Author: Tim Armstrong
Publisher: Polity
ISBN: 0745629822
Category : Language Arts & Disciplines
Languages : en
Pages : 186
Book Description
This volume combines a clear overview for those with no prior knowledge or experience of modernism with a subtle argument that will appeal to higher level undergraduates and scholars.
Modernism
Author: Tim Armstrong
Publisher: Polity
ISBN: 0745629822
Category : Language Arts & Disciplines
Languages : en
Pages : 186
Book Description
This volume combines a clear overview for those with no prior knowledge or experience of modernism with a subtle argument that will appeal to higher level undergraduates and scholars.
Publisher: Polity
ISBN: 0745629822
Category : Language Arts & Disciplines
Languages : en
Pages : 186
Book Description
This volume combines a clear overview for those with no prior knowledge or experience of modernism with a subtle argument that will appeal to higher level undergraduates and scholars.
Modernism and Theory
Author: Stephen Ross
Publisher: Routledge
ISBN: 1135266999
Category : Literary Criticism
Languages : en
Pages : 513
Book Description
Modernism and Theory boldly asks what – if any – role theory has to play in the new modernist studies. Separated into three sections, each with a clear introduction, this collection of new essays from leading critics outlines ongoing debates on the nature of modernist culture. This collection examines aesthetic and methodological links between modernist literature and theory. addresses questions of the importance of theory to our understanding of ‘modernism’ and modernism as a literary category. considers intersections of modernism and theory within ethics, ecocriticism and the avant-garde. Concluding with an afterword from Fredric Jameson, the book makes use of an innovative dialogic format, offering a direct and engaging experience of the current debate in modernist studies. Contributors include: Charles F. Altieri, C.D. Blanton, Ian Buchanan, Pamela Caughie, Melba Cuddy-Keane, Thomas S. Davis, Oleg Gelikman, Jane Goldman, Ben Highmore, Fredric Jameson, Martin Jay, Bonnie Kime Scott, Neil Levi, Anneleen Masschelein, Scott McCracken, Andrew John Miller, Stephen Ross, Roger Rothman, Morag Shiach, Susan Stanford Friedman, Allan Stoekl, Hilary Thompson and Glenn Willmott.
Publisher: Routledge
ISBN: 1135266999
Category : Literary Criticism
Languages : en
Pages : 513
Book Description
Modernism and Theory boldly asks what – if any – role theory has to play in the new modernist studies. Separated into three sections, each with a clear introduction, this collection of new essays from leading critics outlines ongoing debates on the nature of modernist culture. This collection examines aesthetic and methodological links between modernist literature and theory. addresses questions of the importance of theory to our understanding of ‘modernism’ and modernism as a literary category. considers intersections of modernism and theory within ethics, ecocriticism and the avant-garde. Concluding with an afterword from Fredric Jameson, the book makes use of an innovative dialogic format, offering a direct and engaging experience of the current debate in modernist studies. Contributors include: Charles F. Altieri, C.D. Blanton, Ian Buchanan, Pamela Caughie, Melba Cuddy-Keane, Thomas S. Davis, Oleg Gelikman, Jane Goldman, Ben Highmore, Fredric Jameson, Martin Jay, Bonnie Kime Scott, Neil Levi, Anneleen Masschelein, Scott McCracken, Andrew John Miller, Stephen Ross, Roger Rothman, Morag Shiach, Susan Stanford Friedman, Allan Stoekl, Hilary Thompson and Glenn Willmott.
Modernism at the Microphone
Author: Melissa Dinsman
Publisher: Bloomsbury Publishing
ISBN: 1472595092
Category : History
Languages : en
Pages : 262
Book Description
As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers' radio works played in the propaganda war and the relationship between modernist literary aesthetics and propaganda. Drawing on new archival research, the book covers the broadcast work of such key figures as George Orwell, Orson Welles, Dorothy L. Sayers, Louis MacNeice, Mulk Raj Anand, T.S. Eliot, and P.G. Wodehouse. In addition to the work of Anglo-American modernists, Melissa Dinsman also explores the radio work of exiled German writers, such as Thomas Mann, as well as Ezra Pound's notorious pro-fascist broadcasts. In this way, the book reveals modernism's engagement with new technologies that opened up transnational boundaries under the pressures of war.
