Author: Richard Dove
Publisher: Springer
ISBN: 134911815X
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
Political changes between 1918 and 1939 had important implications for German writers. The essays in this volume focus on questions such as the writers' relationship to political parties and ideology, their treatment of the legacy of World War I, and their response to the rise of fascism.
German Writers and Politics 1918–39
Author: Richard Dove
Publisher: Springer
ISBN: 134911815X
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
Political changes between 1918 and 1939 had important implications for German writers. The essays in this volume focus on questions such as the writers' relationship to political parties and ideology, their treatment of the legacy of World War I, and their response to the rise of fascism.
Publisher: Springer
ISBN: 134911815X
Category : Literary Criticism
Languages : en
Pages : 236
Book Description
Political changes between 1918 and 1939 had important implications for German writers. The essays in this volume focus on questions such as the writers' relationship to political parties and ideology, their treatment of the legacy of World War I, and their response to the rise of fascism.
Reichswehr Politics
Author: F. L. Carsten
Publisher: Univ of California Press
ISBN: 9780520024922
Category : Political Science
Languages : en
Pages : 444
Book Description
Studies the influence of the German military's growth and political power on the unstable Weimar government, rearmament, and the nationalistic spirit which led to Hitler's rise to power
Publisher: Univ of California Press
ISBN: 9780520024922
Category : Political Science
Languages : en
Pages : 444
Book Description
Studies the influence of the German military's growth and political power on the unstable Weimar government, rearmament, and the nationalistic spirit which led to Hitler's rise to power
German Literature and the First World War: The Anti-War Tradition
Author: Brian Murdoch
Publisher: Routledge
ISBN: 1317128435
Category : History
Languages : en
Pages : 329
Book Description
The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque’s All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque’s work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.
Publisher: Routledge
ISBN: 1317128435
Category : History
Languages : en
Pages : 329
Book Description
The period immediately following the end of the First World War witnessed an outpouring of artistic and literary creativity, as those that had lived through the war years sought to communicate their experiences and opinions. In Germany this manifested itself broadly into two camps, one condemning the war outright; the other condemning the defeat. Of the former, Erich Maria Remarque’s All Quiet on the Western Front remains the archetypal example of an anti-war novel, and one that has become synonymous with the Great War. Yet the tremendous and enduring popularity of Remarque’s work has to some extent eclipsed a plethora of other German anti-war writers, such as Hans Chlumberg, Ernst Johannsen and Adrienne Thomas. In order to provide a more rounded view of German anti-war literature, this volume offers a selection of essays published by Brian Murdoch over the past twenty years. Beginning with a newly written introduction, providing the context for the volume and surveying recent developments in the subject, the essays that follow range broadly over the German anti-war literary tradition, telling us much about the shifting and contested nature of the war. The volume also touches upon subjects such as responsibility, victimhood, the problem of historical hiatus in the production and reception of novels, drama, poetry, film and other literature written during the war, in the Weimar Republic, and in the Third Reich. The collection also underlines the potential dangers of using novels as historical sources even when they look like diaries. One essay was previously unpublished, two have been augmented, and three are translated into English for the first time. Taken together they offer a fascinating insight into the cultural memory and literary legacy of the First World War and German anti-war texts.
The History of German Literature on Film
Author: Christiane Schönfeld
Publisher: Bloomsbury Publishing USA
ISBN: 162892375X
Category : Literary Criticism
Languages : en
Pages : 721
Book Description
This book tells the story of German-language literature on film, beginning with pioneering motion picture adaptations of Faust in 1897 and early debates focused on high art as mass culture. It explores, analyzes and contextualizes the so-called 'golden age' of silent cinema in the 1920s, the impact of sound on adaptation practices, the abuse of literary heritage by Nazi filmmakers, and traces the role of German-language literature in exile and postwar films, across ideological boundaries in divided Germany, in New German Cinema, and in remakes and movies for cinema as well as television and streaming services in the 21st century. Having provided the narrative core to thousands of films since the late 19th century, many of German cinema's most influential masterpieces were inspired by canonical texts, popular plays, and even children's literature. Not being restricted to German adaptations, however, this book also traces the role of literature originally written in German in international film productions, which sheds light on the interrelation between cinema and key historical events. It outlines how processes of adaptation are shaped by global catastrophes and the emergence of nations, by materialist conditions, liberal economies and capitalist imperatives, political agendas, the mobility of individuals, and sometimes by the desire to create reflective surfaces and, perhaps, even art. Commercial cinema's adaptation practices have foregrounded economic interest, but numerous filmmakers throughout cinema history have turned to German-language literature not simply to entertain, but as a creative contribution to the public sphere, marking adaptation practice, at least potentially, as a form of active citizenship.
