description
With the wicked humor and imagination that made readers fall in love with his novel I Am God, Giacomo Sartori brings us a madcap story of family dysfunction, (dis)ability, intelligent robots, bees, and a family of misfit savants living outside the bounds. In the singular world of the young, deaf narrator of Bug, there are just a handful of people who try to understand him when he gets into trouble at school. His father, a data analyst for Nutella whose real job is to pinpoint terrorists, is clueless about humans in real life. His brilliant brother, called IQ in public and Robin Hood in the hackersphere, has his back but is ever busier training his robot. His grandfather, a retired anarchist-guerilla-turned-nematologist, chides him for misbehaving when he takes him hunting for worms. Meanwhile, his Buddhist beekeeper mother, ordinarily his closest confidante, has been in a coma ever since a terrible car accident. Just when the family’s survival in their converted chicken coop seems most precarious, someone—or something—new enters his life: Bug. This self-declared “fast friend” seems to know all about his family and has some creative, if not strictly legal, ideas about how to help . . . Praise for Bug “A witty tale of family resilience and a dangerous, homemade AI bot…. the characters’ antics escalate in inventive and unexpected ways. This is worth a spin.”—Publishers Weekly “A lonely boy befriends a charming but dangerous robot in Giacomo Sartori’s science fiction novel Bug. . . . The prose is lively, intense, and full of perceptive similes. The boy’s voice is unique and memorable as he records his daily adventures at school and at home. . . . Whether real or imagined or both, the boy’s adventures show him to be resilient, vulnerable, caring, and inquisitive—but above all else, he is a neglected child who wants his mother back.”—Eileen Gonzalez, Foreword Reviews “With wry attention to the gorgeous frailty of human behavior and a wicked sense of humor, Sartori brings us a family that is utterly unremarkable and unforgettable. Living in a chicken coop as his family goes through emotional and financial turmoil, the narrator, a ten-year-old boy, pulls the reader into his head. When language fails him (‘...words lend themselves without restraint to confecting colossal lies, you might even say they enjoy it.’), he turns to an unpredictable online friend. With the same messy heartbeat he gave us in I Am God, Sartori's newest novel is pure delight.”—Shawn, Mara, and Marisa, Chapter One Book Store (Hamilton, MT)
Le stagioni di Giacomo Thomson
Author: James Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
Book Description
Giacomo Puccini
Author: Roger Flury
Publisher: Scarecrow Press
ISBN: 0810883295
Category : Music
Languages : en
Pages : 937
Book Description
Opera recordings have been with us since the creation of the first wax cylinders. Now at a time when the 25-year reign of the compact disc appears to be coming to an end is the moment to take stock of the history of recordings of arguably the most popular composer of operas, Giacomo Puccini. In Giacomo Puccini: A Discography, librarian and music historian Roger Flury looks at each opera chronologically from Le Villi to Turandot, followed by sections on Puccini's instrumental, chamber, orchestral, and solo vocal works. Details of each complete opera are listed by recording date, followed by excerpts in the order in which they occur in the opera. Recordings of each aria are listed alphabetically by the name of the artist. For ease of use, Flury establishes as the main criteria for inclusion those recordings assigned a commercial issue number and available for purchase. This book does not limit itself to mainstream recordings but includes as well 'unofficial' recordings taken from broadcasts or illegally recorded in theaters, ensuring that the audio recording history of Puccini is free of gaps. (Video and DVD issues, whether of staged performances or excerpts in concert, are not included unless they have been issued in a sound-only format.) This volume brings together information on nearly 10,000 recordings of Puccini's music. It provides a comprehensive overview of the recorded history of the composer's works and serves as a useful guide for the transfer of recordings from one format to another.
Publisher: Scarecrow Press
ISBN: 0810883295
Category : Music
Languages : en
Pages : 937
Book Description
Opera recordings have been with us since the creation of the first wax cylinders. Now at a time when the 25-year reign of the compact disc appears to be coming to an end is the moment to take stock of the history of recordings of arguably the most popular composer of operas, Giacomo Puccini. In Giacomo Puccini: A Discography, librarian and music historian Roger Flury looks at each opera chronologically from Le Villi to Turandot, followed by sections on Puccini's instrumental, chamber, orchestral, and solo vocal works. Details of each complete opera are listed by recording date, followed by excerpts in the order in which they occur in the opera. Recordings of each aria are listed alphabetically by the name of the artist. For ease of use, Flury establishes as the main criteria for inclusion those recordings assigned a commercial issue number and available for purchase. This book does not limit itself to mainstream recordings but includes as well 'unofficial' recordings taken from broadcasts or illegally recorded in theaters, ensuring that the audio recording history of Puccini is free of gaps. (Video and DVD issues, whether of staged performances or excerpts in concert, are not included unless they have been issued in a sound-only format.) This volume brings together information on nearly 10,000 recordings of Puccini's music. It provides a comprehensive overview of the recorded history of the composer's works and serves as a useful guide for the transfer of recordings from one format to another.
Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris
Author: Mark Everist
Publisher: Taylor & Francis
ISBN: 100093912X
Category : History
Languages : en
Pages : 464
Book Description
Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.
Publisher: Taylor & Francis
ISBN: 100093912X
Category : History
Languages : en
Pages : 464
Book Description
Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.
Le stagioni di Giacomo Thomson corrispondenti all'originale inglese tradotte da Patrizio Muschi ..
Author: James Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 430
Book Description
Le Stagioni di Giacomo Thomson
Author: Giacomo Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 432
Book Description
An Introduction to the Dramatic Works of Giacomo Meyerbeer: Operas, Ballets, Cantatas, Plays
Author: Robert Ignatius Letellier
Publisher: Routledge
ISBN: 135157664X
Category : Music
Languages : en
Pages : 271
Book Description
Giacomo Meyerbeer (1791-1864) was a great musical dramatist in his own right. The fame of his operas rests on his radical treatment of form, his development of scenic complexes and greater plasticity of structure and melody, his dynamic use of the orchestra, and close attention to all aspects of presentation and production, all of which set new standards in Romantic opera and dramaturgy. This book carries forward the process of rediscovery and reassessment of Meyerbeer‘s artincluding not just his famous French operas, but also his German and Italian ones placing them in the context of his entire dramatic oeuvre, including his ballets, oratorios, cantatas and incidental music. From Meyerbeer‘s first stage presentation in 1810 to his great posthumous accolade in 1865, some 24 works mark the unfolding of this life lived for dramatic music. The reputation of the famous four grand operas may well live on in the public consciousness, but the other works remain largely unknown. This book provides an approachable introduction to them. The works have been divided into their generic types for quick reference and helpful association, and placed within the context of the composer‘s life and artistic development. Each section unfolds a brief history of the work‘s origins, an account of the plot, a critical survey of some of its musical characteristics, and a record of its performance history. Robert Letellier examines each work from a dramaturgical view point, including the essential often challenging philosophical and historical elements in the scenarios, and how these concepts were translated musically onto the stage. A series of portraits and stage iconography assist in bringing the works to life.
Publisher: Routledge
ISBN: 135157664X
Category : Music
Languages : en
Pages : 271
Book Description
Giacomo Meyerbeer (1791-1864) was a great musical dramatist in his own right. The fame of his operas rests on his radical treatment of form, his development of scenic complexes and greater plasticity of structure and melody, his dynamic use of the orchestra, and close attention to all aspects of presentation and production, all of which set new standards in Romantic opera and dramaturgy. This book carries forward the process of rediscovery and reassessment of Meyerbeer‘s artincluding not just his famous French operas, but also his German and Italian ones placing them in the context of his entire dramatic oeuvre, including his ballets, oratorios, cantatas and incidental music. From Meyerbeer‘s first stage presentation in 1810 to his great posthumous accolade in 1865, some 24 works mark the unfolding of this life lived for dramatic music. The reputation of the famous four grand operas may well live on in the public consciousness, but the other works remain largely unknown. This book provides an approachable introduction to them. The works have been divided into their generic types for quick reference and helpful association, and placed within the context of the composer‘s life and artistic development. Each section unfolds a brief history of the work‘s origins, an account of the plot, a critical survey of some of its musical characteristics, and a record of its performance history. Robert Letellier examines each work from a dramaturgical view point, including the essential often challenging philosophical and historical elements in the scenarios, and how these concepts were translated musically onto the stage. A series of portraits and stage iconography assist in bringing the works to life.
The Diaries of Giacomo Meyerbeer: The years of celebrity, 1850-1856
Author: Giacomo Meyerbeer
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638446
Category : Biography & Autobiography
Languages : en
Pages : 500
Book Description
Volume 3 covers a time span that preeminently represents the period in the composer's life known as The Years of International Fame (1850-56). Confirmed as the major figure on the operatic scene, and freed from the more onerous duties of his official position, Meyerbeer was able to enjoy his most remarkable period of stability and renown, as the detailed and absorbing diary entries reveal. These years saw the composing, rehearsing, and staging of L'Etoile du Nord (1854), and his personal supervision of major productions in London, Dresden, Stuttgart, and Vienna.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838638446
Category : Biography & Autobiography
Languages : en
Pages : 500
Book Description
Volume 3 covers a time span that preeminently represents the period in the composer's life known as The Years of International Fame (1850-56). Confirmed as the major figure on the operatic scene, and freed from the more onerous duties of his official position, Meyerbeer was able to enjoy his most remarkable period of stability and renown, as the detailed and absorbing diary entries reveal. These years saw the composing, rehearsing, and staging of L'Etoile du Nord (1854), and his personal supervision of major productions in London, Dresden, Stuttgart, and Vienna.