Publisher: Bloomsbury Publishing
ISBN: 1472595092
Category : History
Languages : en
Pages : 262
Book Description
As the Second World War raged throughout Europe, modernist writers often became crucial voices in the propaganda efforts of both sides. Modernism at the Microphone: Radio, Propaganda, and Literary Aesthetics During World War II is a comprehensive study of the role modernist writers' radio works played in the propaganda war and the relationship between modernist literary aesthetics and propaganda. Drawing on new archival research, the book covers the broadcast work of such key figures as George Orwell, Orson Welles, Dorothy L. Sayers, Louis MacNeice, Mulk Raj Anand, T.S. Eliot, and P.G. Wodehouse. In addition to the work of Anglo-American modernists, Melissa Dinsman also explores the radio work of exiled German writers, such as Thomas Mann, as well as Ezra Pound's notorious pro-fascist broadcasts. In this way, the book reveals modernism's engagement with new technologies that opened up transnational boundaries under the pressures of war.
Disciplining Modernism
Author: P. Caughie
Publisher: Springer
ISBN: 0230274293
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
A Poiret dress, a Catholic shrine in France, Thomas Wallis's Hoover Factory building, an Edna Manley sculpture, the poetry of Bei Dao, the internal combustion engine- what makes such artifacts modernist? Disciplining Modernism explores the different ways disciplines conceive modernism and modernity, undisciplining modernist studies in the process.
Publisher: Springer
ISBN: 0230274293
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
A Poiret dress, a Catholic shrine in France, Thomas Wallis's Hoover Factory building, an Edna Manley sculpture, the poetry of Bei Dao, the internal combustion engine- what makes such artifacts modernist? Disciplining Modernism explores the different ways disciplines conceive modernism and modernity, undisciplining modernist studies in the process.
Ghostwriting Modernism
Author: Helen Sword
Publisher: Cornell University Press
ISBN: 1501717669
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
Spiritualism is often dismissed by literary critics and historians as merely a Victorian fad. Helen Sword demonstrates that it continued to flourish well into the twentieth century and seeks to explain why. Literary modernism, she maintains, is replete with ghosts and spirits. In Ghostwriting Modernism she explores spiritualism's striking persistence and what she calls "the vexed relationship between mediumistic discourse and modernist literary aesthetics."Sword begins with a brief historical review of popular spiritualism's roots in nineteenth-century literary culture. In subsequent chapters, she discusses the forms of mediumship most closely allied with writing, the forms of writing most closely allied with mediumship, and the thematic and aesthetic alliances between popular spiritualism and modernist literature. Finally, she accounts for the recent proliferation of a spiritualist-influenced vocabulary (ghostliness, hauntings, the uncanny) in the works of historians, sociologists, philosophers, and especially literary critics and theorists.Documenting the hitherto unexplored relationship between spiritualism and modern authors (some credulous, some skeptical), Sword offers compelling readings of works by James Joyce, T. S. Eliot, W. B. Yeats, H.D., James Merrill, Sylvia Plath, and Ted Hughes. Even as modernists mock spiritualism's ludicrous lingo and deride its metaphysical excesses, she finds, they are intrigued and attracted by its ontological shiftiness, its blurring of the traditional divide between high culture and low culture, and its self-serving tendency to favor form over content (medium, so to speak, over message). Like modernism itself, Sword asserts, spiritualism embraces rather than eschews paradox, providing an ideological space where conservative beliefs can coexist with radical, even iconoclastic, thought and action.