Publisher: Bloomsbury Publishing USA
ISBN: 162892375X
Category : Literary Criticism
Languages : en
Pages : 721
Book Description
This book tells the story of German-language literature on film, beginning with pioneering motion picture adaptations of Faust in 1897 and early debates focused on high art as mass culture. It explores, analyzes and contextualizes the so-called 'golden age' of silent cinema in the 1920s, the impact of sound on adaptation practices, the abuse of literary heritage by Nazi filmmakers, and traces the role of German-language literature in exile and postwar films, across ideological boundaries in divided Germany, in New German Cinema, and in remakes and movies for cinema as well as television and streaming services in the 21st century. Having provided the narrative core to thousands of films since the late 19th century, many of German cinema's most influential masterpieces were inspired by canonical texts, popular plays, and even children's literature. Not being restricted to German adaptations, however, this book also traces the role of literature originally written in German in international film productions, which sheds light on the interrelation between cinema and key historical events. It outlines how processes of adaptation are shaped by global catastrophes and the emergence of nations, by materialist conditions, liberal economies and capitalist imperatives, political agendas, the mobility of individuals, and sometimes by the desire to create reflective surfaces and, perhaps, even art. Commercial cinema's adaptation practices have foregrounded economic interest, but numerous filmmakers throughout cinema history have turned to German-language literature not simply to entertain, but as a creative contribution to the public sphere, marking adaptation practice, at least potentially, as a form of active citizenship.
The Novels of Erich Maria Remarque
Author: Brian Murdoch
Publisher: Camden House
ISBN: 9781571133281
Category : Fiction
Languages : en
Pages : 272
Book Description
New view of Remarque's novels as a chronicle of the century yet more than a mere reflection of historical events.
Publisher: Camden House
ISBN: 9781571133281
Category : Fiction
Languages : en
Pages : 272
Book Description
New view of Remarque's novels as a chronicle of the century yet more than a mere reflection of historical events.
The Death of Democracy
Author: Benjamin Carter Hett
Publisher: Henry Holt and Company
ISBN: 1250162513
Category : History
Languages : en
Pages : 304
Book Description
A riveting account of how the Nazi Party came to power and how the failures of the Weimar Republic and the shortsightedness of German politicians allowed it to happen. Why did democracy fall apart so quickly and completely in Germany in the 1930s? How did a democratic government allow Adolf Hitler to seize power? In The Death of Democracy, Benjamin Carter Hett answers these questions, and the story he tells has disturbing resonances for our own time. To say that Hitler was elected is too simple. He would never have come to power if Germany’s leading politicians had not responded to a spate of populist insurgencies by trying to co-opt him, a strategy that backed them into a corner from which the only way out was to bring the Nazis in. Hett lays bare the misguided confidence of conservative politicians who believed that Hitler and his followers would willingly support them, not recognizing that their efforts to use the Nazis actually played into Hitler’s hands. They had willingly given him the tools to turn Germany into a vicious dictatorship. Benjamin Carter Hett is a leading scholar of twentieth-century Germany and a gifted storyteller whose portraits of these feckless politicians show how fragile democracy can be when those in power do not respect it. He offers a powerful lesson for today, when democracy once again finds itself embattled and the siren song of strongmen sounds ever louder.
Publisher: Henry Holt and Company
ISBN: 1250162513
Category : History
Languages : en
Pages : 304
Book Description
A riveting account of how the Nazi Party came to power and how the failures of the Weimar Republic and the shortsightedness of German politicians allowed it to happen. Why did democracy fall apart so quickly and completely in Germany in the 1930s? How did a democratic government allow Adolf Hitler to seize power? In The Death of Democracy, Benjamin Carter Hett answers these questions, and the story he tells has disturbing resonances for our own time. To say that Hitler was elected is too simple. He would never have come to power if Germany’s leading politicians had not responded to a spate of populist insurgencies by trying to co-opt him, a strategy that backed them into a corner from which the only way out was to bring the Nazis in. Hett lays bare the misguided confidence of conservative politicians who believed that Hitler and his followers would willingly support them, not recognizing that their efforts to use the Nazis actually played into Hitler’s hands. They had willingly given him the tools to turn Germany into a vicious dictatorship. Benjamin Carter Hett is a leading scholar of twentieth-century Germany and a gifted storyteller whose portraits of these feckless politicians show how fragile democracy can be when those in power do not respect it. He offers a powerful lesson for today, when democracy once again finds itself embattled and the siren song of strongmen sounds ever louder.