Publisher: Cornell University Press
ISBN: 1501717669
Category : Literary Criticism
Languages : en
Pages : 227
Book Description
Spiritualism is often dismissed by literary critics and historians as merely a Victorian fad. Helen Sword demonstrates that it continued to flourish well into the twentieth century and seeks to explain why. Literary modernism, she maintains, is replete with ghosts and spirits. In Ghostwriting Modernism she explores spiritualism's striking persistence and what she calls "the vexed relationship between mediumistic discourse and modernist literary aesthetics."Sword begins with a brief historical review of popular spiritualism's roots in nineteenth-century literary culture. In subsequent chapters, she discusses the forms of mediumship most closely allied with writing, the forms of writing most closely allied with mediumship, and the thematic and aesthetic alliances between popular spiritualism and modernist literature. Finally, she accounts for the recent proliferation of a spiritualist-influenced vocabulary (ghostliness, hauntings, the uncanny) in the works of historians, sociologists, philosophers, and especially literary critics and theorists.Documenting the hitherto unexplored relationship between spiritualism and modern authors (some credulous, some skeptical), Sword offers compelling readings of works by James Joyce, T. S. Eliot, W. B. Yeats, H.D., James Merrill, Sylvia Plath, and Ted Hughes. Even as modernists mock spiritualism's ludicrous lingo and deride its metaphysical excesses, she finds, they are intrigued and attracted by its ontological shiftiness, its blurring of the traditional divide between high culture and low culture, and its self-serving tendency to favor form over content (medium, so to speak, over message). Like modernism itself, Sword asserts, spiritualism embraces rather than eschews paradox, providing an ideological space where conservative beliefs can coexist with radical, even iconoclastic, thought and action.
Literary Ghosts from the Victorians to Modernism
Author: Luke Thurston
Publisher: Routledge
ISBN: 1136282475
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write ‘life itself.’ Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of ‘life itself,’ an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the ‘hospitable’ space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.
Publisher: Routledge
ISBN: 1136282475
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
This book resituates the ghost story as a matter of literary hospitality and as part of a vital prehistory of modernism, seeing it not as a quaint neo-gothic ornament, but as a powerful literary response to the technological and psychological disturbances that marked the end of the Victorian era. Linking little-studied authors like M. R. James and May Sinclair to such canonical figures as Dickens, Henry James, Woolf, and Joyce, Thurston argues that the literary ghost should be seen as no mere relic of gothic style but as a portal of discovery, an opening onto the central modernist problem of how to write ‘life itself.’ Ghost stories are split between an ironic, often parodic reference to Gothic style and an evocation of ‘life itself,’ an implicit repudiation of all literary style. Reading the ghost story as both a guest and a host story, this book traces the ghost as a disruptive figure in the ‘hospitable’ space of narrative from Maturin, Poe and Dickens to the fin de siècle, and then on into the twentieth century.
Ghost Writing in Contemporary American Fiction
Author: David Coughlan
Publisher: Springer
ISBN: 1137410248
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
This book examines representations of the specter in American twentieth and twenty-first-century fiction. David Coughlan’s innovative structure has chapters on Paul Auster, Don DeLillo, Toni Morrison, Marilynne Robinson, and Philip Roth alternating with shorter sections detailing the significance of the ghost in the philosophy of Jacques Derrida, particularly within the context of his 1993 text, Specters of Marx. Together, these accounts of phantoms, shadows, haunts, spirit, the death sentence, and hospitality provide a compelling theoretical context in which to read contemporary US literature. Ghost Writing in Contemporary American Fiction argues at every stage that there is no self, no relation to the other, no love, no home, no mourning, no future, no trace of life without the return of the specter—that is, without ghost writing.