Ernst Toller and German Society
Author: Robert Ellis
Publisher: Rowman & Littlefield
ISBN: 1611476364
Category : Biography & Autobiography
Languages : en
Pages : 253
Book Description
During the years of Weimar and the Third Reich, Toller was one of the more active of the "other Germany's" left-wing intellectuals. A leader of the Bavarian Soviet of 1919, he had in addition won the Kleist prize and was recognized as one of Germany's best playwrights. Indeed, during the years of the Weimar Republic, the popularity of his works was unquestioned. His first play, Die Wandlung, was soon sold out and required a second edition; his dramatic works and poems were translated into twenty-seven languages. During the 1920’s it was said that he "dominated the German and Russian theatre" and that he was the "most spectacular personality in modern German literature." It was common for contemporaries to classify him as one of the foremost German writers of the Weimar era. During the 1930s, as an exile, he popularized to foreign audiences the idea of “the other Germany”and became a leading spokesman against Hitler. However, it is Toller the social critic rather than Toller the dramatist with which thisbook is concerned, his ideas, his visions for Germany and Europe as transmitted in his works of fiction and prose. The book reflects on the responsibility an intellectual-critic has when writing about a democratic society (the Weimar Republic) that is unsuccessfully balancing between survival and annihilation. Toller was furthermore a Jewish intellectual. How did his religious traditions shape his views? He was also German and this raises a whole host of specifically Germanic patterns of looking at the world. He was also a left-wing intellectual and Toller is set in the broader context of left-wing intellectuals in Weimar and the Nazi era. A related reflection is to ask: so what? What difference did it make? How much of an influence do intellectuals have in the development of society? What is the relationship between intellectuals and their readers in a troubled society?
Publisher: Rowman & Littlefield
ISBN: 1611476364
Category : Biography & Autobiography
Languages : en
Pages : 253
Book Description
During the years of Weimar and the Third Reich, Toller was one of the more active of the "other Germany's" left-wing intellectuals. A leader of the Bavarian Soviet of 1919, he had in addition won the Kleist prize and was recognized as one of Germany's best playwrights. Indeed, during the years of the Weimar Republic, the popularity of his works was unquestioned. His first play, Die Wandlung, was soon sold out and required a second edition; his dramatic works and poems were translated into twenty-seven languages. During the 1920’s it was said that he "dominated the German and Russian theatre" and that he was the "most spectacular personality in modern German literature." It was common for contemporaries to classify him as one of the foremost German writers of the Weimar era. During the 1930s, as an exile, he popularized to foreign audiences the idea of “the other Germany”and became a leading spokesman against Hitler. However, it is Toller the social critic rather than Toller the dramatist with which thisbook is concerned, his ideas, his visions for Germany and Europe as transmitted in his works of fiction and prose. The book reflects on the responsibility an intellectual-critic has when writing about a democratic society (the Weimar Republic) that is unsuccessfully balancing between survival and annihilation. Toller was furthermore a Jewish intellectual. How did his religious traditions shape his views? He was also German and this raises a whole host of specifically Germanic patterns of looking at the world. He was also a left-wing intellectual and Toller is set in the broader context of left-wing intellectuals in Weimar and the Nazi era. A related reflection is to ask: so what? What difference did it make? How much of an influence do intellectuals have in the development of society? What is the relationship between intellectuals and their readers in a troubled society?
Tucholsky and France
Author: Stephanie Burrows
Publisher: MHRA
ISBN: 9781902653624
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
In his final 'Q-Tagebuch' report to Hedwig Muller dated 19 December 1935 Tucholsky declared: 'Dass ich mein Leben zerhauen habe, weiss ich. Dass ich nicht allein daran schuld bin, weiss ich aber auch. Mein Gott, ware ich in Frankreich geboren...!' Combining biographical investigation with an analysis of Tucholsky's published journalism, this study sets out to assess the significance of the contact with France and French culture in Tucholsky's life and work It shows the extent to which he was influenced by the French cultural and intellectual tradition, and by his first-hand experience of France. It provides new insights into Tucholsky's life in France, notably his involvement with French freemasonry and the importance of his contacts in French literary, pacifist, and political circles. This study also considers the role Tucholsky played, or attempted to play, in improving Franco-German relations, and reveals the extent of his efforts to promote rapprochment, not only in Germany, but also in France, through behind-the-scenes contact with politicians and diplomats, through lectures, and through his published journalism.