Publisher: Springer
ISBN: 1137410248
Category : Literary Criticism
Languages : en
Pages : 225
Book Description
This book examines representations of the specter in American twentieth and twenty-first-century fiction. David Coughlan’s innovative structure has chapters on Paul Auster, Don DeLillo, Toni Morrison, Marilynne Robinson, and Philip Roth alternating with shorter sections detailing the significance of the ghost in the philosophy of Jacques Derrida, particularly within the context of his 1993 text, Specters of Marx. Together, these accounts of phantoms, shadows, haunts, spirit, the death sentence, and hospitality provide a compelling theoretical context in which to read contemporary US literature. Ghost Writing in Contemporary American Fiction argues at every stage that there is no self, no relation to the other, no love, no home, no mourning, no future, no trace of life without the return of the specter—that is, without ghost writing.
Locating the Gothic in British Modernity
Author: Sam Wiseman
Publisher: Liverpool University Press
ISBN: 1942954905
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
This study considers how British literature from the late-Victorian era to the 1930s draws upon Gothic and supernatural narrative and imagery in its representations of place, whether metropolitan, suburban or rural; it argues that this period of dramatic socio-cultural change is shadowed by a corresponding evolution in Gothic literary representation.
Publisher: Liverpool University Press
ISBN: 1942954905
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
This study considers how British literature from the late-Victorian era to the 1930s draws upon Gothic and supernatural narrative and imagery in its representations of place, whether metropolitan, suburban or rural; it argues that this period of dramatic socio-cultural change is shadowed by a corresponding evolution in Gothic literary representation.
Cultures of Modernism
Author: Cristanne Miller
Publisher: University of Michigan Press
ISBN: 9780472032372
Category : American literature
Languages : en
Pages : 292
Book Description
Examines the influences of location on the literary achievements of three modernist women writers
Publisher: University of Michigan Press
ISBN: 9780472032372
Category : American literature
Languages : en
Pages : 292
Book Description
Examines the influences of location on the literary achievements of three modernist women writers
Incredible Modernism
Author: John Attridge
Publisher: Routledge
ISBN: 1317117557
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
With the twentieth century came a new awareness of just how much an individual was obliged to accept on trust, and this heightened awareness of social trust in turn prompted new kinds of anxiety about fraudulence and deception. Beginning with the premise that the traditional liberal concept of trust as a ’bond of society’ entered a period of crisis around the turn of the twentieth century, this collection examines the profound influence of this shift on a wide range of modernist writers, including James Joyce, Marcel Proust, Gertrude Stein, Ezra Pound, Wyndham Lewis, H.D., Ford Madox Ford, Samuel Beckett, Ralph Ellison and Wallace Stevens. In examining the importance of trust and fraudulence during the period, the contributors take up a diverse set of topics related to reception, the institutions of modernism, the history of authorship, the nature of representation, authenticity, genre, social order and politics. Taken as a whole, Incredible Modernism provides concrete historical coordinates for the study of twentieth-century trust, while also arguing that a problem of trust is central to the institutions and formal innovations of modernism itself.
Publisher: Routledge
ISBN: 1317117557
Category : Literary Criticism
Languages : en
Pages : 258
Book Description
With the twentieth century came a new awareness of just how much an individual was obliged to accept on trust, and this heightened awareness of social trust in turn prompted new kinds of anxiety about fraudulence and deception. Beginning with the premise that the traditional liberal concept of trust as a ’bond of society’ entered a period of crisis around the turn of the twentieth century, this collection examines the profound influence of this shift on a wide range of modernist writers, including James Joyce, Marcel Proust, Gertrude Stein, Ezra Pound, Wyndham Lewis, H.D., Ford Madox Ford, Samuel Beckett, Ralph Ellison and Wallace Stevens. In examining the importance of trust and fraudulence during the period, the contributors take up a diverse set of topics related to reception, the institutions of modernism, the history of authorship, the nature of representation, authenticity, genre, social order and politics. Taken as a whole, Incredible Modernism provides concrete historical coordinates for the study of twentieth-century trust, while also arguing that a problem of trust is central to the institutions and formal innovations of modernism itself.