Publisher: MHRA
ISBN: 9781902653624
Category : Biography & Autobiography
Languages : en
Pages : 284
Book Description
In his final 'Q-Tagebuch' report to Hedwig Muller dated 19 December 1935 Tucholsky declared: 'Dass ich mein Leben zerhauen habe, weiss ich. Dass ich nicht allein daran schuld bin, weiss ich aber auch. Mein Gott, ware ich in Frankreich geboren...!' Combining biographical investigation with an analysis of Tucholsky's published journalism, this study sets out to assess the significance of the contact with France and French culture in Tucholsky's life and work It shows the extent to which he was influenced by the French cultural and intellectual tradition, and by his first-hand experience of France. It provides new insights into Tucholsky's life in France, notably his involvement with French freemasonry and the importance of his contacts in French literary, pacifist, and political circles. This study also considers the role Tucholsky played, or attempted to play, in improving Franco-German relations, and reveals the extent of his efforts to promote rapprochment, not only in Germany, but also in France, through behind-the-scenes contact with politicians and diplomats, through lectures, and through his published journalism.
The Dictators: Hitler's Germany, Stalin's Russia
Author: Richard Overy
Publisher: W. W. Norton & Company
ISBN: 0393651754
Category : History
Languages : en
Pages : 1084
Book Description
"A book of great importance; it surpasses all others in breadth and depth."--Commentary If the past century will be remembered for its tragic pairing of civilized achievement and organized destruction, at the heart of darkness may be found Hitler, Stalin, and the systems of domination they forged. Their lethal regimes murdered millions and fought a massive, deadly war. Yet their dictatorships took shape within formal constitutional structures and drew the support of the German and Russian people. In the first major historical work to analyze the two dictatorships together in depth, Richard Overy gives us an absorbing study of Hitler and Stalin, ranging from their private and public selves, their ascents to power and consolidation of absolute rule, to their waging of massive war and creation of far-flung empires of camps and prisons. The Nazi extermination camps and the vast Soviet Gulag represent the two dictatorships in their most inhuman form. Overy shows us the human and historical roots of these evils.
Publisher: W. W. Norton & Company
ISBN: 0393651754
Category : History
Languages : en
Pages : 1084
Book Description
"A book of great importance; it surpasses all others in breadth and depth."--Commentary If the past century will be remembered for its tragic pairing of civilized achievement and organized destruction, at the heart of darkness may be found Hitler, Stalin, and the systems of domination they forged. Their lethal regimes murdered millions and fought a massive, deadly war. Yet their dictatorships took shape within formal constitutional structures and drew the support of the German and Russian people. In the first major historical work to analyze the two dictatorships together in depth, Richard Overy gives us an absorbing study of Hitler and Stalin, ranging from their private and public selves, their ascents to power and consolidation of absolute rule, to their waging of massive war and creation of far-flung empires of camps and prisons. The Nazi extermination camps and the vast Soviet Gulag represent the two dictatorships in their most inhuman form. Overy shows us the human and historical roots of these evils.
Germans in Britain Since 1500
Author: Panikos Panayi
Publisher: Bloomsbury Publishing
ISBN: 0826420389
Category : History
Languages : en
Pages : 281
Book Description
German-speaking people have always lived, either as temporary or as long-term residents, in the British Isles. While the majority of the visitors arrived to pursue trade, others came for a wide variety of reasons. In the sixteenth century German reformers came to promote Protestantism. In 1714 the Elector of Hanover came because he had inherited the crown. In Victorian times Karl Marx wrote Das Kapital in the British Museum. The nineteenth century was perhaps the highpoint in the history of German settlement, with the establishment of widespread German communities and organisations. The First World War, and a combinations of official and unofficial hostility, destroyed most of these communities. During the interwar years both Nazis and Jewish refugees from Nazism entered the country. Since the war, professionals have formed the basis of the German community. The present volume traces the history of German settlement through a series of essays designed to cover each period and to analyse specific aspects. Germans in Britain Since 1500 represents a unique history of an immigrant grouping in Britain over almost 500 years.
Publisher: Bloomsbury Publishing
ISBN: 0826420389
Category : History
Languages : en
Pages : 281
Book Description
German-speaking people have always lived, either as temporary or as long-term residents, in the British Isles. While the majority of the visitors arrived to pursue trade, others came for a wide variety of reasons. In the sixteenth century German reformers came to promote Protestantism. In 1714 the Elector of Hanover came because he had inherited the crown. In Victorian times Karl Marx wrote Das Kapital in the British Museum. The nineteenth century was perhaps the highpoint in the history of German settlement, with the establishment of widespread German communities and organisations. The First World War, and a combinations of official and unofficial hostility, destroyed most of these communities. During the interwar years both Nazis and Jewish refugees from Nazism entered the country. Since the war, professionals have formed the basis of the German community. The present volume traces the history of German settlement through a series of essays designed to cover each period and to analyse specific aspects. Germans in Britain Since 1500 represents a unique history of an immigrant grouping in Britain over almost 500 years.